July 17, 2005 |
MOST adults aren't foolish enough to believe that chocolate waterfalls exist (though, yes, chocolate fountains abound). Oompa Loompas surely aren't real, and nobody, not even in L.A., is as bizarre as Willy Wonka. The real world couldn't come close, it seems, to approximating the spectacle of director Tim Burton's big-screen version of Roald Dahl's 1964 classic "Charlie and the Chocolate Factory," an imaginary candyland world where anything is possible. But try telling that to Charlie.
March 14, 2013 |
The big screen's most formidable mama's boy is coming to TV. Norman Bates, the deranged character of "Psycho" fame, is proving movie stars aren't the only ones hunkering down to the small screen - some of cinema's fictional personas are also making the move. "Bates Motel" is a sort-of prequel to Alfred Hitchcock's 1960 standard set to roll out Monday on A&E. The new series, from Carlton Cuse ("Lost") and Kerry Ehrin ("Friday Night Lights"), tracks the notorious psychopath during his adolescent years in the present day. (Cue the violin screeches.)
March 3, 2006 |
Luc Besson, the director of such films as "The Fifth Element" and "La Femme Nikita," is directing a combination live-action/computeranimated adaptation of his 2003 children's book "Arthur and the Minimoys." It stars Freddie Highmore and Mia Farrow and will feature the voices of Madonna, Snoop Dogg and David Bowie. The Weinstein Co. has acquired rights to the film in the United States and other English-speaking territories.
April 7, 2014 |
"Bates Motel," which has brought a unique twist to Alfred Hitchcock's "Psycho," has been renewed for a third season. A&E Network has ordered 10 new episodes of the drama, which is in its second season. Production is scheduled to begin in the fall. The series, a contemporary prequel to "Psycho" that explores how troubled Norman Bates' psyche unravels during his teen years, stars Freddie Highmore as Norman and Vera Farmiga as his mother, Norma Bates. "Bates Motel," which drew 4.6 million viewers in its second season premiere, is the network's top-rated series in the 18-49 age demographic.
February 28, 2008 |
Creating a "real" fantasy means riding herd on digital characters to avoid the temptation to squish and stretch them into awkward -- not to mention anatomically incorrect -- poses. When making "The Spiderwick Chronicles," director Mark Waters and cinematographer Caleb Deschanel blocked camera moves to accommodate the live actors, and visual effects supervisor Phil Tippett made sure that the digital creations got the same respect.
June 20, 2011 |
"The Art of Getting By," about a high school slacker more interested in a girl than in his homework, barely lived up to its name this weekend at the box office. The film, which stars young actors Freddie Highmore and Emma Roberts, had what even distributor Fox Searchlight acknowledged was a "disappointing" opening. According to a studio estimate, the movie collected only $700,000 from 610 theaters for a dismal per-theater average of $1,148. "The Art of Getting By" — previously titled "Homework" when it premiered at the Sundance Film Festival in January — did worse than two other independent movies that opened this weekend and also played at the Utah event.