September 11, 2009 |
"Baby It's You!" -- the new jukebox musical about the rise of recording producer Florence Greenberg -- is heading to the Pasadena Playhouse. The musical, which has had two workshop runs at the Coast Playhouse in West Hollywood, represents the combined efforts of three producers and two corporate giants: Universal Music Group and Warner Bros., both of which are investing money in the show. Opening Nov. 13, "Baby It's You!" tells the story of Greenberg, who left her suburban New Jersey existence to become a hugely successful music producer in the '60s, partnering with songwriter Luther Dixon.
CALIFORNIA | LOCAL
April 28, 2006 |
Tony Casas, 77, former deputy director of corrections for the state of California and technical advisor for the film "American Me," died Sunday of pancreatic cancer at his Palm Desert home, his daughter Belinda said. As a member of the Department of Corrections' Prison Gang Task Force, he helped educate law enforcement officers about the workings of the so-called Mexican Mafia.
December 16, 1994 |
The best coming-of-age '60s period pieces--"American Graffiti" foremost among them--typically tend toward teen high jinks, with just a chaser of social portent. Floyd Mutrux's Malibu-set "There Goes My Baby" loosely fits these genre parameters, but, despite a soundtrack chockablock full of guileless pop, it's all portent and no high jinks. The foreshadowing is so thick you could surf on it.
January 15, 1989
Chevy Chase returns as Clark Griswald in Warners' "National Lampoon's Christmas Vacation," next March. Beverly D'Angelo is also back in Julianne Gavin's screenplay, which finds the couple besieged by in-laws during the holiday season. Matty Simmons produces; commercial director Jeremiah Chechik makes his big-screen debut . . . George C. Scott takes a menacing pose as the villainous Big Boy in Warren Beatty's "Dick Tracy," filming for Disney in March. Michael J. Pollard also is cast as a mug.
March 13, 1992 |
"American Me" opens in theaters citywide today, but it has been playing in Edward James Olmos' head for 18 years. He not only stars in, directed and co-produced this powerful, pointed film about the self-perpetuating cycle of gang life in East Los Angeles, but he also just about willed it into existence.