January 25, 2014 |
Art enthusiasts, dabblers and neophytes: This is your final call. Saturday is the day when many of Southern California's major museums are offering free admission to the general public. No art-school prerequisites are required, though they will certainly help. The official list features 20 participating museum venues, including the Los Angeles County Museum of Art , the Museum of Contemporary Art and the Orange County Museum of Art. The Getty is also participating, but the museum normally offers free admission to all, with free timed tickets required for the Getty Villa.
January 8, 2014 |
Twenty venues around Southern California will offer free admission on Jan. 25 as part of the annual Museums Free-for-All program. Participating museums include the Los Angeles County Museum of Art, the Museum of Contemporary Art and the Orange County Museum of Art. The offer is valid for general museum admission only, organizers said, and may not apply to special ticketed exhibitions. Regular parking fees apply at each venue. RELATED: Big weekend on tap for art, and that's just the beginning The free day can offer substantial savings for families.
December 20, 2013 |
In this time when news is disseminated ever more quickly, we asked our critics to list the best of culture in 2013 in tweet form: Southern California: David Mamet's "American Buffalo" was revived at the Geffen with its concussive verbal force and fierce con games intact. Christopher Shinn's "Dying City" delicately explored the slipperiness of traumatic memory in a multilayered production at Rogue Machine. John Douglas Thompson and Glynn Turman brought anguish and ecstasy to the searing Mark Taper Forum revival of "Joe Turner's Come and Gone.
November 13, 2013 |
The Cyrus Cylinder sits dramatically lighted behind glass at the center of a dimmed gallery at the Getty Villa. But the splendorous setting, including walls painted a deep royal blue, can't dispel the notion that this may be the homeliest object ever to get star treatment in a major art museum. It's a 9-inch, straw-colored barrel made of cracked and broken clay, devoid of decorative interest. Horizontally tattooed with row after row of tiny cuneiform script that was etched into it 2,552 years ago, it calls to mind a corn cob that's been gnawed bare.
September 12, 2013 |
Theater festivals have the potential to galvanize an audience, but in a sprawling city already awash in performance, the importance of sharp curating can't be overemphasized. Radar L.A., an adventurous amalgam of international theater, made a winning debut in 2011 in part because it recognized that L.A. is a unique metropolis and that a replica of New York's Under the Radar Festival just wouldn't cut it. It took more than two years for the festival to return, but the wait promises to be worth it. The program, presented by REDCAT and CalArts in association with Center Theatre Group and a consortium of other partners, features work from Argentina, Mexico, Chile, Colombia, New Zealand and Japan as well as our own backyard.
September 6, 2013 |
Prometheus has long been a symbol of the rebel hero, a revolutionary challenging an oppressive order. Dubbed "the patron saint of the proletariat," he is a god who sided with mankind against the immortals, bestowing on them enlightenment and the great gift of fire, crimes for which he is punished by Zeus, the universe's reigning tyrant at the time of the myth. In Travis Preston's gracefully lucid staging of Aeschylus' "Prometheus Bound" at the Getty Villa's outdoor Barbara and Lawrence Fleischman Theater, Prometheus is carted out on a wagon that, were he not a deathless god, might be mistaken for a bier.