CALIFORNIA | LOCAL
September 4, 2013 |
Fernando Anglero is a fixture among the street people who live in downtown L.A.'s Arts district, known for his off-color, funny signs that one local loft-dweller says bring "fun energy" to the neighborhood. But the homeless man residents know only as Fernando stands out for another reason -- he's marketing himself as a street comic using social media. To promote his "cardboard comedy," Anglero has created a website with help from Arts district residents. He also has a Facebook page and a personal hashtag, #fernandolove, to make it easier to find him on Instagram and Twitter.
CALIFORNIA | LOCAL
August 12, 2013 |
Stan Lynde, creator of the syndicated western comic strip "Rick O'Shay," which ran for 20 years in major newspapers and reached about 15 million readers, died Tuesday of cancer in Helena, Mont. He was 81. Lynde was a Korean War veteran who had studied journalism at the University of Montana and briefly worked on his family's ranch in Colorado when he realized he wanted to try to make it as a cartoonist. After buying a one-way ticket to New York City in the 1950s, he worked his way up to commodities reporter at the Wall Street Journal while attending the School of Visual Arts at night.
August 11, 2013 |
NEW YORK - Michael Urie sits in a West Village restaurant making a few subtle gestures. A flutter of the hands and you imagine the fingernails. A squint of the eyes and the famously furrowed expression pops into view. A tilt of the head just so and there, like a line drawing from an artist's sketchpad, is Barbra Streisand. "I don't have to do an impression of her, thank God," says the 33-year-old actor. "I give you a taste, and you fill in the rest. It's like a magic act. " The conjuring is in the service of Jonathan Tolins' play "Buyer and Cellar," the off-Broadway comedy that has become the summer's sleeper hit, a fever dream in which Urie stars as Alex More, an unemployed Los Angeles actor who is thrust into a close relationship with the superstar when he is hired to watch over a mall of shops she has built in a cellar on her Malibu compound.
August 10, 2013 |
Larry David, who is on a break from his series "Curb Your Enthusiasm" - permanent or not, he will let you know - returns to HBO on Saturday with a full-on movie-type movie, "Clear History," in which he plays not his usual fictionalized self but an entirely different character, albeit one composed of all the old familiar tics. The obsessions are here, as is the self-obsession. At the beginning of the film, set a decade before the main body of the action, he sports a full head of long hair and a long beard, which make him look, possibly not by coincidence, like "Curb" director and "Seinfeld" writer Larry Charles.
August 8, 2013 |
In Leonora Carrington's 1938 short-story masterpiece "The Debutante," a young woman wants to disobey her mother's orders to go to a debutante ball, so she asks a hyena she has befriended to go in her place. The hyena fits into her ball gown but there is then the issue of the hyena's face so - spoiler-to-end-all-spoilers alert - they decide the hyena will tear off the maid's face and use it as her own. Aimee Bender comes from a similar planet, black-lit brazen and unapologetically wackadoodle, sidesplitting and buck wild.
August 6, 2013 |
For several years in the 1940s, Preston Sturges wrote and directed a series of flawless social comedies that were an intoxicating mix of sophisticated dialog and freewheeling slapstick. The American Cinematheque's Egyptian Theatre in Hollywood is honoring the filmmaker with the new retrospective "Sturges Rally: Comedy Built for Speed," which opens Friday. Sturges, who was born in 1898 and died in 1959, came from a wealthy family and, as a young boy, helped out his mother's friend, Isadora Duncan, in her stage productions.
August 1, 2013 |
Adrian Tomine's Optic Nerve has long been one of my favorite alternative comics - smart, understated and with a subtle yet pointed bite. Originally self-published (Tomine did seven “mini-comics” issues beginning in 1991, when he was 17), it was picked up by Drawn & Quarterly in 1995 and has continued to appear, on a semi-regular basis, ever since. Tomine is probably best known for his work in the New Yorker , but his sensibility is more far-reaching than that. Merging straight realism with an impressionistic sense of narrative, his stories often seem to be offhanded, when, in fact, they are highly structured and defined.
July 20, 2013 |
Fox, which once had the renegade TV network market pretty much to itself - "Married With Children" was transgressive in its time - has become semi-respectable as it grays and sprightly basic-cable channels, bound by looser rules, crowd in to occupy the edge. To get a little of its own back, the network is establishing a beachhead in youth-oriented late night. That is to say, it is going up against Adult Swim (indeed, Nick Weidenfeld, who is leading this charge, is late of Adult Swim)
July 18, 2013 |
Let's take a break from politics today and dip into the fantastical world of the San Diego Comic-Con. The image above is a slice taken from my latest Horsey On Hollywood cartoon. You can jump to the full image by clicking here . This is a reminder that, in addition to my Top of the Ticket cartoons, I am now doing a weekly cartoon lampooning the wonderful, wacky world of entertainment. Starting next week, those cartoons will appear on Wednesdays in the Company Town blog . You can also see them in print on page 3 of the Sunday L.A. Times Calendar section.
July 18, 2013 |
After the coffee. Before avoiding the onslaught of Comic-Con tweets. The Skinny: Really hard getting motivated this morning. I keep getting distracted by all the Emmy coverage and being amused by reporters trying to top each other with arcane tweets and alleged snubs. Anyway, Thursday's stories include early Emmy coverage and analysis, a shake-up at Turner Broadcasting and a preview of Comic-Con. Daily Dose: While ESPN and Fox prepare to duke it out for sports supremacy in the U.S., Discovery Communications is looking to become a player overseas.