Advertisement
 
YOU ARE HERE: LAT HomeCollectionsFlamenco Dance
IN THE NEWS

Flamenco Dance

FEATURED ARTICLES
ENTERTAINMENT
August 24, 1997 | Jennifer Fisher, Jennifer Fisher is a frequent contributor to Calendar
In the flamenco world, nothing is debated quite so hotly as the topic of authenticity. Being a Gypsy--or at least a lifelong resident of Spain--will clear a dancer for takeoff into the emotion-drenched flamenco stratosphere.
ARTICLES BY DATE
CALIFORNIA | LOCAL
October 22, 2008 | Terence McArdle, McArdle is a staff writer for the Washington Post.
Mario Maya, a Spanish-born Gypsy who created memorable works of flamenco dance and as a choreographer broadened the scope of the traditional form by adding elements from modern dance, died Sept. 27 of cancer at his home in Seville, Spain. He was 71. Maya toured internationally and performed on Broadway, staging productions that combined flamenco dance and song with poetry and drama. They were programmatic works with a text and theme, often a message of Gypsy pride. His troupe served as an incubator for flamenco dance talent, including dancers such as Israel Galvan and Maya's daughter, Belen.
Advertisement
NEWS
August 2, 1990 | MAJA RADEVICH
Flamenco dancing isn't just people stomping their feet. "Of all of Spain's regional dances, flamenco is probably the most exciting," said Roberto Amaral, artistic director and principal dancer of the Ballet Espanol de Los Angeles. "It is the native dance of the gypsies of Southern Spain, and it is a very emotional form of expression." Amaral and his dance troupe will be performing "Fuego Flamenco" at Santa Barbara's Lobero Theater, Saturday at 8 p.m.
ENTERTAINMENT
February 3, 2008 | Valerie Gladstone, Special to The Times
As the sun set behind distant mountains, flamenco artist Eva Yerbabuena began a pre-performance rehearsal of her latest full-evening work at an outdoor theater here, high on a hill overlooking the city. "I took the show's title from an ancient tradition," she explained that July evening. "As the story goes, to enter a castle you had to promise to deliver 'santo y sena.' That's what we promise our audiences: signs and wonders."
CALIFORNIA | LOCAL
October 22, 2008 | Terence McArdle, McArdle is a staff writer for the Washington Post.
Mario Maya, a Spanish-born Gypsy who created memorable works of flamenco dance and as a choreographer broadened the scope of the traditional form by adding elements from modern dance, died Sept. 27 of cancer at his home in Seville, Spain. He was 71. Maya toured internationally and performed on Broadway, staging productions that combined flamenco dance and song with poetry and drama. They were programmatic works with a text and theme, often a message of Gypsy pride. His troupe served as an incubator for flamenco dance talent, including dancers such as Israel Galvan and Maya's daughter, Belen.
NEWS
December 12, 1993 | ADRIENNE JOHNSON
Benjamin Shearer was studying to be a classical guitarist when he heard some recordings of flamenco music. The emotional songs changed his career plans. "I heard them and I knew that was it, that was what I wanted to play," he says. "Flamenco is the human condition set to music. It has all the pain, the pathos, the passion--it's the human spirit." Thirty years later, he has stayed with flamenco music. He currently performs with the Carla Luna Flamenco Dance Ensemble in Los Angeles.
ENTERTAINMENT
April 4, 1986 | CHRIS PASLES
The fiery rhythms and fancy footwork in flamenco dance can quickly dazzle an audience. But behind all the flamboyant display is an art form that is highly individualistic, says Maria Benitez, whose seven-member Spanish Dance Company will perform at 7 p.m. Sunday in UC Irvine's Fine Arts Village Theatre. "Individual feeling is very much the key," Benitez said in a recent phone interview from her home in Santa Fe, N.M, the company's base.
ENTERTAINMENT
October 7, 1994 | SCOTT COLLINS
During the best moment of "Yerma," the revival of Federico Garcia Lorca's tragedy at the Bilingual Foundation of the Arts, a group of Andalusian peasants performs a sinfully sexy flamenco dance during a pagan ritual called la romeria (the pilgrimage). The dancers' clapping and stomping ignites the second act, but unfortunately the moment arrives too late.
ENTERTAINMENT
June 27, 2000 | VICTORIA LOOSELEAF, SPECIAL TO THE TIMES
It was a hot night--in temperature and talent--at the Hollywood Bowl on Sunday when "World Festival 2000" kicked off its six-concert series with "Fiery Flamenco." A blend of mostly traditional flamenco dance and music with some experimental fusion thrown in--not always for good measure--the program featured a number of sizzling artists who did live up to their billing. Generating the most heat was Noche Flamenca, an 11-member ensemble from Spain that rocked with a six-number set.
ENTERTAINMENT
October 4, 2004 | Lewis Segal, Times Staff Writer
Heroic passion, devastating loss and a belief in the power of art make the ancient Greek myth of Orpheus an ideal subject for a flamenco dance drama. In what other idiom is every step so weighted with the fragility of human happiness and the inevitability of doom? Unfortunately, Compania Domingo Ortega's new "Orfeo" kept going awry at the John Anson Ford Amphitheatre on Saturday: missing opportunities, failing to develop its best ideas and trivializing the most profound hallmarks of its source.
ENTERTAINMENT
October 26, 2007 | Mar Roman, Associated Press
MADRID -- Master guitar-maker Arcangel Fernandez has stopped taking orders. He's been at it for 50 years, fashioning delicate wooden shells into lacquered beauties, and at age 75 he has enough work for the rest of his life. However, the aficionados buying his coveted $13,000 instruments are not local musicians but Japanese collectors -- an alarming sign that the art form considered so intrinsically Spanish is declining in its birthplace and is now more popular among foreigners.
ENTERTAINMENT
July 30, 2006 | Diane Haithman, Times Staff Writer
DOUGLAS C. RANKIN, producer of the New World Flamenco Festival, had a flash of inspiration as he watched Savion Glover in "Classical Savion," which had the 32-year-old dance star tapping to Vivaldi, Bach, Mendelssohn and other classical composers at New York's Joyce Theater last year.
ENTERTAINMENT
February 11, 2005 | Lewis Segal, Times Staff Writer
At age 34, flamenco star Sara Baras doesn't dance with the weight of the art's resident sibyls or earth mothers. Nor does she embody private passions and the pride of the Gypsy underclass. No, at UCLA's Royce Hall on Wednesday, Baras danced for pleasure, connecting with her audience through eye contact and gestures -- even blowing kisses at one point.
ENTERTAINMENT
February 6, 2005 | Valerie Gladstone, Special to The Times
Her long, dark hair pulled back severely, Sara Baras moves sinuously to the gentle rhythms of two guitars, a revealing red dress swirling around her. Having dispensed with traditional flamenco's cumbersome ruffled skirt, ornate hair combs and enormous flowered shawl, the 34-year-old dancer expresses age-old passions with an exhilarating freedom. A spotlight follows her as she curves her hands in graceful arabesques, while the singers accompanying her raise their voices in plaintive cries.
ENTERTAINMENT
October 4, 2004 | Lewis Segal, Times Staff Writer
Heroic passion, devastating loss and a belief in the power of art make the ancient Greek myth of Orpheus an ideal subject for a flamenco dance drama. In what other idiom is every step so weighted with the fragility of human happiness and the inevitability of doom? Unfortunately, Compania Domingo Ortega's new "Orfeo" kept going awry at the John Anson Ford Amphitheatre on Saturday: missing opportunities, failing to develop its best ideas and trivializing the most profound hallmarks of its source.
ENTERTAINMENT
September 28, 2003 | Agustin Gurza, Times Staff Writer
Juan VERDU, a graying bohemian with a lean, quixotic look, knows the secret places haunted by the ghosts of flamenco. He strolls across the lively Plaza Santa Ana in the heart of this Spanish capital, an area once frequented by intellectuals, bullfighters and the poet Federico Garcia Lorca. Past sidewalk cafes, he comes to Los Gabrieles, a historic bar and tourist stop famed for its walls of colorful ceramic mosaics.
MAGAZINE
January 2, 1994 | Martin Booe
If it hadn't been for Carmen Amaya and Roberto Amaral's mother, there would be a lot less flamenco in Los Angeles. Amaral was 14 when his mother took him to see Amaya, the legendary flamenco dancer, perform. "I couldn't take my eyes off her," he says. "I didn't understand what I was seeing, but I knew immediately that I wanted to do it." Today, 30 years and many trips to Spain later, Amaral is arguably the leading figure in Los Angeles' flamenco scene.
ENTERTAINMENT
November 8, 1990 | EILEEN SONDAK, SPECIAL TO THE TIMES
Of all the ethnic expressions seen on San Diego stages, flamenco dance is arguably the most elusive, despite the city's strong cultural ties to Spain. "I can't understand it," Rosa Montoya said from her San Francisco home. "I know you have a big Hispanic community, and you're so close to Mexico. But most people in San Diego don't really know what flamenco is. They may have seen it in a nightclub, but they haven't seen good, authentic flamenco. There's much more flamenco in San Francisco."
NEWS
August 7, 2003 | Victoria Looseleaf, Special to The Times
Haughty faces, stamping feet, strumming guitars, clicking castanets. Probably most people think they know what flamenco is. But in the 21st century, this art form that originated with Spanish Gypsies is being presented more and more outside the box. Male dancers are shedding their shirts and growing their hair rock-star long, and one -- Israel Galvan, who has been called the Nijinsky of flamenco -- revels in provoking audiences. He says he wants to be seen as "a piece of rubbish onstage."
ENTERTAINMENT
August 12, 2002 | LEWIS SEGAL, TIMES STAFF WRITER
Oppressive pain, heroic defiance, percussive footwork as a tribal drum: The annual New World Flamenco Festival opened with primal statements of traditional Spanish Gypsy culture over the weekend at the Irvine Barclay Theatre. In a 90-minute program of solos performed without intermission, Compania Juana Amaya of Seville focused on the tension between showpiece virtuosity and emotional expression.
Los Angeles Times Articles
|