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April 14, 2013 | By Mikael Wood
INDIO -- The frenzied festival atmosphere at Coachella -- where every musical act is always in competition with several others for showgoers' attention -- can lead to a bulking-up effect among artists otherwise inclined toward delicacy and refinement. Late Sunday afternoon, you could see it in sets by the English soul singer Jessie Ware (in the Mojave Tent) and the New York electro duo Tanlines (in the Gobi Tent). On record, each savors the infinite possibilities of the studio, detailing every groove with headphone-ready precision.
December 16, 2012 | By August Brown
If the S.S. Coachella is going to last, it's going to need its own rituals. On the night before the inaugural Coachella cruise sets off (I'm currently pregaming in a Ft. Lauderdale, Fla., hotel room) I'm missing all the usual signposts of an impending Coachella back in California. The buying of sunglasses, the selection of driving music for the 10, the debates about after-parties and the congratulations-you-made-it-to-Indio rounds at the Beer Hunter bar (OK, maybe that last one is just me)
April 13, 2013 | By Jessica Gelt
There comes a time in every party girl's life when the party stops being fun. Such was the case Friday night at the parties surrounding Coachella when massive lines, overcrowding, ridiculous displays of outsized drunkenness and the general fatigue of everyone made for a tough night out. The evening's biggest letdown came in the form of the Diesel + Edun / Rolling Stone: Studio Africa party. Located at a posh ranch just off the festival grounds, the party -- scheduled to begin at 10 p.m. -- was crammed to capacity by 11:15.
April 18, 2009
April 13, 2013 | By Randall Roberts, Los Angeles Times Pop Music Critic
The question lingered for nearly the entire set: When would Baauer drop "Harlem Shake," his syrupy instrumental dance track that spawned a viral craze? Would he do it early to get it out of the way, as Gotye did when he played "Somebody That I Used to Know" this time last year? Would he pull an MGMT, which memorably ignored its anthem "Time to Pretend" in 2008? Baauer's ubiquitous jam had to come -- didn't it? For 55 intense minutes the New York producer teased the audience, working to deliver proof that he's not a one-hit wonder, but a production force working to bring the hot subgenre of trap rap to the masses.
April 18, 2013 | By Randall Roberts, Los Angeles Times Pop Music Critic
This weekend at Coachella, about 190 acts will return for the second, and final, weekend of the annual festival. And the simple truth is, whether you're headed to Indio, recovering from last weekend's festival and looking for some couch viewing on the Web or merely curious to witness new sounds of today, it will be impossible to catch everything. A shame, but not the end of the world; unsurprisingly, not everything was great. As someone who went last week intent on catching as many new and/or unsung acts as possible, I returned with opinions on what to see and not. Below are a few tips.
April 10, 2011 | By Booth Moore, Los Angeles Times
Robyn It's turning out to be a good year for electro pop singer Robyn, 31, who landed one of the covers of Elle magazine's May music issue , after cleaning up at the Swedish Grammys in January. She first burst on the scene in the late 1990s, with dance hits like "Do You Know What It Takes. " But with three album releases last year ("Body Talk," Parts 1, 2 and 3), she's attracting a whole new generation of fans with her platinum tomboy hair and punk style. Robyn (born Robin Miriam Carlson)
April 5, 2013 | By Randall Roberts, Los Angeles Times Pop Music Critic
This edition of Essential Tracks gathers new music by lesser-known artists gigging next weekend's Coachella Music and Arts Festival in Indio -- as well as one epic reissue by a recently reunited group. If you haven't the desire, money or constitution to spend three days surrounded by so many humans under the desert sun, you can find comfort in the tracks (and watch the whole event live online). Those gearing up for the two-weekend festival have seven days to memorize these tracks. Kurt Vile, “Wakin on a Pretty Daze” (Matador)
April 22, 2013 | By Gerrick D. Kennedy
The Lumineers knew what would win over the Coachella crowd Sunday afternoon. They didn't tuck “Ho Hey,” the feel-good, Top 10 anthem that broke the Denver folk-revival trio less than a year ago, deep into their main-stage showing. They put it very early in their performance. A steady flow of stragglers ran toward the Grammy-nominated breakout band to capture the moment on smartphones and help them shout “Hey” during the song's sinfully irresistible chorus. COACHELLA: Festival photos since 2004   “We're just getting started,” lead singer Wesley Schultz promised.
April 17, 2012 | By Deborah Netburn
The late Tupac Shakur rose again last weekend at Coachella -- brought to life by James Cameron's visual production house Digital Domain, and two hologram-imaging companies, AV Concepts and the U.K.-based Musion Systems. The capacity crowd reportedly went silent with shock when Shakur appeared to rise from the stage, shout a profanity filled version of "What's up Coachella?" and then joined headliners Snoop Dog and Dr. Dre for two songs. But that shock value will only last so long as holographic images are poised to increasingly feature in mainstream music performances.
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