November 2, 1990 |
Shirley MacLaine plays a sexy grandma in "Waiting for the Light" (throughout San Diego County)--actually, a sexy grand-aunt--and it is a mark of the movie's confused attack that it keeps waving her at the audience like a piquant flag.
April 21, 2006 |
"The Sentinel" is an unassuming thriller, a nifty piece of genre filmmaking without frills or self-importance. It's a throwback, if you will, to the days of B pictures, when formula movies were made with a maximum of skill and a minimum of pretense. Set in the no-nonsense domain of the U.S. Secret Service, where smiling on duty is apparently a capital offense, "The Sentinel" is made by people who not only believe in telling these kinds of stories, they believe in telling them right.
September 13, 1986 |
Derek Jarman's "Caravaggio" (at Beverly Center Cineplex) is a kinky ode to chiaroscuro and the dark side of the Renaissance, a luxuriantly eccentric look at the Bad-Boy-as-Artist. It's a film that rhapsodizes over the textures of paint and the textures of flesh--and the passions that join them together.
December 15, 1988 |
"The Courier" (Music Hall) is a mixture of two sensibilities, two kinds of movies: Irish gritty urban naturalism and pseudo-American thriller. It was co-directed by Joe Lee and scenarist Frank Deasy, and it's about a hero trapped and traveling between two worlds: Dublin's criminal underworld and the realm of law and order.
May 30, 1997 |
Most big-budget, dream-cast comedies are a lot like pea soup: A creamy mass, with the occasional lump of ham. "Trial and Error," starring "Seinfeld's" Michael Richards (in a very Kramer-esque performance), is a pretty soupy mess, but the croutons are fabulous--i.e. the statuesque Charlize Theron ("Two Days in the Valley"), with whom director Jonathan Lynn is either madly in love or knows a good thing when she comes into focus.
March 10, 2006 |
Going to this particular kennel for the fifth time since 1959, Disney trots out another incarnation of "The Shaggy Dog," its ever-hairy tale of man co-mingling with beast to his betterment. The original starred Tommy Kirk and Fred MacMurray, was one of the studio's first live-action comedies, and made lots of money.