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September 1, 2013 | By Booth Moore, Los Angeles Times Fashion Critic
This is the year of punk. Vogue magazine decreed it to be so, and the Metropolitan Museum of Art's Costume Institute chimed in with its "Punk: Chaos to Couture" exhibition this spring. When Kim Kardashian, Miley Cyrus, Nicole Richie and others turned out in leather and spikes for the gala opening in May, the irony was overwhelming. All those shiny celebrities were there in the name of an anti-fashion, anti-establishment movement of working-class heroes. But that was the point of the exhibition, to demonstrate how high fashion feeds off the street and how designers appropriate the visual codes of punk, using slashes and safety pins to sell cool.
October 24, 2010 | By Valli Herman, Special to the Los Angeles Times
By the numbers it just doesn't seem right. Nearly 65% of American women are overweight, according to the National Center for Health Statistics, and of those, more than 35% are obese. Yet most designer collections end at size 10. And on hundreds of high-fashion runways at international fashion weeks this month and last, ultra-slim models were wearing trendsetting designs that will never be manufactured in sizes to fit most American women. In a time when retailers are struggling to turn a profit, the disconnect between fashion and reality is a puzzle.
March 25, 2012 | By Booth Moore, Los Angeles Times Fashion Critic
Fashion exhibitions at museums, like the "Alexander McQueen: Savage Beauty" show that set attendance records at the Metropolitan Museum of Art in 2011, are more popular than ever. Here is a selection of what's on now and what's coming soon, in the U.S. and abroad. Diana Vreeland After Diana Vreeland | Dedicated to the style and passion of the late fashion icon, editor, traveler and Metropolitan Museum of Art Costume Institute curator. Vreeland also worked as a special consultant to the museum from 1972 to the time of her death in 1989, setting the international standard for costume exhibitions.
August 15, 2010 | By Emili Vesilind, Special to the Los Angeles Times
It all started with " America's Next Top Model. " The Tyra Banks-hosted TV model competition, now in its 15th cycle since debuting in 2003, proved that the business of fashion — played out by packs of volatile young hopefuls — could be fodder for blockbuster TV ratings. "Project Runway," "Queer Eye for the Straight Guy," "Shear Genius" and a slew of other shows steeped in the worlds of fashion, modeling, styling and hairdressing followed. Fast-forward seven years, and it's nearly impossible to find a major cable network that doesn't feature at least one show centered on fashion or beauty.
June 11, 2013 | By Adam Tschorn
After RSVPing for an upcoming Band of Outsiders-hosted dinner in honor of fashion journalist, canning wunderkind and Grand Central Market consultant Kevin West, The Times' fashion critic and I decamped to the 97-year-old downtown landmark -- where we promptly ran into West himself. The author of  "Saving the Season: A Cook's Guide to Home Canning, Pickling and Preserving" (set to be published by Knopf on June 25) was tucking into a Cobb salad at the lunch counter of Valerie, a stall recently opened by the Valerie Confections folks and one of the market's newest tenants (opening for business just 11 days ago)
September 13, 2009 | BOOTH MOORE, FASHION CRITIC
The $300-billion fashion business is in the midst of an epic shake-up that is changing the way clothes are designed, marketed and purchased. The Internet -- the same force that has splintered the media and music industries -- is challenging the taste-making role of the fashion elite, a shift that is being accelerated by the rise of cheap chic and a recession that has blunted more-is-more spending. In turn, many retail businesses, confronted by changing spending patterns, are becoming less brand-centric and more consumer-centric.
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