August 14, 2012 |
Christina Aguilera's hair is going the opposite direction of Miley Cyrus': While Miley was taking the color out and the length short, Xtina is leaving it long and adding color. The color purple, as a matter of fact. Aguilera showed off her new look Sunday at a media event for "The Voice," where she appeared with fellow judges Blake Shelton, Cee Lo Green and Adam Levine, host Carson Daly and producer Mark Burnett. The series premieres Sept. 10. The big news of the event, in addition to the purple?
January 31, 2012 |
If you've never seen ranunculus, specifically giant tecolote ranunculus , think of something that looks like a showy rose with a swirled and ruffled heart. These blooms are beyond colorful, and for the last 60 years or so they have been the stars of the Flower Fields in seaside Carlsbad. For the first time in 15 years, the color motif at the 50-acre Carlsbad Ranch will change this spring. "The Flower Fields decided to change the pattern this year to make it more visually appealing and surprise visitors with a new, more beautiful experience," spokeswoman Cambria McConnell said in an email.
HOME & GARDEN
December 19, 2009
When it comes to color, the subject of Kelly Wearstler's third coffee-table book, the Los Angeles-based designer writes: "I do not think there are any rules." That philosophy also applies to her literary efforts. Wearstler gained fame for creating high-voltage interiors filled with color, texture and pattern, but as an author, she plays the die-hard minimalist. "Hue" offers only an introductory Q & A with Wearstler that explores her philosophy of color and cites some of the architects, designers and artists who have inspired her. Photo captions don't exist, and credits and resources are found only in an index at the end of the book.
February 23, 2003
Thank you for Lynn Smith's comprehensive article on color in the service of character and theme ("Shading the story," Feb. 16). As one who has researched the effects of color on behavior for more than 20 years and who teaches "Color and Visual Storytelling" at the AFI Conservatory, I can unequivocally tell you that color's influence on the emotions is profound. It influences us to form opinions of characters and identify with emotional undercurrents in a film. In "Philadelphia," as dying Tom Hanks clings to his IV stand, translating the lyrics to an opera whose theme is love and loss, he is slowly enveloped by an intense red light from nowhere.
June 10, 2013 |
The always eye-catching Conservatory & Botanical Gardens at Bellagio in Las Vegas is celebrating summer through Sept. 8 with giant sunflowers, multicolored kites and real birds. The conservatory, an oasis in the desert, is bursting with such blooms as hydrangeas and chrysanthemums. Nearby, a dozen rosy Bourke's parrots (sometimes classified as parakeets) and 50 finches flutter about a greenhouse, while larger-than-life birds made from seeds and other organic materials soar overhead.
November 21, 2013 |
Jay Kvapil's new, variably intriguing ceramic work at Couturier is largely about surface -- viscous, painterly glazes and cratered shells. With only a few exceptions, the vessel forms are understated and conventional. They call little attention to themselves and instead serve as vehicles for potent color and assertive texture. Kvapil titled an earlier series "Pictorial Vessels," making explicit the priority given to surface as bearer of image or mark. Several works here continue in that vein, their glazes like thick, draping garments extending below the cylindrical body of a cup or vase.
November 23, 1986
I am very upset about this whole colorization scheme. I adore old movies and think that coloring classics such as "The Maltese Falcon" is an atrocity. The only good I see coming out of this whole process is that the networks are running more classics. Thank heavens for that little piece of home-based technology, the color knob. Ted Turner and other mercenaries like him may have the power to leave their mark like so many dogs on our collective heritage. At least the "general public" still has the power to remove the stench with a flick of the wrist.
November 1, 2012 |
It's not hard to imagine why people would be intrigued by the unique story of Mark O'Brien, a journalist confined to an iron lung who, nearing age 40, enlisted a sex surrogate to help him lose his virginity. Writer-director Ben Lewin was clearly one such person, as his new film "The Sessions," starring John Hawkes and Helen Hunt, is based on O'Brien's life. O'Brien's story had particular resonance for Lewin, who, like O'Brien, contracted and survived polio at a young age. But as Lewin told Times film reporter John Horn during a recent installment of the Envelope Screening Series, he wasn't sure at first whether his personal background was influencing his notion that O'Brien's story could make for a successful feature film.
April 2, 1989
I don't care whether you are a black or a white performer--if you don't fit into a station's format, you shouldn't expect to be played on that station. Stations, play what you like, black, white, yellow or red. But remember: As long as you know the difference between these colors, you will be prejudiced. ALLAN M. RUTENBERG Reseda