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Gary Foster

ENTERTAINMENT
August 30, 1990 | DON HECKMAN
Big jazz bands are a rare breed these days, sustained for the most part by the dedication of musicians willing to work free rehearsals and low-paying gigs. Groups like the Elliott-Ingram Band, which appeared at Catalina Bar & Grill Monday night with saxophonist Gary Foster as guest soloist, illustrate both the promises and the problems of this approach. The ensemble has been in existence for about 2 1/2 years, led by saxophonist Steve Elliott and trumpeter Roger Ingram.
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NEWS
June 25, 1993 | BILL HIGGINS
The Scene: Wednesday's benefit premiere of TriStar's "Sleepless in Seattle" at the Cineplex Odeon theater. A sit-down dinner followed in the Century Plaza Hotel's Los Angeles Ballroom. The evening, which netted $2.5 million for the Motion Picture and Television Fund Foundation, was thought to be by far the most financially successful benefit premiere in history. "As far as I know it's the biggest," said honoree Edie Wasserman. "And I've been here since 1939."
ENTERTAINMENT
November 15, 1987 | Donald Chase
No. 5, the lovable robot of "Short Circuit," helped push that film to a lovable $100 million in worldwide theatrical and ancillary revenues--surprisingly without merchandising tie-ins to the lovable movie. But the nuts-and-bolts humanoid, laboring in Toronto for producers Lawrence Turman and David Foster and director Kenneth Johnson in "Short Circuit II," appealed most strongly to the under-14 audience. So No. 5 is about to lose its merchandising innocence.
NEWS
May 16, 1997 | BILL HIGGINS, SPECIAL TO THE TIMES
The new $4-million Beverly Hills Spago would seem the natural lair for the media moguls Ken Auletta has such a deft touch in making talk. What better place for a Rupert Murdoch, Sumner Redstone, Michael Eisner or John Malone to dine?
ENTERTAINMENT
August 17, 2007 | Robert W. Welkos, Times Staff Writer
The unlikely friendship between Los Angeles Times columnist Steve Lopez and skid row musician Nathaniel Anthony Ayers is set to become a motion picture at DreamWorks SKG starring Oscar-winner Jamie Foxx as the musician.
ENTERTAINMENT
January 5, 2008 | Don Heckman, Special to The Times
Stan Getz was both the subject and the honoree in the performance of Don Menza's septet Thursday night at Charlie O's in Van Nuys. And what better way to honor the jazz icon than with a Four Brothers-style saxophone section and rhythm, featuring three tenor saxophonists, each displaying differing aspects of his multifaceted playing?
ENTERTAINMENT
February 5, 1988 | DON HECKMAN
There was an odd appropriateness to the fact that the Warne Marsh tribute at Donte's on Tuesday night took place, so to speak, in jazz time--that floating reality in which schedules, deadlines and appointments lose their significance. Marsh's music was like that. The tenor saxophonist, who died last year during a performance on the same stage, was a masterful manipulator of jazz rhythms.
ENTERTAINMENT
December 6, 2005 | Don Heckman, Special to The Times
The notes were in the right place Sunday night at Disney Hall. The music from Lerner and Loewe's "My Fair Lady," rendered in a jazz version arranged more than 40 years ago by John Williams and conducted by him Sunday, was played with crisp precision by an all-star big band. The Steve Houghton Quintet, featuring trumpeter Carl Saunders and alto saxophonist Gary Foster, provided highflying jazz solos.
BUSINESS
October 1, 2002 | RICHARD VERRIER, TIMES STAFF WRITER
Die-hard Disney fans say they are being shortchanged by the company's decision Monday to shut down a discount club inspired by the company's founder. The latest dispute between fans and Walt Disney Co.'s corporate managers centers on the Burbank entertainment company's decision to close the Disney Club by next year.
ENTERTAINMENT
January 5, 2000 | DON HECKMAN, SPECIAL TO THE TIMES
Effective jazz singing demands a number of seemingly incompatible skills. There is, first of all, the need to essentially perform like a musical instrument, moving through melodies in an improvisational fashion, interacting with the harmonies and generating an inner sense of swing. At the same time, however, there is the need to respect the song and its message and to find a balance between the musical and the storytelling aspects of a performance.
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