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ENTERTAINMENT
November 12, 2012 | By Glenn Whipp
Steven Spielberg's "Lincoln" and Sam Mendes' "Skyfall," the latest installment in the James Bond series, both enjoyed overflow crowds at theaters this weekend, including one venue of particular note -- the 1,012-seat Samuel Goldwyn Theater in Beverly Hills -- which had to turn away film academy members who showed up too close to the movies' 7:30 p.m. start times. "Lincoln" screened Saturday night and, judging from the ovations afforded the post-screening panel -- director Spielberg, producer Kathleen Kennedy, leads Daniel Day-Lewis and Sally Field, screenwriter Tony Kushner and composer John Williams -- the film appears poised to fulfill its promise as an awards-season juggernaut.  "You could feel the respect in the room, but it went beyond that," said one academy member in attendance.
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ENTERTAINMENT
April 20, 2013 | By Ari Bloomekatz
Orson Scott Card, the wildly popular author of "Ender's Game" and a string of other science-fiction books, spent much of his time at the Los Angeles Times Book Festival on Saturday talking about film adaptations of his work - some in progress, others he hopes for and at least one piece he never wants to see on screen. "'Speaker for the Dead' is unfilmable," Card said in response to a question from the audience. "It consists of talking heads, interrupted by moments of excruciating and unwatchable violence.
ENTERTAINMENT
March 28, 2011
Charles McGraw The gravely voiced actor, who died in 1980 at age 66, played a hit man in the 1946 noir classic "The Killers" and went on to appear in such noir hits as 1950's "Armored Car Robbery, 1951's "Roadblock" and the 1952 classic "The Narrow Margin. " Audrey Totter Totter, now 92, made her film debut in 1945's "Main Street After Dark" and excelled in numerous film noirs, including Robert Montgomery's 1947 version of "Lady in the Lake" and "High Wall," which opens the "Noir City" festival.
ENTERTAINMENT
August 18, 2012 | By Charles McNulty, Los Angeles Times Theater Critic
William Friedkin's film of Tracy Letts' play"Killer Joe" is nasty, brutish and just short enough to concentrate its fiendish energies for maximum wincing effect. As enthralling as it is repulsive, the movie seized hold of my attention with the ferocious tenacity of T-Bone, the pit bull chained to a neighboring trailer home in the trashy Dallas outskirts where the story is set. But when the brutality was finished and the lights came up, I had to wonder about the point of sitting through so much casual bloodshed and prolonged sexual humiliation.
ENTERTAINMENT
February 7, 2010 | By Susan King
When girls are good they are very good, but when they are bad they are even better. And during the height of the film noir genre in the 1940s and '50s, some of the juiciest roles for women were as femmes fatales in snappy B-movies. Sony's terrific two-volume "Bad Girls of Film Noir" DVD collections, due out Tuesday, offer eight scrappy samples featuring several female icons of the genre. Volume I kicks off with the 1950 thriller "The Killer That Stalked New York." The killer in question is played by Evelyn Keyes, though she isn't a typical film noir villainess.
ENTERTAINMENT
February 17, 2014 | By Oliver Gettell
How could a movie with a Mexican director, two American stars and the backing of a major U.S. studio be named outstanding British film at the British Academy of Film and Television Arts Awards? That's the question on many awards observers' minds after Alfonso Cuarón's sci-fi thriller "Gravity," starring Sandra Bullock and George Clooney and released by Warner Bros., reaped six BAFTA trophies on Sunday, among them one reserved for demonstrations of "outstanding and original British filmmaking which shows exceptional creativity and innovation.
ENTERTAINMENT
January 10, 2013 | By Gary Goldstein
"I Am Not a Hipster" is the kind of lovingly crafted, deeply affecting drama that gives small indie films a good name. It's also a terrific showcase for first-time feature writer-director Destin Daniel Cretton and his superb leading man, Dominic Bogart. The San Diego-set movie tracks one particularly trying week in the life of Brook Hyde (Bogart), a talented musician so completely at odds with himself - and his art - he can barely function; a seemingly decent guy drowning in bad behavior (his explosive radio interview with an earnest DJ, well-played by Brad William Henke, is a corker)
ENTERTAINMENT
January 7, 2014 | By Richard Verrier
Santa Clarita, the suburban northern Los Angeles County community that has played Afghanistan, Kentucky and Washington, D.C, had a record year for film and TV production. The city generated 1,264 location film days in 2013, up 38% from last year. Those projects generated an estimated $30.5 million in spending on wages, hotels, catering and other goods and services in the city, up from $21.7 million in 2012, according to preliminary figures from the Santa Clarita film office. It marks the third consecutive record year for filming activity in Santa Clarita, which saw steady gains in television production, commercial shoots and mostly lower budget movies, including “Love and Mercy” and “Kitchen Sink.”   ON LOCATION: Where the cameras roll Two high-profile features that also filmed in Santa Clarita last year were the Denzel Washington thriller “2 Guns” and Marvel Studios' “Iron Man 3," which was mostly filmed outside of California.
ENTERTAINMENT
April 18, 1993 | PATRICK GOLDSTEIN, Patrick Goldstein is a frequent contributor to Calendar
In Adrian Lyne's new film, "Indecent Proposal," billionaire playboy Robert Redford comes to visit Demi Moore at her realty company. As he walks into her office, we catch a glimpse of Moore's secretary, a blond bimbo busily filing her nails and reading "Backlash," Susan Faludi's 1991 expose of the war against women's rights. The shot is meant as a playful jab at Faludi. But after seeing Lyne's new film, in which Redford offers a happily married young couple $1 million for a one-night stand with the sultry wife, the outspoken author--and many of her female Hollywood peers--are in no laughing mood.
ENTERTAINMENT
July 5, 2012 | By Patrick Goldstein
When I was with a group of parents earlier this week, watching our kids play in a 14-and-under baseball tournament, I asked them how many of the boys - aged 13 and 14--had gone to see the R-rated movie “Ted.” The answer: Just about all of 'em. But here's what I found really surprising: Nearly all of them went with their mothers. Put simply: Despite its rampant drug use, crude sexual banter and profanity-fueled humor, “Ted” has become a family movie. I have to admit that I wasn't exactly shocked.
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