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ENTERTAINMENT
October 25, 2012 | By David Pagel
Kathy Butterly does for sculpture what digital technology does for information: pack so much into such small spaces that it's impossible to reconcile an object's literal dimensions with the kicks it delivers. Size matters, but not like it used to. Think of what Butterly does as the microscopic sublime. Intimately and gently, she blows your mind, time after time, and never the same way.  At Shoshana Wayne Gallery, “Lots of Little Love Affairs” consists of 15 tabletop sculptures the New York artist has made over the last 18 months.
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OPINION
January 8, 2012
Every revolution has elements of tragedy as well as triumphs — even the bloodless revolutions in the way people earn a living. Economist Joseph Schumpeter called it "creative destruction," the entrepreneurial-driven process that "incessantly revolutionizes the economic structure from within, incessantly destroying the old one, incessantly creating a new one. " Such a process was set in motion by digital technology, which released information from...
ENTERTAINMENT
November 5, 2012 | By David Ng
Artist Kathy Butterly, whose abstract ceramic sculptures are noted for their colorful and playful aspects, has won the Smithsonian's Contemporary Arts Award for 2012. The biennial honor comes with a $25,000 prize and is intended to recognize artists younger than 50 who have produced a significant body of work. Butterly typically creates small-scale ceramic sculptures that are brightly colored and abstract in shape. Her work is often compared to the sculptures of Ron Nagle and Ken Price. The five-member jury that chose this year's winner wrote that Butterly's "small, nuanced, labor-intensive sculptures are richly communicative and wildly imaginative.
ENTERTAINMENT
August 26, 2012 | By Betsy Sharkey, Los Angeles Times Film Critic
What has Michael Moore - and digital technology - wrought? Now anyone with a political agenda and low-cost digital camera can make a movie and call it a documentary. Even enterprises that at best are vanity projects and at worst badly disguised and overly long attack ads are taken seriously by audiences - and box-office observers. That is precisely the shape of things in "2016: Obama's America," which promises to demystify the president - "Love him, hate him, now you know him" is one of its tag lines - but does more to illuminate its filmmaker, Dinesh D'Souza, and his ego instead.
ENTERTAINMENT
August 17, 2004 | From Reuters
Britain took aim at the ubiquitous Hollywood blockbuster Monday by enlisting the latest digital technology to broaden the reach of independent films that often struggle to win wide distribution. The UK Film Council, a government-funded body, said it planned to equip 150 theaters across the country with digital projectors in exchange for a guarantee that the equipment will be used to show smaller-budget, foreign and classic films. Only nine have that capacity now.
BUSINESS
April 22, 1997 | (Bloomberg News)
The nation's 1,600 TV stations each got a new channel assignment from federal regulators for the digital broadcasts some will begin airing by next Christmas. Broadcasters were studying the inches-thick chart to ensure that the licenses they're getting--which will replace the ones they use today by 2006--replicate the broadcast area their current licenses cover.
BUSINESS
July 24, 2001 | JUBE SHIVER Jr., TIMES STAFF WRITER
In a move that could lead to changes in the way Americans watch television, five major Hollywood studios have agreed on an anti-piracy technology designed to protect digital movies and other forms of video entertainment from theft. The move could speed the replacement of old analog TVs and cable set-top boxes and bring VCRs with new devices that can unscramble, record and store encrypted digital programming.
CALIFORNIA | LOCAL
July 21, 2000
The city will get a $3-million federal grant to train entertainment industry union workers for high-tech jobs and skills, the U.S. Department of Labor announced this week. The grant will train approximately 1,500 members of 20 entertainment industry unions that belong to the International Alliance of Theatrical Stage Employees and Moving Picture Technicians, Artists and Allied Crafts (IATSE).
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