ENTERTAINMENT
June 6, 2012 | By Matt Donnelly
John Mayer isn't afraid to take blame for the heartache he's inflicted on various Hollywood and music starlets -- and in the case of Taylor Swift, he's not afraid to dish it out either. Particularly when it comes to the 2010 Swift track "Dear John. " Mayer was "really humiliated" by the tune, allegedly written about their romantic entanglement and its wrenching end, he told Rolling Stone. "I didn't deserve it," he said . "I'm pretty good at taking accountability now, and I never did anything to deserve that.
ENTERTAINMENT
December 25, 2011 | By Susan Carpenter, Los Angeles Times
Why We Broke Up A Novel Daniel Handler, with illustrations by Maira Kalman Little, Brown: 354 pp., $19.99, ages 15 and older Most of us have been there, experiencing the unprecedented high of a first love followed by the debilitating low when it crumbles. But few of these tragic trajectories have been written about as poignantly as in "Why We Broke Up. " The young-adult debut from Daniel Handler, a bestselling author better known as Lemony Snicket, is an illustrated novel that is its own series of unfortunate events, chronicling a brief but intense teen relationship gone wrong.
ENTERTAINMENT
February 10, 2011 | By Steven Zeitchik, Los Angeles Times
Some actors like to tout their methods. Others boast of roles they've pulled off. Channing Tatum prefers a little more candor. "I'm never going to be the best actor," Tatum said over lunch last week at the Smokehouse restaurant in Burbank. "I'm just not. But I will work harder than anyone out there. " He's living up to that pledge. In the last year, the 30-year-old former fashion model has appeared on the big screen as a lovelorn soldier ("Dear John"), a maniacal but oddly sensitive Casanova with a happy-face tattoo in a private place ("The Dilemma")
NEWS
June 3, 2010 | By Ray Richmond, Special to the Los Angeles Times
It's rare, but not unprecedented, for television shows to win Emmy Awards as a going-away present for their final season. "Everybody Loves Raymond" did it in 2005, carting off the outstanding comedy series statuette. Ditto "The Sopranos" in 2007 for drama series. With several high-profile shows, including ABC's "Lost" and Fox's "24," taking their final bows in 2010, it could happen again, though history tells us that it's far easier to bring home the gold when your show is just starting out than when it's wrapping things up. Here's an assessment of the recognition chances of some of the Emmy-caliber prime-time programs that have, or soon will, bid prime time adieu this year.
ENTERTAINMENT
May 23, 2010 | By Noel Murray, Special to the Los Angeles Times
The Road Sony, $27.96; Blu-ray, $34.95 There was little chance that director John Hillcoat's adaptation of Cormac McCarthy's bestselling novel "The Road" was going to be as powerful as the book, which turns the cliché of post-apocalyptic survival into a haunting, poetic tale about fathers and sons and letting go. And sure enough, literalizing McCarthy's story on screen does rob it of some of its mystery. But Viggo Mortensen is effective as a dad trying to protect his son from ravagers in the scorched wasteland of the future, and Hillcoat skillfully conveys McCarthy's profound sense of melancholy and impending doom.
ENTERTAINMENT
March 1, 2010
Estimated sales in the U.S. and Canada: Movie (studio) 3-day gross (millions) Percentage change from last weekend Total (millions) Days in release 1 "Shutter Island" (Paramount) $22.2 -46% $75.1 10 2 "Cop Out" (Warner Bros.) $18.6 NA $18.6 3 3 "The Crazies" (Overture/Participant /Imagenation)