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ENTERTAINMENT
May 13, 2012 | By Betsy Sharkey, Los Angeles Times Film Critic
At first, the email rants from readers expressing their distress about Hollywood's increasing reliance on foul language were a mere trickle. Like the way one couple lost faith in one of their favorite actors, Paul Rudd, mortified by his graphic pep talk to his private part in"Wanderlust. " Before those complaints could be chalked up to a prudish few, they grew into a steady stream of frustration, such as the distinct distaste for the dialogue in writer-director-actress Jennifer Westfeldt's indie comedy"Friends With Kids.
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ENTERTAINMENT
October 4, 2012 | By Betsy Sharkey, Los Angeles Times Film Critic
"Detropia" comes at you with the economically ravaged Motor City of Detroit clinging to its perch like a canary in a coal mine, gasping for breath. The new documentary from acclaimed filmmakers Heidi Ewing and Rachel Grady examines the detritus of a major American city that has been imploding for years. It is a striking and moving study of "what was" versus "what it has become" as the filmmakers try to get at the whys. That the title suggests something other than utopia is made clear from the first frame.
ENTERTAINMENT
October 3, 2010 | By Mark Olsen, Special to the Los Angeles Times
In adapting the economics bestseller "Freakonomics" into a documentary film, and in marketing it, producer Chad Troutwine hardly took a by-the-book approach. First, he brought together something of a dream team of contemporary documentary filmmakers, from the serious and high-minded to the entertainingly comedic, to tackle various chapters or ideas from the text by Steven D. Levitt and Stephen J. Dubner. Then, to sell the movie, he and distributor Magnolia Pictures decided to release it first as a digital download and via video-on-demand before taking it to theaters.
ENTERTAINMENT
February 13, 2011 | By Steven Zeitchik, Los Angeles Times
The largely peaceful revolution that ended Hosni Mubarak's regime in Egypt also has the potential to reshape the repressive cultural climate in the country and perhaps elsewhere in the Arab world, according to filmmakers, musicians and other cultural figures who have been watching and participating in the uprising in Cairo. Even as events unfolded in Tahrir Square and across the capital, many artists began filming documentaries and composing music along lines that previously would have been forbidden by the government.
ENTERTAINMENT
May 22, 2013 | By Steven Zeitchik, Los Angeles Times
CANNES, France - A few months ago, Jeremy Saulnier had risen early for a flight to Cleveland when he saw a message in his inbox. It was in French. The 36-year-old New Yorker was traveling to the Buckeye State to shoot corporate videos, which the director had been doing to pay the bills since his filmmaking career fizzled six years before with the disappointing performance of his first movie, a genre comedy called "Murder Party. " The email that morning was from programmers at the Cannes Film Festival.
CALIFORNIA | LOCAL
March 5, 2014 | By Julie Makinen
BEIJING - In the mid-1980s, Wu Tianming's star was on the rise. With China opening up to the world after the Cultural Revolution and Mao Tse-tung's death, he had found success as director of movies including "Life" and "The Old Well" and as the head of the Xi'an Film Studio. Under his guidance, daring and innovative filmmakers like Zhang Yimou and Chen Kaige were bursting onto the international scene with pictures like "Red Sorghum" and "King of Children. " Wu was making a name for himself for his willingness to shake up an ossified state-run studio - and was raising eyebrows for calling out Communist Party bureaucrats who meddled in the arts.
WORLD
September 16, 2009 | Jeffrey Fleishman
Driving through the desert night, Mohammed Khalif skids left and pulls up at an apartment with walls the color of pink grapefruit. Young men sit on a couch, reveling in the intricacy of Stanley Kubrick and chiding the sentimentality of Steven Spielberg. A debate ensues over genius. The usual suspects are trotted out: Italian neo-realism, the French New Wave. A Spielberg defender blurts: "You wouldn't even be here if it weren't for Spielberg. Look what he's done." A brief pause.
ENTERTAINMENT
December 14, 2012 | By Betsy Sharkey, Los Angeles Times Film Critic
It's as if this year filmmakers remembered why God made movies. In a world of nonstop data where most of the static is gossip in 140 soul-destroying words or less, cinema has had a transcendent 12 months - a visual renaissance that has burned past convention. The creative surge has not led to a perfect world. At times the performances stumbled, the stories struggled. But what we saw on screen was mind-blowingly inventive - the stuff of imaginations unbound. Though visually evocative films are always a part of the landscape, the artistic leap of 2012 is particularly significant.
ENTERTAINMENT
September 23, 2010 | By Chris Lee, Los Angeles Times
French filmmaker Gaspar Noé makes the kind of movies that require warnings. His brutal 2002 revenge drama, "Irréversible," arrived in theaters in England and Canada with a written alert about the possible side effects of a strobe-like sequence: "Some people may experience loss of consciousness or epileptic seizures when exposed to certain light effects or flashes of light. " The writer-director's 1998 debut feature, "I Stand Alone" — about a sociopathic butcher with incest and murder on the brain — carries an even less subtle warning.
ENTERTAINMENT
July 14, 2010 | By John Horn, Los Angeles Times
In one of Hollywood's most gripping legal thrillers, Chevron Corp. is trying to obtain 600 hours of outtakes from a documentary film focused on oil industry environmental practices in Ecuador, sparking a court battle that has attracted the attention of 1st Amendment lawyers, top filmmakers, show business unions and a corporation that says it was defamed in another nonfiction film. For 17 years, the San Ramon, Calif.-based energy giant has fought a class-action lawsuit in Ecuador that could cost it up to $27 billion in damages and cleanup costs.
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