Entertainment

If you're thinking of visiting a Disney park in Anaheim this summer, be warned that the price is about to jump by between $7 and $150 depending on the ticket deal. The annual summer price hike for tickets to Disneyland and the Disney California Adventure Park were announced Friday and take effect Sunday. For example, a ticket for one day at either Disneyland or California Adventure had cost $80 for parkgoers who are 10 or older. The new price, starting Sunday, will be $87, up nearly 9%. The biggest increase will hit people who buy the premium annual pass that includes parking.

Nearly a decade ago, an improbable dream came true for Deaf West Theatre and its founder, Ed Waterstreet. The small, L.A.-based company went to Broadway with its signed and spoken version of the musical "Big River: The Adventures of Huckleberry Finn. " Even as he savored their success, Waterstreet had another dream - creating an original musical inspired by Edmond Rostand's "Cyrano de Bergerac. " What better tale for his theater to tell than one that explores the universal desire to express oneself?

Often film sequels are slam dunks at the box office, a seamless continuation from where a previous hit left off. But as the new installment of the 15-year-old franchise "Men in Black" proves, getting to the big screen isn't always a cakewalk. One of the most troubled productions in recent Hollywood memory, Sony Pictures' latest movie in the Will Smith-Tommy Lee Jones sci-fi-comedy franchise encountered multiple script rewrites, a discontented star and a three-month production shutdown as writers and studio executives scrambled to fix a project that nearly fell apart . By the time it was over, the studio had run up a tab of nearly $250 million - making "Men in Black 3" one of the most expensive releases of the summer.

Southwest Chamber Music's L.A. International New Music Festival is more a Los Angeles interstitial new music festival. Skirting touristy Europe, these Southwesterners are not interested in inclusiveness but in filling gaps that very much need filling. Monday's installment, the third of the festival's four concerts at the Colburn School's Zipper Concert Hall, did feature two admired L.A. composers who do not lack local institutional attention. Anne LeBaron, on the faculty at CalArts, happens to be the local composer of the moment with her breathtaking opera "Crescent City" currently in production and a piece on the Los Angeles Philharmonic's opening Hollywood Bowl concert in July.

When Pink Floyd first took its concept album "The Wall" to the concert stage more than three decades ago, even lead singer and chief songwriter Roger Waters couldn't imagine a day when rock music might get any bigger. But 32 years later, his magnum opus about the battle between individual freedoms and authoritarian oppression has magnified beyond Waters' own expectations of yore. Now the man who once excoriated the voluminous expansion of the rock concert experience has helped institutionalize it. "I famously hated playing to large numbers of people and playing in stadiums," Waters, 68, said from a tour stop in Austin, Texas, earlier this month.

There's so much to praise in the blissful Broadway revival of "Follies," which opened Wednesday at the Ahmanson Theatre on the heels of its numerous Tony nominations, but let's pay homage first to the sheer sophistication of the show itself. After experiencing "Follies" again - an adult entertainment if ever there was one - I flat-out refuse to accept any more jukebox substitutes. One doesn't often talk about architecture when writing about musicals, but the most impressive thing about "Follies," beyond Stephen Sondheim's bejeweled score, is the ingenious way it is constructed.

"Battleship"is not the first major motion picture to be based on a board game - who could forget 1985's benighted "Clue"? - but it is surely the most expensive. With every superhero more celebrated than Amazing-Man or the Chameleon already spoken for (ditto for hot toys like Transformers), Hollywood has fallen back on popular games as likely fodder for action epics. If "Scrabble: The Movie" or "Qwirkle or Death" appears on a future marquee, don't say you weren't warned. As its north-of-$200-million budget indicates, "Battleship" has been expanded considerably from its origins as a pre-World War I pencil and paper game to include a major alien invasion that puts the very fate of the human race at stake.

After defeating Voldemort and his Death Eaters in seven bestselling books and eight hit movies, Harry Potter is taking on perhaps his greatest challenge yet: boosting the Los Angeles economy. Universal Studios on Tuesday took the wraps off plans to build a Southern California version of the Wizarding World of Harry Potter, which drove a 68% increase in attendance at its Orlando theme park during the first three months of the year compared with the same period in 2010. Ron Meyer, Universal's president, said his company would spend "several hundred million dollars" to create the attraction, which is expected to include a re-creation of Hogwarts Castle along with Potter-themed rides, shops and restaurants.

Want to fool merchants with a fake ID? Hack someone's text messages? Or how about tracking where your co-workers are, without their knowing it? There's an app for that. The explosion in smartphone and tablet applications that enable people to check the weather, follow their stocks and play Words With Friends has a dark side: apps that facilitate questionable if not outright illegal behavior. Apple's App Store, for example, offers Drivers License software that promises "unlimited access to realistic-looking licenses" for all 50 states.

Their internationally recognized names sell music and movie tickets. They promote perfumes and presidents. But when it comes to selling their own houses, celebrities often find that their cachet doesn't pull in the cash. Actors Goldie Hawn and Kurt Russell haven't found a buyer for their Malibu beach house, which comes with a raft of celeb-friendly amenities including a covered outdoor living room, a spa-like bath retreat and a meditation room. So the couple have nipped $3.5 million from last year's price, listing the Balinese-influenced oceanfront spread at $11.2 million.

CANNES, France - Walter Salles carefully raises the fingers of his right hand and gently strokes the back of his left. "These are characters," he says, explaining the gesture, "who experience things not vicariously but on the flesh. Men and women in a quest for something they couldn't define yet, who are trying to amplify their knowledge of the world. " More than half a century after "On the Road" was published, 30-plus years since Francis Ford Coppola bought the rights in 1978, and nearly a decade after Salles began working on the film, Jack Kerouac's peerless anthem to the romance of youthful freedom and experience has finally made it to the screen with its virtues and spirit intact.

When he stayed at the Beverly Hills Hotel, the famously reclusive Howard Hughes would have roast beef sandwiches left for him in a crook of a tree, go on 2 a.m. treasure hunts for freshly baked pineapple upside-down cakes that were hidden on the grounds, and keep a phone booth inside his bungalow. "They'd switch different booths in and out of different bungalows because he [Hughes] didn't want to go through the hotel operator," says producer Richard D. Zanuck, who was told about Hughes by his father, 20th Century Fox co-founder Darryl F. Zanuck, also a frequent visitor to the picturesque pink hotel.

Chinese conglomerate Dalian Wanda Group's landmark deal to buy AMC Entertainment Inc. for $2.6 billion could be a catalyst for similar acquisitions of American theater chains and other U.S. entertainment properties, industry analysts said. The deal announced Sunday — which pairs China's biggest theater operator with the second-largest chain in the U.S. — marks the largest investment to date by a Chinese company in the U.S. entertainment industry. Most of the deal making has been Hollywood companies striking business deals in China.

Video-on-demand services usually come into play toward the end of a film's life span — either to follow a theatrical run or to take a movie straight to video. For the website Prescreen, however, VOD is the launching pad. Prescreen, which debuted in September, offers users a curated selection of independent films, most available for 60 days and many exclusive to the site. A single film is spotlighted in a daily email, and most rentals cost $2 to $8 for a 48-hour viewing window.

You can draw a straight line, in terms of architectural history, from William Randolph Hearst'ssprawling estate in San Simeon to the corner of Broadway and 11th Street in downtown Los Angeles. It was at that downtown site in 1913 that Hearst commissioned architect Julia Morgan to design a headquarters for his Los Angeles Examiner newspaper, which he'd founded in 1903. Morgan produced one of the most remarkable designs of her prolific career, a 103,500-square-foot Mission Revival building draped with Italian and Moorish touches, including domes covered in yellow and blue tile.

There's a flicker of uncertainty in Danny Burstein's friendly brown eyes as he greets a reporter backstage at the Ahmanson Theatre, as if he half-expects her to step around him on her way into the dressing room of one of his "Follies" costars. "When I heard that The Times wanted to talk to me, I said, 'Are you sure?'" he says, after being persuaded that he, and not Ron Raines, Victoria Clark, Jan Maxwell,Elaine Page,or any of the show's other big guns, is meant to be the subject of this interview.

Los Angeles will gay anybody up. In the two months since I moved here, I've bought a yellow convertible Mini Cooper, a pair of Guess jeans and started using one of those fitness balls as my desk chair. This is a town so gay that Republicans don't even run for mayor. So when ABC Entertainment President Steve McPherson told Time magazine, in a story about the preponderance of gay TV show creators, that "if being gay makes you that talented, I'm going gay," I had to give it some serious thought.

Successful, micro-targeted neighborhood music festivals have been proliferating — including Make Music Pasadena, the Eagle Rock Music Festival, Venice's Abbott Kinney Music Festival and Echo Park's Culture Collide — and now we can now add "The Nice Stretch of West Hollywood That's West of Fairfax Avenue but East of the Sunset Strip Festival. " Sunday's festival is actually called the Hudson Block Party, and for a second year the classy-casual bar and restaurant that throws it has booked an unexpectedly buzzy bill of local and national acts, including White Rabbits, LP and Haim.

Long Beach Opera's new production of Osvaldo Golijov's "Ainadamar" comes at an important time. The opera is a meditation on the Spanish poet Federico García Lorca's murder by the fascists during the Spanish Civil War, which is ever relevant, especially in the way the work echoes the current situation in the Middle East. But there is another reason why this opera matters right now, despite LBO's somewhat slapdash production at Terrace Theater Sunday night. Golijov has been going through a bad patch, and we need to be reminded why the music world would be unwise to lose faith in him. He has missed deadlines, including for a violin concerto that was to have been premiered by the Los Angeles Philharmonic a year ago. He has also come under attack for plagiarism by "gotcha" critics who miss the larger context of his work and what makes it so culturally rich and pertinent.

The newly formed SAG-AFTRA board of directors has confirmed David White as the merged union's sole national executive director. The national board of SAG-AFTRA voted overwhelmingly Sunday to select White for the job, approving a new three-year contract. White, the former Screen Actors Guild executive director, was expected to assume the new position as the chief administrative officer for the union of about 160,000 members. He had been serving as co-national executive director with former American Federation of Television and Radio Artists leader Kim Roberts Hedgpeth, who announced last month that she was resigning.