July 28, 2013 |
Melissa McCarthy and Sandra Bullock aren't the only ones packing heat. L.A.-based Viver Brasil scorched the Ford Amphitheatre on Saturday with its hybrid moves that mix Bahian Candomblé (white magic) folklorico and modern dance. Founded and directed by husband-and-wife team Luiz Badaró and Linda Yudin, the Afro-Brazilian troupe celebrated its 15 th season with six works in a program dubbed “Intersections/Ajê.” Even Badaró, normally heard (on percussion) and not seen strutting, sashayed alongside guest artist Dona Marivalda, his king to her decked-out queen (huge hoop skirt, crown, velvet cape)
April 14, 2013 |
The L.A. Dance Festival materialized in early 2012 out of a frankly chauvinistic fervor to highlight the best homegrown companies together in performance. In unity there is strength, the thinking goes -- although sampler programs, with their 10-minute snatches of choreography, have inherent weaknesses. It was as though festival founder Deborah Brockus was trying to stage a counterattack against the tsunami of excitement generated by Benjamin Millepied's Music Center-supported L.A. Dance Project.
April 8, 2013 |
For the brief moment that she stood atop the eight-story building at UCLA on Friday evening in the soft light of the setting sun, she looked as though she belonged there. This was, after all, the Eli and Edythe Broad Art Center, and the woman might have been, say, an Antony Gormley artwork. She surely seemed a sculpture as she began to tip over. But once at a 90-degree angle to the ground, she walked, casually and with slow ease, down the side of the building as if this were a perfectly normal thing to do. For spectators watching from below, things became confused.
October 8, 2012 |
What a miserable lot we humans are, wallowing in violence, oppression and cruelty. This was the starting point for Akram Khan's latest ensemble dance, "Vertical Road" (2010), which had its West Coast premiere Friday at Royce Hall, presented by the Center for the Art of Performance at UCLA. The "vertical road" was a spiritual journey, a loose depiction of the writings and philosophies of Rumi, a revered 13th century Persian poet and theologian. Khan, an award-winning British choreographer of Bangladeshi descent, began with the most base of human behaviors, setting the stage for a through-line that all could experience as the search for the divine progressed and the dance unreeled.
October 4, 2012 |
Frank Gehry and Placido Domingo will be lending a hand to the National YoungArts Foundation, a nonprofit group that provides financial assistance and other forms of support to aspiring artists. The organization announced this week that it has acquired the Bacardi Tower and Museum buildings in Miami that will serve as its national headquarters. Gehry has been commissioned to design the master plan for the historic campus, the group said. The architect was also named an artistic advisor for the group, along with Domingo and choreographer Bill T. Jones.
June 25, 2012 |
Choreographer Benjamin Millepied's LA Dance Project will make a sneak-peak debut in July with a performance in the galleries of the Museum of Contemporary Art. Millepied is creating a 30-minute, site-specific duet, “Framework,” to a narrated soundtrack by Los Angeles artist Mark Bradford. The free performances, in conjunction with the MOCA show, “The Painting Factory: Abstraction after Warhol,” are scheduled for July 19, Aug. 2 and 9. Bradford has two large paintings in the exhibition, “Untitled” (2011)