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October 4, 1989 | CATHY CURTIS, Times Staff Writer
Imagine a stage awash with performers shrouded in yards of colorful, diaphanous fabric. They move in stately, fluid patterns under ever-changing colored lights to live music or to the rise and fall of the spoken voice. The spectacle combines something of the sensuousness of a '60s light show with the spiritualistic aura of early 20th-Century modern dance.
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ENTERTAINMENT
October 4, 1989 | CATHY CURTIS, Times Staff Writer
Imagine a stage awash with performers shrouded in yards of colorful, diaphanous fabric. They move in stately, fluid patterns under ever-changing colored lights to live music or to the rise and fall of the spoken voice. The spectacle combines something of the sensuousness of a '60s light show with the spiritualistic aura of early 20th-Century modern dance.
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ENTERTAINMENT
October 5, 1989 | DONNA PERLMUTTER
It was a sight to behold: The noble, statuesque figures swathed in ankle-length tunics with flowing silk scarfs draped over their arms looked nothing like dancers we know today. They wore little or no makeup. The women's hair, gently pinned back, even predated the small sleek chignons emblematic of '40s modern dance.
ENTERTAINMENT
October 1, 1989 | DANIEL CARIAGA
After several years of what Musicians Union president Bernie Fleischer characterized as "very stormy sailing" in relations between Los Angeles Chamber Orchestra and Local No. 47, the orchestra management, negotiating with orchestra players and union leadership, has recently signed a three-year agreement with which both sides claim to be satisfied.
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