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Dizzy Gillespie

ENTERTAINMENT
April 30, 1986 | ZAN STEWART
The promotion of jazz will be the main thrust of the National Academy of Jazz. "We're like the Country Music Assn., here simply for the betterment of our art form," said KKGO disc jockey and academy board member Chuck Niles. Plans for the academy were revealed Monday at an informal press reception and jazz performance in the Silver Screen Room at the Hyatt Hotel on the Sunset Strip.
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ENTERTAINMENT
January 26, 1988 | LEONARD FEATHER
Veteran Dizzy Gillespie watchers have long since learned what to expect, and what not to expect, in any of his concerts: plenty of patter from the paterfamilias of bop, but enough incomparable trumpet creativity to make it all worthwhile. True, at El Camino College on Saturday, he still "introduced" the men in his quintet (to one another --a tired gag that no longer draws much of a laugh).
ENTERTAINMENT
March 19, 2001 | DON HECKMAN, SPECIAL TO THE TIMES
Conte Candoli and Pete Candoli, trumpet-playing brothers, have been jazz stars since the '40s. But there was no sign of musical wear and tear in their set at Charlie O's Friday night, delivered to an enthusiastic, packed-house crowd. Over the years, Conte--at 73, four years younger than his brother--has been primarily identified as an improvising artist, while Pete has been much admired for his dependable work as a lead trumpeter.
ENTERTAINMENT
February 12, 1987 | LEONARD FEATHER
Loa's, the Southland's newest jazz club and restaurant, opened Tuesday evening. It was one of those celebrity-heavy, television-covered first nights best summed up in three words: Quincy was there. Not surprising, perhaps, for both Quincy Jones and Ray Brown, who is musical director at the Loa, are old jazz pals and fellow alumni of the Dizzy Gillespie orchestra.
MAGAZINE
July 19, 1998
The Billy Higgins Quartet was swinging an updated arrangement of the old Nat "King" Cole standard "Nature Boy" when singer Dwight Trible took the stage.
ENTERTAINMENT
August 23, 1985 | TONI CARDARELLA, United Press International
Disorganization almost scuttled the International Jazz Hall of Fame's second induction and awards ceremony. Some musicians from the Count Basie and Woody Herman orchestras refused to play Wednesday night when their paychecks were not available by 8 p.m, the scheduled start time of the charity event at downtown Kansas City's Music Hall. "No pay, no play," said the manager for Woody Herman, one of several jazz greats inducted into the Hall of Fame Wednesday night.
ENTERTAINMENT
August 6, 2013 | By Randy Lewis
Keyboardist George Duke, one of the pioneers of the jazz fusion movement that merged jazz, rock and funk in the late 1960s and 1970s, died Monday night in Los Angeles, where he was being treated for chronic lymphocytic leukemia, his record label announced. He was 67. In a career stretching over five decades, Duke collaborated with an array of other musicians, among them Frank Zappa, Miles Davis, Barry Manilow, Dizzy Gillespie, Al Jarreau, Don Ellis, Cannonball Adderly, Nancy Wilson and Joe Williams.
ENTERTAINMENT
June 26, 1987 | LEONARD FEATHER
In one of the jazz festival's less conventional ventures, George Shearing plunged through a time warp Monday at Town Hall to play in settings that recalled his formative years in England and his early days in New York. Leading a 1930s Dixieland group and a 1940s bop combo, he was also heard in a set of piano duets with Hank Jones.
ENTERTAINMENT
August 16, 1991 | ZAN STEWART, SPECIAL TO THE TIMES
The Ambassador Foundation is another cultural institution that--like the Los Angeles Music Center and New York's Lincoln Center--is significantly expanding its jazz presentations. The nonprofit, Pasadena-based foundation, which offers mostly classical music artists at 1,300-seat Ambassador Auditorium during its September-to-June season, is spotlighting jazz for its first-ever summer event.
ENTERTAINMENT
January 7, 1993 | LEONARD FEATHER, SPECIAL TO THE TIMES
The passing of Dizzy Gillespie will no doubt be characterized as marking the end of an era. Actually, it's more than that. By the time he reached the final decade of his life, Gillespie had become the most honored, the most respected, the most universally praised musician--not merely of the bebop era of which he had long been a symbol, but in the entire history of jazz. The music world knew him as a nonpareil trumpet virtuoso.
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