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Frank O Gehry

CALIFORNIA | LOCAL
June 6, 1997
Architect Frank O. Gehry and leaders behind Walt Disney Concert Hall--planned new home at the Music Center for the Los Angeles Philharmonic--met for 2 1/2 hours Thursday to discuss whether Gehry will continue to be involved with the project. There was no resolution but some progress, according to sources close to the project.
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NEWS
June 5, 1997 | DIANE HAITHMAN, TIMES STAFF WRITER
The worlds of art and money often collide explosively--and in no discipline do they do so with more public impact than in the world of architecture, where form, function and funding struggle to co-exist. Los Angeles architects say the battle remains fierce and ongoing. And downtown's Walt Disney Concert Hall, the planned new home of the Los Angeles Philharmonic, has become that battle's most visible example--as its design architect, Frank O.
NEWS
June 3, 1997 | DIANE HAITHMAN and LARRY GORDON, TIMES STAFF WRITERS
In the midst of a fund-raising boom that has breathed new life into downtown's Walt Disney Concert Hall project, conflict has arisen between fund-raising leaders of the proposed home for the Los Angeles Philharmonic and its architect, Frank O. Gehry, over how the design and construction of the building should proceed.
ENTERTAINMENT
April 11, 1997 | NICOLAI OUROUSSOFF, TIMES ARCHITECTURE CRITIC
Slouched in a squat cardboard armchair in his Santa Monica office, Frank Gehry is peering into his own future. Across the room, a colleague tapes sheet after sheet of gold paper onto an enormous, unwieldly model as the 68-year-old architect ponders his work. For Gehry, it is a familiar process. Despite the intrusion of ever-more sophisticated computer software, Gehry still shapes things with his hands. But if his methods are fixed, the work is not.
ENTERTAINMENT
December 12, 1996 | SUZANNE MUCHNIC, TIMES ART WRITER
The first phase of a $3-million renovation at the Norton Simon Museum in Pasadena opens today. Four refurbished galleries--handsomely outfitted with new stone and wood floors, raised ceilings, improved lighting and walls painted warm beige and mulberry--offer a preview of an extensive project designed by architect Frank O. Gehry that will completely transform the museum's interior. "I'm very excited about the way it's going," museum President Jennifer Jones Simon said of the renovation.
BUSINESS
August 12, 1996 | PAUL KARON
Santa Monica architect Frank Gehry has acquired an international reputation by creating symphonic, sculptural structures that defy and redefine our sense of what is possible in buildings of metal, stone and glass. "What I'm trying to do as an architect is live in this time--I'm not trying to live in the past," says Gehry of Frank O. Gehry & Associates Inc. "I'm struggling to express the present, to find what's powerful today."
ENTERTAINMENT
July 14, 1996 | Dean E. Murphy, Dean E. Murphy is The Times' Warsaw bureau chief
Dagmar Sedlakova's discerning nose turns up at the mention of the new building on Jiraskovo Square that was co-designed by Los Angeles-based architect Frank O. Gehry. Her words are judicious, but they carry the reproach of a schoolmarm admonishing a band of truants. Disrespectful. Unsuitable. Where is the self-restraint? "Prague is changing too quickly," Sedlakova lectures from her 18th century office in the heart of this medieval city. "We risk losing the spirit of our city.
BUSINESS
June 15, 1996 | RALPH VARTABEDIAN, TIMES STAFF WRITER
Frank O. Gehry is among the most acclaimed and sought-after architects in the world, but the Internal Revenue Service is seeking the Los Angeles luminary's firm for other reasons--about $1 million in back taxes and penalties. The IRS slapped Frank O. Gehry & Associates Inc. with a tax-deficiency notice earlier this year, asserting that Gehry had awarded himself "unreasonable compensation" in 1992 and '93, according to U.S. Tax Court records.
NEWS
May 30, 1996 | LARRY GORDON, TIMES STAFF WRITER
The room might be likened to an isolation nursery where a beloved infant remains in a coma for years because of a complicated illness. The father is visiting, and he is having a difficult time containing his grief. In this case, however, the metaphorical baby is Disney Concert Hall. The nursery is the Santa Monica storeroom where its models are kept. And the anguished parent is architect Frank O.
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