January 23, 2003 |
Revisiting Coltrane's 'Supreme' As desert island discs go, saxophonist John Coltrane's "A Love Supreme" is reserved for those who book a special atoll. Famously variegated, the 1964 album has long enchanted and confounded musicians and laymen.
November 16, 2011 |
Farmers Field has somehow gotten lighter on its feet and more bloated at the same time. A new version of AEG's proposed NFL football stadium and event center in downtown Los Angeles was unveiled Tuesday afternoon. The latest design by Ronald Turner of the firm Gensler represents a marked attempt to give the complex more transparency and openness than was contained in a largely conceptual version released late last year. Instead of an expensive retractable roof, the 72,000-seat stadium will be topped by what AEG calls a "deployable" roof, a collection of light fabric panels that can be stored outside the stadium.
June 7, 2006 |
SINCE winning the right six years ago to hold the 2006 World Cup, Germany has raced to build new stadiums and update old ones around the country. Some of these soccer temples have already become architectural icons, including the dazzling Allianz Arena in Munich by the Swiss firm Herzog & de Meuron, where the opening match will take place on Friday.
November 27, 2011 |
Reporting from London — One morning about two weeks ago, having made my way from central London to the site of next summer's Olympic Games, I stood on a wide terrace emerging from the just-completed aquatic center. From the edge of that building, designed by Zaha Hadid and nicknamed the "stingray," I had a panoramic view of the Olympic Park, which covers 500 acres in a once-industrial section of the Lower Lea Valley, on the eastern edge of London. The main Olympic Stadium, designed by American firm Populous in collaboration with the British architect Peter Cook, rose directly in front of me. I also had a clear view of Wilkinson Eyre's basketball venue, a temporary structure made of pillowy white fabric panels.
November 10, 1988 |
The structures designed by architect Frei Otto are graceful and airy as spider webs. Translucent membranes, supported by steel-wire nets, reach out from tall masts. Anchors tie the fringes to the ground. But these ethereal forms are also anchored in practical reality. Otto, working at the Institute for Lightweight Structures in Stuttgart, West Germany, wanted to use as little construction material as possible for enclosures that are easily built, dismantled and moved.