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ENTERTAINMENT
April 22, 2013 | By Gerrick D. Kennedy
The Lumineers knew what would win over the Coachella crowd Sunday afternoon. They didn't tuck “Ho Hey,” the feel-good, Top 10 anthem that broke the Denver folk-revival trio less than a year ago, deep into their main-stage showing. They put it very early in their performance. A steady flow of stragglers ran toward the Grammy-nominated breakout band to capture the moment on smartphones and help them shout “Hey” during the song's sinfully irresistible chorus. COACHELLA: Festival photos since 2004   “We're just getting started,” lead singer Wesley Schultz promised.
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ENTERTAINMENT
December 16, 2012 | By August Brown
If the S.S. Coachella is going to last, it's going to need its own rituals. On the night before the inaugural Coachella cruise sets off (I'm currently pregaming in a Ft. Lauderdale, Fla., hotel room) I'm missing all the usual signposts of an impending Coachella back in California. The buying of sunglasses, the selection of driving music for the 10, the debates about after-parties and the congratulations-you-made-it-to-Indio rounds at the Beer Hunter bar (OK, maybe that last one is just me)
NEWS
April 13, 2013 | By Jessica Gelt
There comes a time in every party girl's life when the party stops being fun. Such was the case Friday night at the parties surrounding Coachella when massive lines, overcrowding, ridiculous displays of outsized drunkenness and the general fatigue of everyone made for a tough night out. The evening's biggest letdown came in the form of the Diesel + Edun / Rolling Stone: Studio Africa party. Located at a posh ranch just off the festival grounds, the party -- scheduled to begin at 10 p.m. -- was crammed to capacity by 11:15.
ENTERTAINMENT
January 25, 2013 | By August Brown
For Brit-pop fans, Thursday night's Coachella announcement was like a birthday, Christmas, Hannukah and an unexpected inheritance check all arriving at once. Devotees of the dance-leaning Sahara Tent, however, might be taken aback by the light bill of major EDM superstars, or even rising newbies who haven't played L.A. in the last six months, on the bill this year. One has to scroll down to the third line of any given day before a proper dance act is listed (some electro-leaning bands like The Postal Service and New Order have higher billing)
ENTERTAINMENT
April 13, 2013 | By Randall Roberts, Los Angeles Times Pop Music Critic
The question lingered for nearly the entire set: When would Baauer drop "Harlem Shake," his syrupy instrumental dance track that spawned a viral craze? Would he do it early to get it out of the way, as Gotye did when he played "Somebody That I Used to Know" this time last year? Would he pull an MGMT, which memorably ignored its anthem "Time to Pretend" in 2008? Baauer's ubiquitous jam had to come -- didn't it? For 55 intense minutes the New York producer teased the audience, working to deliver proof that he's not a one-hit wonder, but a production force working to bring the hot subgenre of trap rap to the masses.
ENTERTAINMENT
April 14, 2013 | By Randall Roberts, Los Angeles Times Pop Music Critic
During a between-song break during their first-ever live performance at Coachella on Saturday night, singer Ben Gibbard introduced the unit he co-founded with Jimmy Tamborello as "an imaginary band called the Postal Service. " He was acknowledging the group's unlikely rise, but the reaction to its music was very real, whether delivered by a make-believe band or a platinum artist.  Ten years ago the two made what they thought would be a one-off side project. Gibbard was taking a break from his day job in Death Cab for Cutie, and Tamborello was looking to further examine a sound he'd forged as Dntel with the underground hit "The Dream of Evan and Chan.
ENTERTAINMENT
April 5, 2013 | By Randall Roberts, Los Angeles Times Pop Music Critic
This edition of Essential Tracks gathers new music by lesser-known artists gigging next weekend's Coachella Music and Arts Festival in Indio -- as well as one epic reissue by a recently reunited group. If you haven't the desire, money or constitution to spend three days surrounded by so many humans under the desert sun, you can find comfort in the tracks (and watch the whole event live online). Those gearing up for the two-weekend festival have seven days to memorize these tracks. Kurt Vile, “Wakin on a Pretty Daze” (Matador)
NEWS
April 18, 2009
ENTERTAINMENT
April 12, 2014 | By Randall Roberts, Los Angeles Times Pop Music Critic
The buildup lasted much of Outkast's oft-riveting Coachella performance on Friday night, rolling toward those set-ending classics and album tracks that defined the early '00s: "So Fresh, So Clean," "Ms. Jackson" and "Hey Ya!"  Triumphantly returning to celebrate 20 years as a team, Antwan "Big Boi" Patton and Andre "3000" Benjamin presented repeated arguments as to why they'd earned such a huge Southern California welcome for their first shows since the Atlanta duo went on hiatus in 2007.
ENTERTAINMENT
April 18, 2013 | By Randall Roberts, Los Angeles Times Pop Music Critic
This weekend at Coachella, about 190 acts will return for the second, and final, weekend of the annual festival. And the simple truth is, whether you're headed to Indio, recovering from last weekend's festival and looking for some couch viewing on the Web or merely curious to witness new sounds of today, it will be impossible to catch everything. A shame, but not the end of the world; unsurprisingly, not everything was great. As someone who went last week intent on catching as many new and/or unsung acts as possible, I returned with opinions on what to see and not. Below are a few tips.
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