OPINION
April 14, 2013 | By Duncan Hosie
It seems these days as if everyone is speculating about how Justice Anthony M. Kennedy will approach the two same-sex marriage cases before the U.S. Supreme Court. But I haven't heard anyone wondering which side Antonin Scalia will be on. He has made his views on gay relationships painfully clear. In December, Scalia spoke at Princeton University, where I am a freshman, and I asked him about language he used in past decisions involving gay rights - language that I, as a gay man, found extraordinarily offensive.
ENTERTAINMENT
April 13, 2013 | By Irene Lacher
Dana Delany plays a calculating politician's wife in Beau Willimon's "The Parisian Woman," set in contemporary Washington, "inspired" by Henri Becque's "La Parisienne" of 1885. The world premiere production, co-starring Steven Weber, begins previews Sunday at South Coast Repertory and runs through May 5. The two-time Emmy winner also stars as acerbic medical examiner Dr. Megan Hunt in ABC's procedural "Body of Proof," now in its third season. Beau Willimon has a pretty dim view of people in politics.
ENTERTAINMENT
April 13, 2013 | By Yvonne Villarreal, Los Angeles Times
When it came to mass recognition in the United States, the late Latin music star Jenni Rivera used to say she wasn't Coca-Cola, and maybe she wasn't Pepsi either. But she wasn't going to let anyone tell her she wasn't at least akin to Fanta. The sentiment - more colorfully expressed in Rivera's words according to friend and manager Pete Salgado during a recent interview in Studio City - may partly explain why the Mexican regional superstar floated under the radar of most non-Spanish-language outlets before her death last year.
SPORTS
April 11, 2013 | Chris Erskine
Pat Haden always seemed like a well-scrubbed character from your mother's favorite musical, so when he showed up last week in USC's big spring production — actors, crew and musicians outnumbering the football team — it wasn't surprise casting. Indeed, it might be yet another new career for the guy who vertically leaps from one thing to the next the way you and I leap from tee box to tee box. If this keeps up, he'll soon be running Paramount. Still, the other night he used the word "fidoodled," in his role as Postman No. 2. As in: "the way he's got this place all fidoodled up for you. " Musical theater may never be the same.
ENTERTAINMENT
April 11, 2013 | By Betsy Sharkey, Los Angeles Times Film Critic
Terrence Malick, as unconventional, esoteric and spiritual as ever, has created an ocean of love in "To the Wonder," filling it with calm seas, treacherous storms, incredible beauty and a god who watches over it all. Love in all its many facets is distilled and dissected by the writer/director from first flame to dying embers, between couples and between mankind and God. There is no new ground, really, the distinction is in the way Malick covers...
ENTERTAINMENT
April 11, 2013 | By John Horn, Los Angeles Times
Movie directors can come across as all sorts of personalities - arrogant, collegial, mercurial, dictatorial. Filmmaker Henry-Alex Rubin arrived on the set of "Disconnect" , his first narrative feature, striking an unusual pose: clueless. "I have no idea how to direct a movie," said Rubin, 39, a prize-winning commercial director who made (with Dana Adam Shapiro) the Oscar-nominated 2005 documentary "Murderball," which chronicled the grueling sport of wheelchair rugby. "I know how to make commercials and direct documentaries.
ENTERTAINMENT
April 11, 2013 | By Julie Makinen and Nicole Sperling
A spaceship-like, 1,000-seat theater may be the most striking feature of the Motion Picture Academy's planned film museum at LACMA, but the organization has also revealed a bevy of other details about what the six-story, 290,000-square-foot facility opening in 2017, will include. Some highlights: Ground Floor: This will consist of a public piazza, the museum lobby, a cafe and a gift store. The piazza will connect the film museum to the rest of the LACMA campus. The academy says "a majestic red carpet and Cannes-style grand staircase" will take visitors into the soaring 1,000-seat, domed "premiere theater," to be named for David Geffen, who has pledged $25 million to the $300-million museum.
ENTERTAINMENT
April 10, 2013 | By Gerrick D. Kennedy
Justin Timberlake is showing no signs of slowing down. Timberlake's “The 20/20 Experience” has notched a third consecutive week at No. 1 on the Billboard 200, moving an additional 139,000 copies, according to Nielsen SoundScan. “The 20/20 Experience,” Timerlake's first album in nearly seven years, is the first to clutch the pole position for three weeks since Taylor Swift's smash “Red” late last year. Timberlake is also the first male to open and rule the charts this long since Eminem's 2010 disc, “Recovery.” The Band Perry opened at No. 2 with “Pioneer.” The sophomore effort moved 129,000 copies and logged the sibling trio their first No. 1 on the country chart.
ENTERTAINMENT
April 9, 2013 | By Gina McIntyre, Los Angeles Times
NEW YORK - Nick Cave, the moody Australian statesman of majestic post-punk folk rock, was only midway through answering the second question of an early interview in Manhattan when he stopped the conversation to try to clarify a point. Settling in at a corner table in the sumptuous lobby of a boutique hotel downtown, dressed in a striped satin shirt and black sport coat, Cave had been describing the improvisational approach he and his band, the Bad Seeds, took to writing the nine songs featured on their latest studio album, "Push the Sky Away.
CALIFORNIA | LOCAL
April 9, 2013 | By Laura J. Nelson, Los Angeles Times
When Los Angeles County's inaugural toll lanes opened on the 110 Freeway late last year, Scott Sternad decided he could do without. "Nearly $1,000 a year?" said the 24-year-old engineering student, who commutes from Hermosa Beach to USC three times a week. "That's a lot of dinners and drinks. " But remaining in the free lanes has cost Sternad time. His commute now takes 15 minutes longer than it did before the carpool lanes were reconfigured, he says. That's not what was supposed to happen.