February 14, 2014 |
We cannot escape Pyotr Ilyich Tchaikovsky. On Thursday, Gustavo Dudamel and the Los Angeles Philharmonic, with help from the Símon Bolívar Symphony Orchestra of Venezuela, begin an 11-day TchaikovskyFest at Walt Disney Concert Hall that will include the Russian composer's six symphonies along with other orchestral and chamber works. But unlike other festivals - and especially the Mahler Project, Dudamel's concentrated traversal through nine symphonies with the L.A. Phil and his Bolívars two years ago - the TchaikovskyFest has no musical frame.
January 27, 2014 |
The Philharmonic Society of Orange County will offer a hat-trick of sorts in the 2014-15 season it announced Monday: Audiences can hear programs led by the music directors of three of California's top orchestras. Gustavo Dudamel will conduct the Los Angeles Philharmonic, Carl St.Clair will lead the Pacific Symphony's chamber music sections, and the San Francisco Symphony's music director, Michael Tilson Thomas, will also be accounted for - although on this occasion he'll marshal the London Symphony Orchestra as one of its principal guest conductors in a program featuring piano star Yuja Wang.
December 30, 2013 |
Valery Gergiev is the major conductor today for whom the most superlatives apply. He is commonly hailed as Russia's greatest living conductor. As the general and artistic director of the Mariinsky Theatre in St. Petersburg - which includes Russia's leading opera and ballet companies and symphony orchestra - he is his country's most powerful, prominent, celebrated, decorated and highly paid musician. He is also the cultural figure with the closest ties to the Kremlin. Gergiev and President Vladimir V. Putin are longtime friends.
December 27, 2013 |
Marvin Hamlisch was a 6-year-old prodigy when he was accepted into the Juilliard School of Music. He went on to train intensively with the goal of becoming the next great classical pianist. But Hamlisch ultimately decided to play a different tune, a popular one. He wrote, among others: "The Way We Were" (with lyrics by Marilyn and Alan Bergman), "Nobody Does It Better" (lyrics by Carole Bayer Sager), "What I Did for Love" (lyrics by Edward Kleban) and "Through the Eyes of Love" (again with Bayer Sager)
December 6, 2013 |
"Papa" Haydn is often called, rightfully and wrongly, the father of the symphony. The Los Angeles Philharmonic demonstrated the rightful part Thursday night with clear, crisp, clever and ever-delightful performances of Haydn's first and 100th efforts at the genre he didn't invent but unquestionably made feasible. The actual origins of the symphony are hard to pin down. A new recording by the Academy of Ancient Music in London titled "Birth of the Symphony" finds the roots of the modern symphony in the Death March from Handel's oratorio "Saul" - written in 1738, two decades before Haydn's First - and moseys through forgotten scores by Franz Xaver Richter and Johann Stamitz before arriving at Haydn.
December 2, 2013 |
After Christian Zacharias had conducted the Los Angeles Philharmonic in plush, punchy, skillfully proportioned yet not always stirring performances of works by Stravinsky, Bach, Schubert and Schumann, I turned to the Marx Brothers. Groucho had answers for many of life's predicaments. The 1946 screwball entertainment "A Night in Casablanca" happened to be especially relevant. Friday's program in Walt Disney Concert Hall began with Stravinsky's "Danses Concertantes" in its first complete performance by the L.A. Phil, even though the antic 20-minute ballet score, also intended as a concert work, was written in Los Angeles and had its premiere at the Wilshire Ebell Theatre in 1942.