July 28, 1995 |
These are highly emotional times for Sam Goldwyn Jr. Because of financial strains, the 69-year-old son of the legendary mogul is being forced to sell off his 16-year-old company, which has produced and distributed such critically acclaimed films as "The Madness of King George," "Much Ado About Nothing," "Eat, Drink, Man, Woman" and "sex, lies and videotape." Sources predict that within weeks, Samuel Goldwyn Co.--of which Goldwyn owns 64.
November 24, 1991 |
Few actors are lucky enough to come up with a single role that informs the psyche of a generation or else slips into the cultural vernacular, like a Captain Queeg or a Vito Corleone. At 54, in a career that spans 23 movies, Dustin Hoffman has had at least four: in "The Graduate," "Midnight Cowboy," "Tootsie" and "Rain Man." The number goes up to five if you'll concede "Kramer vs.
November 16, 2004
The Nov. 13 Times' editorial, "Private Ryan, Unsaved," is correct in explaining and condemning the removal by some ABC affiliates of the film "Saving Private Ryan." It does contain violence and profanity and does depict heroism and show that "war is hell." It is also true that the Federal Communications Commission failed to stand up against the shameful pressures of vigilante groups. What is missed is that "Saving Private Ryan," like "All Quiet on the Western Front," is not a war film.
December 5, 1999
Stephen Crane's "The Red Badge of Courage," Norman Mailer's "The Naked and the Dead," Tim O'Brien's "The Things They Carried"--American fiction writers have conjured up powerful portraits of war, largely from the foot soldier's chaotic point of view. But war as experienced by the policymakers, the civilian shapers, the power holders and the bureaucrats has not been a subject of American fiction. In fact, power generally has not much been favored by fiction writers.
December 23, 2005 |
"THE NEW WORLD" is Terrence Malick's fourth film in 32 years, basically consolidating his position as the least prolific, most interesting director working today. The movie is both a continuation of his work so far and its culmination, which doesn't make it any easier to talk about. Words, actually, don't have much to do with the effect it has on the senses.
December 5, 1986 |
Of all the classic categories of movies, the misfits who must somehow be shaped into a fighting unit is one of the most durable. It's succeeded in everything from "The Dirty Dozen" to "Stripes." "Heartbreak Ridge" (citywide) reworks the formula again, and the reward is a vintage Clint Eastwood performance--in a film so uninvolving that you barely wake up for the big battle finale.