October 26, 2011
Pasadena Symphony Who: Mei-Ann Chen, conductor and James Ehnes, violin Where: Ambassador Auditorium, 131 S. St. John Ave., Pasadena When: 2 and 8 p.m. Saturday Tickets: $35 to $100 Information: (626) 793-7172; PasadenaSymphony-Pops.org
April 15, 2012
'La Bohème' Where: Pacific Symphony, Renée and Henry Segerstrom Concert Hall, Costa Mesa When: 8 p.m. Thursday, Saturday and April 24. Tickets: $30-$110 Information: (714) 755-5799 or http://www.pacificsymphony.org Where: Los Angeles Opera, Dorothy Chandler Pavilion, downtown L.A. When: May 12-June 2 Tickets: $20-$230 Information: (213) 972-8001 or http://www.laopera.com
November 5, 1988 |
Those who follow the musical peregrinations of the San Diego Symphony on a weekly basis must be sorely tempted to ask, "Will the real San Diego Symphony please stand!" Each week, a new guest conductor seems to conjure a different orchestra--each with its own strengths and weaknesses--out of the same musical ensemble.
February 4, 1991 |
In the best of all possible worlds, the string quartet is the crucible in which a composer's essential character is revealed. The Vermeer String Quartet brought white-hot passions to its Saturday night concert of Beethoven, Shostakovich and Dvorak, making Sherwood Auditorium the best of all possible musical worlds for an incredibly rich two hours. Passion, of course, was only part of the Vermeer success story.
September 1, 1988 |
SummerFest '88, the La Jolla Chamber Music Society's conspicuously well-attended 11-day festival, took its final curtain calls Tuesday night at Sherwood Auditorium. Festival artistic director Heiichiro Ohyama took the podium and led the San Diego Chamber Orchestra in a pleasant potpourri of Mozart, J. S. Bach and Ernest Bloch. With only a tangential relationship to the chamber music festival, the program seemed like a postscript rather than a grand finale.
November 19, 1990 |
Soprano Kathleen Battle had an uneven night at Civic Theatre Saturday. In the opening half of her recital, she started two songs over again, apparently fighting drainage or some other vocal discomfort. And, on several occasions, the diva was at odds with her overly independent accompanist, Kenneth Griffiths, whom she gave numerous corrections with unsubtle hand signals.