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ENTERTAINMENT
March 18, 2006
IN his article "Revolutionary Ideas Are Afoot" [March 14], Patrick Goldstein rhapsodizes that "virtually every filmmaker [he] stopped to talk with was at work on a socially conscious film." And he claims that is a good thing. Then Goldstein concludes that "perhaps we're at a moment in history when our artists are better equipped to confront the messy issues of the moment than people who have to run for election for a living." Huh? Do you really think that serious issues are best addressed by self-absorbed creative types with little formal education, isolated in gated communities in Malibu, surrounded by sycophants, and with absolutely no experience in government, economics, history or international relations?
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ENTERTAINMENT
September 11, 2008 | Steve Appleford, Special to The Times
A true "radical" filmmaker is not satisfied to merely bloviate from the red carpet or screening room. One must turn art into action. Alex Cox is ready with a personal manifesto: He calls feature filmmaking a dying art form in the Digital Age, has open contempt for corporate Hollywood and feels kinship mainly with hackers, who have "replaced filmmakers and investigative journalists as our best cultural revolutionaries." From the man who began his career with the 1980s cult classics "Repo Man" and "Sid & Nancy," none of this should be surprising.
ENTERTAINMENT
December 26, 2001 | LYNN SMITH, TIMES STAFF WRITER
The warm December sunshine that fell on Beverly Hills flowed through the windows of the Four Seasons Hotel and landed on E. Annie Proulx. The author shaded her eyes. Almost everything about the place, the weather, the enormous fresh flowers, the uniformed doormen, the minions from Miramax were all about as far away as one could get from the bleak Newfoundland coastline, the wild storms and twisted psyches that defined her Pulitzer-Prize-winning 1993 novel, "The Shipping News."
ENTERTAINMENT
October 1, 2010 | By Kenneth Turan, Los Angeles Times Film Critic
First came the bestselling book, then the sequel, and now comes "Freakonomics" the movie, a kind of victory lap that both celebrates that success and demonstrates why the work of economist Steven D. Levitt and journalist Stephen J. Dubner has become an international phenomenon. With the original book selling more than 4 million copies and getting translated into 35 languages, not to mention spending two-plus years on the New York Times bestseller list, Dubner and Levitt's penchant for looking at economic data in adventurous ways and coming up with counterintuitive results has clearly touched a cultural nerve.
ENTERTAINMENT
October 3, 2011 | By Susan King, Los Angeles Times
In the late 1960s, the civil rights movement had entered a new phase. It was the era of black power — and universities were actively courting African Americans and other minorities to enroll. It was in this charged atmosphere that the "L.A. Rebellion" was born at UCLA. African American students enrolled at the School of Theater, Film and Television and, over the next 20 years, created a new culture of black films that was far removed from the Hollywood blaxploitation urban crime thrillers of the time, which included such box-office hits as "Coffy" and "Superfly.
ENTERTAINMENT
May 14, 2011 | Kevin Thomas
Monte Hellman, the most idiosyncratic of the talented filmmakers mentored by producer Roger Corman in the '60s and '70s, is drawing raves for his latest film, "Road to Nowhere," an intense, romantic movie-within-a movie. Hellman and his longtime colleague, writer and Variety executive editor Steven Gaydos, have taken classic noir elements -- a stunning, seductive young beauty (Shannyn Sossamon), her rich and powerful middle-aged lover (Cliff De Young), a missing fortune and a suicide -- and blurred the line between fiction and reality.
OPINION
February 12, 2013
Steven Spielberg's "Lincoln" has been acclaimed not just by critics but by historians as well for its acute and realistic portrayal of the 16th president as he maneuvered to pass the 13th Amendment, which abolished slavery in the United States. But the filmmakers got at least one detail wrong: They depicted two Connecticut delegates to the House of Representatives voting against the amendment when, in fact, all four of Connecticut's House members voted for it in 1865. Now, one of the state's current representatives, Joe Courtney, a Democrat, has written to Spielberg asking if the movie could be corrected before it's released on DVD. In a statement, screenwriter Tony Kushner admitted that he deliberately strayed from fact when he put "nay" votes in the mouths of the two Connecticut congressmen - but only to emphasize the dramatic closeness of the vote.
ENTERTAINMENT
January 23, 2011 | By Mark Olsen, Special to the Los Angeles Times
If filmmaker Gregg Araki once described his 1997 movie "Nowhere" as "'Beverly Hills, 90210' on acid," then it might be best to think of the writer-director's newest feature, "Kaboom," as something like "Gossip Girl" gone gonzo. The story of an 18-year-old pansexual film student named Smith (Thomas Dekker), the film boasts all of the hallmarks of Araki's work: Attractive young people work through issues of sexual identity (in part by having a lot of sex in various gender permutations)
ENTERTAINMENT
May 13, 2012 | By Betsy Sharkey, Los Angeles Times Film Critic
At first, the email rants from readers expressing their distress about Hollywood's increasing reliance on foul language were a mere trickle. Like the way one couple lost faith in one of their favorite actors, Paul Rudd, mortified by his graphic pep talk to his private part in"Wanderlust. " Before those complaints could be chalked up to a prudish few, they grew into a steady stream of frustration, such as the distinct distaste for the dialogue in writer-director-actress Jennifer Westfeldt's indie comedy"Friends With Kids.
ENTERTAINMENT
June 22, 2012 | By Dennis Lim, Special to the Los Angeles Times
It could be argued that the most pivotal chapter ofJean-Luc Godard's shape-shifting career - as well as one of the most neglected - is the period of video-based experimentation of the mid-'70s. Emerging from a militant post-'68 phase, during which he formed the Dziga Vertov Group, in an effort to "make films politically," Godard developed a complex method of merging and pulling apart images, sounds and text - a dense, sometimes dazzling analytic approach that defines a significant portion of his work to this day. New to DVD from Olive Films, "Ici et Ailleurs" (1976)
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