November 11, 1997 |
Qualcomm Inc. said it won a $200-million contract from Telesystems of Ukraine Ltd. to help build a digital wireless phone network in that country, further expanding its business in Eastern Europe. The San Diego-based maker of wireless phone equipment said it plans to set up the network with its code division multiple access digital technology, which provides clearer transmission and lower costs per subscriber.
April 1, 2001
Technology takes center stage at two exhibits: Through June 10, the Whitney Museum of American Art in New York City shows "BitStreams," with photos, video installations, paintings, sculptures and 'sound pieces" from about 30 artists who employ digital technology. The Whitney, 945 Madison Ave., is open daily except Monday; hours vary. Adult admission $10. Tel. (212) 570-3676, http://www.whitney.org.
October 25, 2012 |
Kathy Butterly does for sculpture what digital technology does for information: pack so much into such small spaces that it's impossible to reconcile an object's literal dimensions with the kicks it delivers. Size matters, but not like it used to. Think of what Butterly does as the microscopic sublime. Intimately and gently, she blows your mind, time after time, and never the same way. At Shoshana Wayne Gallery, “Lots of Little Love Affairs” consists of 15 tabletop sculptures the New York artist has made over the last 18 months.
November 5, 2012 |
Artist Kathy Butterly, whose abstract ceramic sculptures are noted for their colorful and playful aspects, has won the Smithsonian's Contemporary Arts Award for 2012. The biennial honor comes with a $25,000 prize and is intended to recognize artists younger than 50 who have produced a significant body of work. Butterly typically creates small-scale ceramic sculptures that are brightly colored and abstract in shape. Her work is often compared to the sculptures of Ron Nagle and Ken Price. The five-member jury that chose this year's winner wrote that Butterly's "small, nuanced, labor-intensive sculptures are richly communicative and wildly imaginative.
August 26, 2012 |
What has Michael Moore - and digital technology - wrought? Now anyone with a political agenda and low-cost digital camera can make a movie and call it a documentary. Even enterprises that at best are vanity projects and at worst badly disguised and overly long attack ads are taken seriously by audiences - and box-office observers. That is precisely the shape of things in "2016: Obama's America," which promises to demystify the president - "Love him, hate him, now you know him" is one of its tag lines - but does more to illuminate its filmmaker, Dinesh D'Souza, and his ego instead.