September 11, 2008 |
A true "radical" filmmaker is not satisfied to merely bloviate from the red carpet or screening room. One must turn art into action. Alex Cox is ready with a personal manifesto: He calls feature filmmaking a dying art form in the Digital Age, has open contempt for corporate Hollywood and feels kinship mainly with hackers, who have "replaced filmmakers and investigative journalists as our best cultural revolutionaries." From the man who began his career with the 1980s cult classics "Repo Man" and "Sid & Nancy," none of this should be surprising.
March 13, 2012 |
WhenWalt Disney Co.executives gave the greenlight to the project that became the Martian adventure film"John Carter,"they hoped they were launching the studio's next big franchise. It was to be directed by Andrew Stanton, who had been associated with a string of successful Pixar Animation Studios films - starting with the 1995 hit "Toy Story. " The source material was a century-old sci-fi touchstone that had inspired filmmakers including George Lucas and James Cameron. The movie would fit perfectly into Disney Chairman and Chief ExecutiveRobert A. Iger's big-picture plan to produce movies that would spawn sequels, become theme park attractions and drive sales of "John Carter" merchandise.
December 26, 2001 |
The warm December sunshine that fell on Beverly Hills flowed through the windows of the Four Seasons Hotel and landed on E. Annie Proulx. The author shaded her eyes. Almost everything about the place, the weather, the enormous fresh flowers, the uniformed doormen, the minions from Miramax were all about as far away as one could get from the bleak Newfoundland coastline, the wild storms and twisted psyches that defined her Pulitzer-Prize-winning 1993 novel, "The Shipping News."
October 3, 2011 |
In the late 1960s, the civil rights movement had entered a new phase. It was the era of black power — and universities were actively courting African Americans and other minorities to enroll. It was in this charged atmosphere that the "L.A. Rebellion" was born at UCLA. African American students enrolled at the School of Theater, Film and Television and, over the next 20 years, created a new culture of black films that was far removed from the Hollywood blaxploitation urban crime thrillers of the time, which included such box-office hits as "Coffy" and "Superfly.
October 1, 2010 |
First came the bestselling book, then the sequel, and now comes "Freakonomics" the movie, a kind of victory lap that both celebrates that success and demonstrates why the work of economist Steven D. Levitt and journalist Stephen J. Dubner has become an international phenomenon. With the original book selling more than 4 million copies and getting translated into 35 languages, not to mention spending two-plus years on the New York Times bestseller list, Dubner and Levitt's penchant for looking at economic data in adventurous ways and coming up with counterintuitive results has clearly touched a cultural nerve.
May 26, 2012 |
WASHINGTON - Some Republican lawmakers were outraged when federal records released last week showed that the White House, CIA and Defense Department granted high-level access last year to a pair of acclaimed filmmakers researching an action thriller about the raid that killed Osama bin Laden. The documents tell "a damning story of extremely close, unprecedented, and potentially dangerous collaboration" between the filmmakers and the Obama administration, fumed New York Rep. Peter T. King, GOP chairman of the House Homeland Security Committee.
May 14, 2011 |
Monte Hellman, the most idiosyncratic of the talented filmmakers mentored by producer Roger Corman in the '60s and '70s, is drawing raves for his latest film, "Road to Nowhere," an intense, romantic movie-within-a movie. Hellman and his longtime colleague, writer and Variety executive editor Steven Gaydos, have taken classic noir elements -- a stunning, seductive young beauty (Shannyn Sossamon), her rich and powerful middle-aged lover (Cliff De Young), a missing fortune and a suicide -- and blurred the line between fiction and reality.
January 23, 2011 |
If filmmaker Gregg Araki once described his 1997 movie "Nowhere" as "'Beverly Hills, 90210' on acid," then it might be best to think of the writer-director's newest feature, "Kaboom," as something like "Gossip Girl" gone gonzo. The story of an 18-year-old pansexual film student named Smith (Thomas Dekker), the film boasts all of the hallmarks of Araki's work: Attractive young people work through issues of sexual identity (in part by having a lot of sex in various gender permutations)
May 13, 2012 |
At first, the email rants from readers expressing their distress about Hollywood's increasing reliance on foul language were a mere trickle. Like the way one couple lost faith in one of their favorite actors, Paul Rudd, mortified by his graphic pep talk to his private part in"Wanderlust. " Before those complaints could be chalked up to a prudish few, they grew into a steady stream of frustration, such as the distinct distaste for the dialogue in writer-director-actress Jennifer Westfeldt's indie comedy"Friends With Kids.
January 3, 2013 |
WASHINGTON - After complaining for weeks that the movie “Zero Dark Thirty” erroneously implies that torture yielded key information in the hunt for Osama bin Laden, a trio of senior senators now want to know whether CIA personnel deliberately misled the filmmakers on that point. Sen. Dianne Feinstein (D-Calif.), chair of the Senate Intelligence Committee, along with Sen. John McCain (R-Ariz.) and Sen. Carl Levin (D-Mich.), said Thursday that they had sent two letters to acting CIA chief Michael Morell.