January 26, 1988 |
Veteran Dizzy Gillespie watchers have long since learned what to expect, and what not to expect, in any of his concerts: plenty of patter from the paterfamilias of bop, but enough incomparable trumpet creativity to make it all worthwhile. True, at El Camino College on Saturday, he still "introduced" the men in his quintet (to one another --a tired gag that no longer draws much of a laugh).
March 19, 2001 |
Conte Candoli and Pete Candoli, trumpet-playing brothers, have been jazz stars since the '40s. But there was no sign of musical wear and tear in their set at Charlie O's Friday night, delivered to an enthusiastic, packed-house crowd. Over the years, Conte--at 73, four years younger than his brother--has been primarily identified as an improvising artist, while Pete has been much admired for his dependable work as a lead trumpeter.
February 12, 1987 |
Loa's, the Southland's newest jazz club and restaurant, opened Tuesday evening. It was one of those celebrity-heavy, television-covered first nights best summed up in three words: Quincy was there. Not surprising, perhaps, for both Quincy Jones and Ray Brown, who is musical director at the Loa, are old jazz pals and fellow alumni of the Dizzy Gillespie orchestra.
July 19, 1998
The Billy Higgins Quartet was swinging an updated arrangement of the old Nat "King" Cole standard "Nature Boy" when singer Dwight Trible took the stage.
August 23, 1985 |
Disorganization almost scuttled the International Jazz Hall of Fame's second induction and awards ceremony. Some musicians from the Count Basie and Woody Herman orchestras refused to play Wednesday night when their paychecks were not available by 8 p.m, the scheduled start time of the charity event at downtown Kansas City's Music Hall. "No pay, no play," said the manager for Woody Herman, one of several jazz greats inducted into the Hall of Fame Wednesday night.
January 26, 1986 |
When veteran jazz singer Ernie Andrews sings "Cabaret" on the intimate stage of Marla's Memory Lane, the words are persuading, a smooth and compelling suggestion. "The music. I come here to hear the music," says Ibelle Winston. "When I don't want to hear all this 'Hey baby, it's me and you' kind of disco-type talk, I come here, because it's mellow." Marla's Memory Lane on Martin Luther King Jr. Boulevard in southwest Los Angeles has become a neighborhood refuge for serious jazz lovers.
August 6, 2013 |
Keyboardist George Duke, one of the pioneers of the jazz fusion movement that merged jazz, rock and funk in the late 1960s and 1970s, died Monday night in Los Angeles, where he was being treated for chronic lymphocytic leukemia, his record label announced. He was 67. In a career stretching over five decades, Duke collaborated with an array of other musicians, among them Frank Zappa, Miles Davis, Barry Manilow, Dizzy Gillespie, Al Jarreau, Don Ellis, Cannonball Adderly, Nancy Wilson and Joe Williams.
CALIFORNIA | LOCAL
August 6, 2013 |
Keyboardist George Duke, one of the pioneers of the jazz-fusion movement that merged jazz, rock and funk in the late 1960s and 1970s, died Monday in Los Angeles, where he was being treated for chronic lymphocytic leukemia, his record label announced. He was 67. The Northern California native was one of the leading forces in bringing jazz and rock together, genres that not only were typically separate in the 1950s and early '60s, but whose proponents often were philosophically at odds.
November 3, 1998 |
In most ways, Sunday's Big Band Extravaganza was like the other concerts jazz director Charles "Doc" Rutherford has led at Orange Coast College in his 31 years there. Rutherford brought in notable guest professionals to join his three student orchestras: trumpeter Oscar Brashear and singers Dewey Erney and Cathy Segal-Garcia. He also chose smart and ambitious charts, music that tested the students' individual skills and their ability to play as an orchestra.
August 16, 1991 |
The Ambassador Foundation is another cultural institution that--like the Los Angeles Music Center and New York's Lincoln Center--is significantly expanding its jazz presentations. The nonprofit, Pasadena-based foundation, which offers mostly classical music artists at 1,300-seat Ambassador Auditorium during its September-to-June season, is spotlighting jazz for its first-ever summer event.