ENTERTAINMENT
August 24, 2003
Dargis misses a crucial point in her slanted and somewhat snobbish article. Whatever "unchecked ego and rampant greed" was present in 1970s filmmaking, a key difference between those films and many productions of the '80s and '90s was that passionate directors created films that were about something. With the passing of the '70s, corporate thinking stepped to the forefront and decisions sprang mostly (and sometimes exclusively) from commerce instead of creativity. Dargis would be hard-pressed to deny that a majority of films today originate from the corporate boardroom instead of the imagination.
MAGAZINE
August 23, 1992
I would like to thank Carolyn See for "The View From a Bridge" (Guest Bites Town, July 26). New perspectives are essential to the creative process. Viewing life from one vantage point is monotonous and stifling. As a child, I would lie on my back, on my bed, head hanging backward toward the floor. I'd look up and mentally "walk around" on the ceiling, re-creating my idea of what a room was supposed to look like. I admire Eugene Ahn and others like him who, for the purpose of societal problem-solving or simply refreshing individual awareness, embrace the hitchhiking Voice of Fear on their way up the bridge--to show us what is possible.
ENTERTAINMENT
January 9, 2010 | By Gerrick D. Kennedy
Janet Jackson's fast-tempo track "If" blared over speakers as a handful of sweaty dancers moved in unison, their faces focused as they strained their legs to mimic the intricate moves of their instructor. Then the music stopped. "You feeling the flexibility? You feeling the stretching? You want to feel it here," the instructor said, standing in front of a massive mirror, motioning toward her upper thigh -- her leg extended perfectly straight in front of her. Inside the brightly lighted theater that doubles as a studio in the arts district, these dancers are mostly teenagers.
ENTERTAINMENT
January 5, 2002
It never ceases to amaze me how music critics and reporters seem to attach such significance to quantity of sales and staggering monetary figures of "artists" while completely overlooking artistic integrity and creativity. A prime example is the 'N Sync worship exhibited in the Calendar section on Dec. 29 ("Encore for 'N Sync," by Geoff Boucher). What about the movers and shakers of 2001 who refused to sell out--artists like Cake, who put out a groundbreaking video ("Short Skirt/Long Jacket")
BUSINESS
October 4, 1999 | KAREN KAPLAN, TIMES STAFF WRITER
It seems it's no longer enough for a toy to be fun--now it must be intellectually stimulating. Toy smart.com, the Waltham, Mass.-based online retailer that focuses on educational toys, will emphasize in a $21-million marketing campaign to be unveiled today that toys inspire creative thinking in children.
NEWS
May 27, 1993 | ELIZABETH MEHREN
After 25 years of teaching undergraduates, Douglas A. Bernstein, a psychology professor at the University of Illinois, thought he had heard every possible excuse for missed exams and late term papers. Right. So as a lark, Bernstein decided to use his electronic mail network to collect what he now thinks of as a Student Excuse Hall of Fame. Here are some of his favorites. (Feel free to save them for your next mental health day.