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Gary Foster

ENTERTAINMENT
November 15, 1987 | Donald Chase
No. 5, the lovable robot of "Short Circuit," helped push that film to a lovable $100 million in worldwide theatrical and ancillary revenues--surprisingly without merchandising tie-ins to the lovable movie. But the nuts-and-bolts humanoid, laboring in Toronto for producers Lawrence Turman and David Foster and director Kenneth Johnson in "Short Circuit II," appealed most strongly to the under-14 audience. So No. 5 is about to lose its merchandising innocence.
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ENTERTAINMENT
October 17, 1997 | BILL KOHLHAASE, SPECIAL TO THE TIMES
Pianist Alan Broadbent's trio, with guest saxophonist Gary Foster, gave a performance Wednesday night that recalled the West Coast jazz movement, something most fitting to the occasion: Steamers Cafe's third-anniversary celebration. Jazz clubs such as Steamers are increasingly rare.
NEWS
May 16, 1997 | BILL HIGGINS, SPECIAL TO THE TIMES
The new $4-million Beverly Hills Spago would seem the natural lair for the media moguls Ken Auletta has such a deft touch in making talk. What better place for a Rupert Murdoch, Sumner Redstone, Michael Eisner or John Malone to dine?
BUSINESS
October 1, 2002 | RICHARD VERRIER, TIMES STAFF WRITER
Die-hard Disney fans say they are being shortchanged by the company's decision Monday to shut down a discount club inspired by the company's founder. The latest dispute between fans and Walt Disney Co.'s corporate managers centers on the Burbank entertainment company's decision to close the Disney Club by next year.
ENTERTAINMENT
January 5, 2008 | Don Heckman, Special to The Times
Stan Getz was both the subject and the honoree in the performance of Don Menza's septet Thursday night at Charlie O's in Van Nuys. And what better way to honor the jazz icon than with a Four Brothers-style saxophone section and rhythm, featuring three tenor saxophonists, each displaying differing aspects of his multifaceted playing?
ENTERTAINMENT
December 6, 2005 | Don Heckman, Special to The Times
The notes were in the right place Sunday night at Disney Hall. The music from Lerner and Loewe's "My Fair Lady," rendered in a jazz version arranged more than 40 years ago by John Williams and conducted by him Sunday, was played with crisp precision by an all-star big band. The Steve Houghton Quintet, featuring trumpeter Carl Saunders and alto saxophonist Gary Foster, provided highflying jazz solos.
ENTERTAINMENT
February 5, 1988 | DON HECKMAN
There was an odd appropriateness to the fact that the Warne Marsh tribute at Donte's on Tuesday night took place, so to speak, in jazz time--that floating reality in which schedules, deadlines and appointments lose their significance. Marsh's music was like that. The tenor saxophonist, who died last year during a performance on the same stage, was a masterful manipulator of jazz rhythms.
ENTERTAINMENT
August 17, 2007 | Robert W. Welkos, Times Staff Writer
The unlikely friendship between Los Angeles Times columnist Steve Lopez and skid row musician Nathaniel Anthony Ayers is set to become a motion picture at DreamWorks SKG starring Oscar-winner Jamie Foxx as the musician.
ENTERTAINMENT
September 12, 2007 | Don Heckman, Special to The Times
Name an area of musical imagination and Clare Fischer's probably been there, from jazz and classical to pop, rock and R&B. Everything the veteran composer/arranger/pianist does blends skillful craftsmanship with musical credibility, but for jazz fans he has done some of his most compelling work for big bands. Although Fischer, 78, has had some health problems recently, his work schedule continues unabated via a creative partnership with his son, Brent Fischer.
ENTERTAINMENT
February 2, 2000 | DON HECKMAN, SPECIAL TO THE TIMES
Grammy celebration month began a day early Monday with an exhilarating, four-hour, all-star jam session at the Jazz Bakery. Attended by a packed crowd, it was the first of four similar events leading up to Grammy Awards night on Feb. 23. The setup for the evening harked back to one of the most venerable jazz concert formats: a Jazz at the Philharmonic-style presentation in which a single rhythm section backed a series of upfront soloists.
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