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March 2, 2013 | By August Brown
Spring and summer are the ripe seasons for dance mega-fests and their six-figure headliners, which means March is the month when the weirdos come out. L.A. hosts a nice slate of outsider electronica this month that dips into disco, noise, bass music and svelte minimalism. Here's the best of the lot this month. On Friday, pool-party-skulking house savants Guy Gerber and Droog hold down at Sound (1642 N. Las Palmas Ave.), while the disco revivalist Daniel Wang brings roller rinks and big pianos back at the Eagle (4219 Santa Monica Blvd.)
November 29, 2012
MUSIC Comprising James Ford and Jas Shaw, Simian Mobile Disco delivers smart, melodic, minimal electro-tracks tailor-made for the dance floor, but in their DJ sets, they draw from every corner of the pop and rock landscape, practicing a wonderfully inclusive — and influential — brand of mixing that might surprise the rock snobs who dismiss anything with a four-on-the-floor stomp. Fonda Theatre, 6216 Hollywood Blvd., L.A. 8 p.m. Fri. $23.
November 7, 2012 | By Reed Johnson, Los Angeles Times
It started out as an inside gag, a bit of dadaist prankster wordplay. When Café Tacuba began thinking about a title for its new album, the Mexican alt-rock band opted to pay tongue-in-cheek tribute to the shape-shifting Artist Formerly Known as Prince. Thus was born "El Objeto Antes Llamado Disco," which in English translates as "The Object Previously Called a Record," the band's first studio release in five years. "It was a joke," says José Rangel, a.k.a. Joselo, the band's lead guitarist and sometime vocalist, speaking by phone in Spanish.
October 22, 2012 | By Reed Johnson
On "De Este Lado Del Camino," the third track from their new album, Café Tacuba celebrates the art of creative meandering. "From this side of the street, without looking for any destination / and although the design isn't very clear," lead singer Rubén Albarrán intones in Spanish, his gravelly honeyed tenor guiding the rhythm section through a gathering storm of ethereal keyboard chords on its leisurely sojourn. Unhurried and unworried about the trail ahead, but sure of its ultimate purpose: that artistic approach has defined the Mexico City quartet and helped it endure for two decades as one of alt-Latin rock's most popular and influential acts.
October 19, 2012 | By Randall Roberts
Fans of classic disco and early electronic dance music have reason to rejoice: The respected and innovative Italian producer Giorgio Moroder has started offering classic rarities via his new Soundcloud page. Moroder, 72, is best known for his work with Donna Summer during her rise in the 1970s. He helped launch her career and composed an important proto-techno song in her "I Feel Love. " But beneath that towering achievement, the producer crafted dozens of influential -- if lesser-known -- tracks that have made their way into superstar DJ mixes over the years.
September 30, 2012 | By Booth Moore, Fashion Critic
PARIS -- Madonna, Annie Lennox, Boy George, Grace Jones and David Bowie were on the runway at Jean Paul Gaultier's spring-summer 2013 collection shown Saturday night during Paris Fashion Week. Well, sort of. Fashion's original enfant terrible, whose amazing museum retrospective, "The Fashion World of Jean Paul Gaultier: From Sidewalk To Catwalk" was in San Francisco earlier this year, decided to pay homage to his favorite 1980s-era music style icons, many of whom he dressed back in the day, with his spring collection.
July 28, 2012 | By Steve Hochman, Special to the Los Angeles Times
Two dozen near-forgotten veterans of Colombia'smusical golden age gathered earlier this year in a Medellín studio - the same place they made those old hits of the '60s and '70s. But this time around they were joined by younger artists and, co-directing the whole thing, a hipster English producer. Amid the mix of old and new sounds were gaitas and champetas drawing on styles from Colombia's Pacific and Atlantic coastal regions, beat-boxing by the youngest participant (percussionist Chongo, 25)
July 10, 2012 | By Mike Boehm
L.A.'s Museum of Contemporary Art may not be well-endowed financially, but it's getting ready to shake its booty nevertheless: An upcoming exhibition will examine the cultural impact of disco music, according to a report Tuesday by the New York Observer's GalleristNY blog. Basing his post on an interview Monday with museum Director Jeffrey Deitch, blogger Michael H. Miller reported that  the exhibition, “Fire in the Disco,” will be co-curated by James Murphy of the now-disbanded dance-rock group LCD Soundsystem.
May 31, 2012
MOVIES Before Wes Anderson's films examined the preppy-adjacent struggles of upper middle class young people, Whit Stillman walked a similar beat in '80s with witty films such as "Barcelona," "Metropolitan" and the third of his self-described "Doomed Bourgeois in Love" trilogy, "Last Days of Disco," which screens at the Cinefamily with the writer-director on hand. Chloe Sevigny, Kate Beckinsale and bone-dry scene-stealer Chris Eigeman star in an unironic, funny and even moving depiction of coming of age in the privileged class while sparing the easy, '70s cliches.
May 21, 2012 | By Claire Noland, Los Angeles Times
Robin Gibb, a singer and songwriter who joined two of his brothers in forming the Bee Gees pop group that helped define the sound of the disco era with the best-selling 1977 soundtrack to"Saturday Night Fever," has died. He was 62. Gibb died Sunday after battling cancer and while recuperating from intestinal surgery, family spokesman Doug Wright announced. This spring Gibb had been hospitalized in London with advanced colorectal cancer. He had intestinal surgery in March and, after contracting pneumonia, was unable to attend the April 10 premiere in London of "The Titanic Requiem," a classical composition he wrote with his son, Robin-John, to coincide with the 100th anniversary observance of the luxury ocean liner's sinking.
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