CALIFORNIA | LOCAL
August 7, 2013 |
Like an L.A. noir, this mystery begins with a mystery. I'm standing under the midday, midsummer sun. To the west, the skyscrapers of downtown rise like the steep palisades of a nearby island. The sky is cataract blue. I've parked next to a Buddhist temple and The One-Eye Gypsy bar and am walking east across the 1st Street bridge. Some people call it a viaduct, but it's a bridge to me, built in 1928 according to the commemorative plaque. Towers, like miniature Arc de Triomphes, rise from the bridge's abutments.
June 27, 2013 |
June Wayne (1918-2011) is best known for starting and running the Tamarind Lithography Workshop, a world-renowned institution that has been going strong for 53 years. She is also known as an innovative printmaker, her own lithographs outstanding examples of what the medium can deliver. As a painter, Wayne is not so well known. At Louis Stern Fine Arts, an introductory survey goes a long way to change that. “June Wayne: Eloquent Visionary” displays paintings alongside prints to reveal that Wayne moved freely between the media, gleaning insights from each and enhancing our understanding of both.
CALIFORNIA | LOCAL
March 21, 2013 |
Nicholas C. Petris, who was a leading liberal voice for nearly four decades as a California state senator and assemblyman representing his hometown of Oakland and other East Bay cities, has died. He was 90. Petris, who retired in 1996 because of term limits, died Wednesday at the Oakland retirement facility where he had lived in recent years, his former chief of staff, Felice Zensius, said. The cause was old age, she said. A Greek American known for his eloquence from the floor of the state Senate, Petris championed a host of liberal causes during his career, offering legislation on behalf of the poor, the sick and the elderly.
February 5, 2013 |
The two worlds conjoined in the title of playwright-director Timothy McNeil's “Machu Picchu, Texas” are metaphorically linked by constants in human experience - in particular, the enduring propensity for senseless violence. At one point in this affecting and superbly realized new play, a cynical professor of history makes the connection explicit: the fact that some of the ancient Incan city's populace were beaten to death for no clear reason makes it “just like Texas, only with sandals and feathers.” In a present-day Houston suburb, tensions and conflicted loyalties erupt among two families and their friends in the wake of a random, unprovoked assault that's left Charlie - a gentle man beloved by all who knew him - confined to a wheelchair.
January 12, 2013 |
Inspiration can come from anywhere. Even a cardboard box company. In 1950, the Container Corp. of America launched an advertising campaign called "Great Ideas of Western Man. " The series, which ran for three decades, paired quotes from leaders in philosophy, science and politics with artwork from modern artists. A new exhibition at the Skirball Cultural Center uses the same technique but focuses on Jewish artists and phrases. "Voices & Visions" features 18 posters inspired by quotations from Jewish authors and scholars.
October 12, 2012 |
With his shock of silver-gray hair, his face etched by time with the lean expressiveness of a Giacometti sculpture and his soulful eyes registering every fleeting hurt and happiness, John Hurt bears a striking resemblance to Samuel Beckett in the distinguished British actor's magnificent rendition of "Krapp's Last Tape" at the Kirk Douglas Theatre. For anyone needing a reminder that theater can be an art (and not just a scrappy entertainment), this beautifully mounted production of Beckett's play, directed by Michael Colgan of Dublin's Gate Theatre, is not to be missed.