July 5, 2012 |
British composer George Fenton, 61, is several decades into a career writing for film, theater and television. His film scores alone cover a great deal of ground, ranging from high-toned period pieces to smart comedies and much in between - "Dangerous Liaisons," "The Fisher King," "The History Boys,""Groundhog Day" and dozens of others. He's been nominated for five Academy Awards, including for the score of "Gandhi" with collaborator Ravi Shankar. Fenton's early days involved acting, including an important part in "Forty Years On," a play by Alan Bennett and some English television.
January 29, 1995 |
Walk down the dark, crumbling corridors of Mosfilm Studios and, for a moment, you might think you've entered Frankenstein's castle. The music filling the air would certainly underscore that feeling. Behind heavily guarded studio doors, the Moscow Symphony Orchestra has been recording music from the 1944 Boris Karloff horror film "House of Frankenstein."
CALIFORNIA | LOCAL
November 7, 2000 |
Aaron Copland stands near if not at the top of most lists of great American composers. Just about everyone has heard his "Fanfare for the Common Man," "El Salon Mexico," "Appalachian Spring" and "Billy the Kid." But some important Copland music is more obscure--his film scores. Pacific Symphony will be honoring this music as part of its Copland Centenary Festival, Sunday through Nov. 19.
May 16, 2000 |
What's a nice Jewish girl like Judith Krantz doing in a place like Chanel? Buying, bubbeleh . . . and with all those bestsellers to her name, not on sale either. Krantz always wears Chanel . . . probably to bed, for all I know. Krantz's 10 novels have kept her in Coco's logo, starting with her No. 1 bestseller "Scruples," which came out in 1978. Now the Material Girl of the nip-and-tuck set is telling all in her autobiography, "Sex and Shopping: The Confessions of a Nice Jewish Girl."
CALIFORNIA | LOCAL
January 9, 2012 |
As concertmaster for the orchestra that recorded the soundtrack for the movie "Psycho," classical violinist Israel Baker helped create a piece of pop culture that is regarded as one of Hollywood's most terrifying. He led the piercing attack of the violins that accompanies the 1960 Alfred Hitchcock film's chilling shower scene. He "was a renowned violinist and concertmaster in the Hollywood studio system" and was heard on dozens of movie scores, said Jon Burlingame, a film and music historian.
January 5, 1986 |
Item: After disappointing previews, director Ridley Scott and Universal Studios drastically cut an hour out of his $30-million fantasy-epic "Legend" to suit American audience tastes. Universal also commissions a new score by synthesizer-pop band Tangerine Dream to replace "Legend's" original symphonic score by Oscar-winning composer Jerry Goldsmith.
December 27, 1997 |
The credits for "Scream 2" say "music by Marco Beltrami." But every time David Arquette's character, Dewey Riley, shows up, the music on the soundtrack is from the John Travolta thriller "Broken Arrow," composed by Hans Zimmer. What gives? The answer involves two words that have become the bane of many composers' existence: "temp track." The term refers to the temporary music soundtrack that accompanies rough cuts of movies for early screenings for studio executives, preview audiences or both.
January 26, 2003 |
You might not know his name, but his music--experimental, impressionistic, sparse--haunts TV's "Six Feet Under," for which he has been nominated for a Grammy in composing and arranging, and films such as "Road To Perdition," "In the Bedroom," "American Beauty," "The Green Mile" and the upcoming kid flick "Finding Nemo." Composer Thomas Newman, 47, is scion of a movie score dynasty that includes dad Alfred Newman (nine Oscars, 45 nominations), uncle Lionel Newman ("Hello, Dolly!"
March 19, 1998 |
"Are you coming home tonight?" Arabella Holzbog asks her fiance, Daniel Ezralow, whom she's visiting on the Sony lot. It's a valid question in light of the pace he's keeping, preparing for this week's "Mandala"--his full-evening dance solo at UCLA's Freud Playhouse--and debuting as choreographer of the Oscars Monday night. On Stage 24, the 41-year-old Angeleno rehearses seven male dancers for the Academy Awards bash.