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Dizzy Gillespie

ENTERTAINMENT
March 19, 2001 | DON HECKMAN, SPECIAL TO THE TIMES
Conte Candoli and Pete Candoli, trumpet-playing brothers, have been jazz stars since the '40s. But there was no sign of musical wear and tear in their set at Charlie O's Friday night, delivered to an enthusiastic, packed-house crowd. Over the years, Conte--at 73, four years younger than his brother--has been primarily identified as an improvising artist, while Pete has been much admired for his dependable work as a lead trumpeter.
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ENTERTAINMENT
February 12, 1987 | LEONARD FEATHER
Loa's, the Southland's newest jazz club and restaurant, opened Tuesday evening. It was one of those celebrity-heavy, television-covered first nights best summed up in three words: Quincy was there. Not surprising, perhaps, for both Quincy Jones and Ray Brown, who is musical director at the Loa, are old jazz pals and fellow alumni of the Dizzy Gillespie orchestra.
MAGAZINE
July 19, 1998
The Billy Higgins Quartet was swinging an updated arrangement of the old Nat "King" Cole standard "Nature Boy" when singer Dwight Trible took the stage.
ENTERTAINMENT
August 23, 1985 | TONI CARDARELLA, United Press International
Disorganization almost scuttled the International Jazz Hall of Fame's second induction and awards ceremony. Some musicians from the Count Basie and Woody Herman orchestras refused to play Wednesday night when their paychecks were not available by 8 p.m, the scheduled start time of the charity event at downtown Kansas City's Music Hall. "No pay, no play," said the manager for Woody Herman, one of several jazz greats inducted into the Hall of Fame Wednesday night.
CALIFORNIA | LOCAL
August 6, 2013 | By Randy Lewis
Keyboardist George Duke, one of the pioneers of the jazz-fusion movement that merged jazz, rock and funk in the late 1960s and 1970s, died Monday in Los Angeles, where he was being treated for chronic lymphocytic leukemia, his record label announced. He was 67. The Northern California native was one of the leading forces in bringing jazz and rock together, genres that not only were typically separate in the 1950s and early '60s, but whose proponents often were philosophically at odds.
ENTERTAINMENT
August 16, 1991 | ZAN STEWART, SPECIAL TO THE TIMES
The Ambassador Foundation is another cultural institution that--like the Los Angeles Music Center and New York's Lincoln Center--is significantly expanding its jazz presentations. The nonprofit, Pasadena-based foundation, which offers mostly classical music artists at 1,300-seat Ambassador Auditorium during its September-to-June season, is spotlighting jazz for its first-ever summer event.
ENTERTAINMENT
January 7, 1993 | LEONARD FEATHER, SPECIAL TO THE TIMES
The passing of Dizzy Gillespie will no doubt be characterized as marking the end of an era. Actually, it's more than that. By the time he reached the final decade of his life, Gillespie had become the most honored, the most respected, the most universally praised musician--not merely of the bebop era of which he had long been a symbol, but in the entire history of jazz. The music world knew him as a nonpareil trumpet virtuoso.
CALIFORNIA | LOCAL
June 15, 2013 | Elaine Woo
Sam Most, a pioneering jazz flutist who performed with a stylistically diverse range of artists, including Tommy Dorsey, Donald Byrd, Herbie Mann and Charles Mingus, died Thursday at the Kaiser Permanente Medical Center in Woodland Hills. He was 82. Most had cancer, said his brother, Bernard. Jazz historian Leonard Feather once called Most "probably the first great jazz flutist," who began his career playing with Dorsey. "Though his sound may not be 'legitimate' by orthodox standards," Feather wrote in the Los Angeles Times in 1978, "he is a rhythmically engaging performer whose peppery, witty style may take hold of a set of chord changes and never let go for a half-dozen beautifully constructed choruses.
ENTERTAINMENT
September 25, 1993 | BILL KOHLHAASE, SPECIAL TO THE TIMES
Slide Hampton and his 13-piece JazzMasters orchestra presented a Dizzy Gillespie tribute at the Orange County Performing Arts Center that Diz himself would have appreciated. A good sampling of Gillespie's music was slicked up with new, often involved arrangements and played by a host of New York's best journeymen musicians, including several who had worked with Gillespie in his later years.
ENTERTAINMENT
November 3, 1998 | BILL KOHLHAASE, SPECIAL TO THE TIMES
In most ways, Sunday's Big Band Extravaganza was like the other concerts jazz director Charles "Doc" Rutherford has led at Orange Coast College in his 31 years there. Rutherford brought in notable guest professionals to join his three student orchestras: trumpeter Oscar Brashear and singers Dewey Erney and Cathy Segal-Garcia. He also chose smart and ambitious charts, music that tested the students' individual skills and their ability to play as an orchestra.
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