October 28, 1997 |
Most arguments don't make much sense to outsiders. Take, for example, Art Center College of Design's current exhibition, "Masterworks: Italian Design, 1960-1994." It presents some 145 examples of furniture, glass, metal and ceramics plus techno stuff like high-intensity lamps, telephones and typewriters. Remember typewriters? The exhibition--handsomely installed by Williamson Gallery director Stephen Nowlin--was organized as a traveling show by the Denver Art Museum.
November 11, 2000 |
When Georgia O'Keeffe first saw the West, she knew it was her country. With the first sunset she also knew she shouldn't say too much because others might like it as much as she. "And I don't want them interested," she said. Her paintings said it all, though, and like the works of many other artists, she couldn't help but entice the curious. "It is hard to overstate the role art played in bringing people West.
January 1, 1990 |
An exhibition of Japanese paintings that caused a stir last fall in New York recently arrived at the Los Angeles County Museum of Art. "The Paintings of Jakuchu," which features an astonishing range of works by one of 18th-Century Japan's authentically great individualists, is certain to captivate aficionados as well as visitors who just wander into the museum.
July 27, 2006 |
"COLLAR and Bow" -- a major outdoor sculpture by Claes Oldenburg and Coosje van Bruggen, designed for the Walt Disney Concert Hall and scheduled to be installed this summer -- has been put on hold, stalled by a technical problem requiring two components to be rebuilt at a cost that may be prohibitive, the Music Center and the artists say. The 65-foot-tall metal and fiberglass sculpture takes the shape of a men's dress shirt collar and bowtie.
March 25, 2012 |
Fashion exhibitions at museums, like the "Alexander McQueen: Savage Beauty" show that set attendance records at the Metropolitan Museum of Art in 2011, are more popular than ever. Here is a selection of what's on now and what's coming soon, in the U.S. and abroad. Diana Vreeland After Diana Vreeland | Dedicated to the style and passion of the late fashion icon, editor, traveler and Metropolitan Museum of Art Costume Institute curator. Vreeland also worked as a special consultant to the museum from 1972 to the time of her death in 1989, setting the international standard for costume exhibitions.
June 4, 2008 |
Anyone looking for signs that Daniel Libeskind's work might deepen profoundly over time, or shift in some surprising direction, has mostly been doing so in vain. After winning the master-plan competition at the ground zero site in New York in 2003, and subsequently landing commissions all over the world, he seemed content to stamp the same jagged, mournful aesthetic on each of his new buildings, whether it was a museum in Copenhagen or Denver or a condominium tower in Covington, Ky. Even as the World Trade Center rebuilding effort collapsed around him, he smiled his Hillary smile and told everybody nothing was wrong, that he was moving forward, still thrilled to have the opportunity.
July 27, 2001 |
"Even when I was a young guy, people thought I was an old man," reflects artist Red Grooms. "My work looked folky and my name was peculiar. I sort of liked it, actually. I don't think it's so funny now." Grooms is 64 and the carrot-colored hair that inspired his moniker has turned gray. (His parents named him Charles.
March 5, 1990 |
It isn't easy to give away the J. Paul Getty Trust's money, but the Getty Grant Program has managed to disburse $20 million during its first five years of operation. Five hundred and thirty grants have been awarded to art historians, conservators and art museums in 18 countries.
May 1, 2005 |
They wear white cowboy hats, rescue the innocent and round up the strays. They're volunteer "ambassadors" who roam cavernous Denver International Airport, looking for lost and confused travelers. They can speed your way to baggage claim, help you negotiate security and keep you from missing your flight. There are similar cadres of volunteers at many airports, although no one seems to know exactly how many.
August 24, 2008 |
Fourteen months ago, Richard Ehrlich left his office at the UCLA Medical Center, flew to Berlin and rented the best digital camera available. With the 39-megapixel Hasselblad safely stowed, he drove about 250 miles to the small town of Bad Arolsen and found his way to the International Tracing Service. Ehrlich, a veteran urological surgeon with a second career in photography, had pulled plenty of strings to take pictures in the sprawling, six-building complex. But what he found was beyond comprehension: 50 million documents of Nazi atrocities in the world's largest Holocaust archive.