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Dance Music

June 25, 1995 | Dennis Romero, Dennis Romero is a staff writer for The Times' Life & Style section
The house is rocking, but the stage is empty on a Saturday night at the Dome. Hundreds of excited eyes and death-grip fists aim the other way, at a booth that hangs high above the floor at this Hollywood Boulevard hot spot. That's where Keoki, a slight man who wears spiked wristbands and enough silver to start his own pawnshop, plays his music. The girls screech and the guys lose their heads in his sound. But he's no Elvis. He's the deejay.
January 2, 2007 | Kevin Bronson, Times Staff Writer
Tony Denison had it right. The actor, who plays Det. Andy Flynn on "The Closer," greeted photographers on the red carpet at the Gridlock LA New Year's Eve celebration on Sunday night with arms outstretched and palms skyward, as if he were giving a blessing. "This is the international sign for 'I hope it doesn't rain,' " he said.
April 23, 2000 | STEVE APPLEFORD, Steve Appleford is a regular contributor to Calendar
Dance music is just not enough. Or at least not always--even for Simon Ratcliffe. He's half of Basement Jaxx, the acclaimed London duo that has built its reputation by mixing classic house beats with a variety of pop music genres. The pair has even revealed a weakness for, of all things, guitars and human vocals amid the electronic beats. That can be a controversial notion to some of the dance world's true believers. In those circles, anything but hard, urgent beats can often be heard as heresy.
The adage, "You get what you pay for," usually proves true. But not so with the new six-piece country-Western band Darlene O'Connell and the Dixie Flyers. The Canyon Country-based group, featuring a female lead vocalist and a hot Southern fiddler, will be steaming through Cheers, Simi Valley's newest country-Western venue, Wednesday nights through December. Hearing only one of the band's tunes would be worth the $3 cover charge. For country-Western lovers, this is a must-see.
April 28, 2003 | Steve Baltin, Special to The Times
From Christopher Lawrence to Masters at Work (the DJ team of Little Louie Vega and Kenny "Dope" Gonzalez), Day 1 of the Coachella festival's dance-music lineup was rich with memorable performances. However, the dance MVP was the fans. From early Saturday afternoon until the end of Roger Sanchez's set around midnight, dance enthusiasts filled the expansive Sahara tent with an electricity that never faded and often eclipsed the festival's two stages and two other tents. L.A.'
April 13, 2013 | By August Brown, Los Angeles Times
Sometimes even the most devoted ravers outgrow their fairy wings and neon bikinis. The 160,000 people expected to attend Coachella Valley Music and Arts Festival over the next two weekends will find a new electronic music tent with the kind of accouterments rarely seen at these venues - including air conditioning, a hardwood floor and comfy chairs. The new Yuma tent is a world apart from the bare grass floors and body heat of other tents, reflecting maturing tastes and older fans.
June 27, 2012 | By Randall Roberts, Los Angeles Times Pop Music Critic
On Wednesday, Los Angeles-based electronic dance music promoter Hard Events, which presents some of Los Angeles' biggest and most successful events of its kind, announced its sale to Live Nation Entertainment, one of the world's largest concert and ticketing conglomerates. The deal, the terms of which were not disclosed, offers further confirmation that electronic dance music and its many subgenres, including house, techno, dubstep and electro, have crossed over into the mainstream and now earn enough to warrant corporate interest.
August 5, 2012 | By August Brown
Amid the bass-heavy bluster at the second night of the electronica festival HARD Summer on Saturday in Los Angeles' Chinatown, the best song anyone played was a Neil Young cover. James Murphy, the LCD Soundsystem frontman and an inspired crate-digger of rare disco cuts, was a few tunes into his late-night DJ set when he quietly slipped in an edit of the folk rocker's “Harvest Moon” by the local dance duo Poolside. It's an unlikely fit for a rave tent, as Young's version is a spooky, minimal tune about maturing love.
August 3, 2012 | By August Brown, Los Angeles Times
The British dance-punk band Bloc Party returns to the U.S. on Friday night as headliner of the two-day Hard Summer festival in Chinatown's Los Angeles State Historic Park. The huge popularity of the annual electronica-heavy festival owes a debt to bands like Bloc Party, who helped make dance music safe for young rock fans in the 2000s. Yet Bloc Party's Hard headlining date comes just as the band shed most of its pioneering club influences on its new album "Four," a fanged and heavy record that focuses on live musicianship and ferocious guitar work.
November 26, 2012 | By August Brown
John Tejada is one of the most accomplished Angelenos in electronic dance music. His producing and label-boss (of Palette Recordings) career spans more than 15 years; he's penned some of the genre's most reliably show-stopping singles, such as “Sweat on the Walls” and “Mono on Mono,” and cut two albums for the pace-setting German label Kompakt, including this year's “The Predicting Machine.” Commensurately, L.A. has been ground zero...
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