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August 3, 2012 | Gale Holland, Los Angeles Times
I was taking photos at a music after-party in Pomona when a guy went off on me for stealing his friend's image. I might have been forgiven for thinking the friend would appreciate the attention. He was standing in the back room of Aladdin Jr.'s cafe with an open umbrella over his head. But no matter; I explained I was a journalist. His buddy was having none of it. "You're just another girl with a Tumblr account and a camera phone," he sneered. I was shocked. And not only that he would think someone my age would stay up that late if I didn't have to. Had the generation that documents each new cocktail and dessert tray on Facebook finally realized it was over-exposed?
January 8, 2012
Every revolution has elements of tragedy as well as triumphs — even the bloodless revolutions in the way people earn a living. Economist Joseph Schumpeter called it "creative destruction," the entrepreneurial-driven process that "incessantly revolutionizes the economic structure from within, incessantly destroying the old one, incessantly creating a new one. " Such a process was set in motion by digital technology, which released information from...
In the week before the biggest TV-viewing day of the year, DirecTV launched an unprecedented electronic attack on an estimated 100,000 consumers who had been bootlegging its satellite TV service. The El Segundo-based company killed--via satellite--pirated pieces of hardware that had enabled viewers in the U.S. and abroad to see a broad range of programming, including premium channels and pay-per-view events that they had not paid for.
August 17, 2004 | From Reuters
Britain took aim at the ubiquitous Hollywood blockbuster Monday by enlisting the latest digital technology to broaden the reach of independent films that often struggle to win wide distribution. The UK Film Council, a government-funded body, said it planned to equip 150 theaters across the country with digital projectors in exchange for a guarantee that the equipment will be used to show smaller-budget, foreign and classic films. Only nine have that capacity now.
April 22, 1997 | (Bloomberg News)
The nation's 1,600 TV stations each got a new channel assignment from federal regulators for the digital broadcasts some will begin airing by next Christmas. Broadcasters were studying the inches-thick chart to ensure that the licenses they're getting--which will replace the ones they use today by 2006--replicate the broadcast area their current licenses cover.
In a move that could lead to changes in the way Americans watch television, five major Hollywood studios have agreed on an anti-piracy technology designed to protect digital movies and other forms of video entertainment from theft. The move could speed the replacement of old analog TVs and cable set-top boxes and bring VCRs with new devices that can unscramble, record and store encrypted digital programming.
July 2, 1997 | (Karen Kaplan)
After months of preparation, Pacific Telesis Group's Pacific Bell Mobile Services expects to launch its PCS wireless phone service in Southern California on Thursday. PCS--personal communications service--is an all-digital offering that works on special phones and is designed to compete with traditional analog cellular service. Both PCS and advanced digital cellular networks can send pages and short messages to phones in addition to voice calls.
April 2, 2014 | By Joe Flint
Lucy Hood, a well-regarded entertainment industry veteran and president and chief operating officer of the Television Academy, died Wednesday of cancer. She was 56. Prior to joining the Academy of Television Arts and Sciences, Hood was the executive director of the Institute for Communication Technology Management at USC. Hood spent much of her professional career at Fox, where she specialized in digital technology and rose to become president of Fox Mobile Entertainment. While there, she oversaw the creation of the mobile video version of the hit Fox series "24. " PHOTOS: Notable deaths of 2014 | 2013 Hood was tapped to run the Television Academy, which oversees the annual Primetime Emmy Awards, less than a year ago. Her mandate was to bring the academy into the 21st century and make it more relevant to both the industry and the general public.
August 23, 2012 | By David Pagel
Matthias Düwel packs loads of visual information into “Eden,” his L.A. solo debut at Martha Otero, which is itself packed with 24 oils, watercolors and drawings. Despite the sinuous ribbons of bright color writhing around in Düwel's modestly scaled paintings, none feels crowded. The same goes for his works on paper. In black-and-white or super-saturated color, they, too, leave viewers plenty of room to maneuver, sometimes swooping smoothly through open spaces and at others zipping every which way with stop-and-start suddenness, like a fly navigating a picnic.
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