July 27, 2006 |
LOOKING at a curtain rod jutting from the shoulders of the Miss Starlett dress -- a gown Bob Mackie created for a "Gone With the Wind" spoof on "The Carol Burnett Show" -- it's hard not to laugh all over again. Mackie famously included all the drapery fittings from the plantation's curtains, including giant tassels, cording, valance and the inspired touch: the rod.
February 11, 1994 |
Oh, those wacky caption writers at Sports Illustrated. No pun is too strained, no entendre too double for the magazine's annual swimsuit issue, which went on sale this week. Our favorite blurb accompanies a shot of bountiful model Stacey Williams, wearing nothing but a sopping wet T-shirt: Waiting for a warm breeze to get that pesky dampness out, Stacey stands out in an after-swim dress by Michael Kors . . . . Well, what do you expect?
April 8, 2012 |
Few set designers begin production with the intention of creating a deliberately gaudy and tacky stage. However, Thomas Buderwitz, scenic designer for South Coast Repertory's "The Prince of Atlantis," sought to do just that — to "push the boundaries of good taste. " The just-opened play by Steven Drukman follows Joey Colletti (John Kapelos), one of Boston's biggest seafood importers, as he lands himself in a minimum-security prison after getting into trouble with his company.
August 11, 1994 |
The Movie: "The Adventures of Priscilla, Queen of the Desert." The Setup: On a drag version of a road trip, three queens of diverse fashion persuasions leave Sydney, Australia, and travel across the country to put on a show at a resort. The Costume Designers: Lizzy Gardiner, who has worked on several Australian movies and television series, and Tim Chappel, a drag performer and designer for whom "Priscilla" marks his feature debut.
March 31, 1995 |
The Movie: "Jefferson in Paris." The Setup: Romantic escapades of Thomas Jefferson (Nick Nolte, pictured) when he was America's minister to France from 1784 to 1789. The Costume Designers: Jenny Beavan and John Bright, who shared an Academy Award for "A Room With a View." The pair also designed costumes for "The Remains of the Day," "Maurice," "The Bostonians" and "Howards End." Bright, who owns the London costume house Cosprop, also did "The French Lieutenant's Woman" and "Tess."
August 17, 1995 |
The Documentary: "The Hollywood Fashion Machine" (American Movie Classics, Tuesday at 5 p.m. and 9:30 p.m.) * The Costume Designers: Travis Banton, Gilbert Adrian (see related story, Page E3), Jean Louis, Edith Head, Hubert de Givenchy, Theadora Van Runkle and others. * The Setup: Designers and other fashion authorities explore how movies have influenced what we mortals wear, from the '30s to the present.
July 16, 2006 |
Robin Richesson Costume illustrator/storyboard artist. She also teaches illustration at Cal State Long Beach. Current credits: "Evan Almighty" and "The Spiderwick Chronicles." Previous credits: "Heart and Soul," "Forrest Gump," "The Polar Express." Double duty: "I take jobs as they come. The storyboarding jobs tend to be longer, so in some ways I have spent more time as a storyboard artist than as a costume illustrator, though I have been in the costume union longer.
September 19, 2004 |
It's not easy being a costume designer in today's Hollywood. In addition to the traditional challenge of translating character into clothing, contemporary costume designers must negotiate a world of budget constraints, shortened pre-production time and cast uncertainties. "It's more corporate now," says Judianna Makovsky, a three-time Oscar nominee for "Harry Potter & the Sorcerer's Stone," "Seabiscuit" and "Pleasantville." "You don't have the studio system behind you."