CALIFORNIA | LOCAL
March 18, 2012 | By Sam Quinones, Los Angeles Times
The flood channel near Interstate 10 has been scarred by hundreds of graffiti tags and, like a wound that never heals, treated countless times with drab paint. Beneath the layers of beige and gray are jagged markings that dominate San Bernardino Police Sgt. Dwight Waldo's world. He has tracked them for two decades - chasing taggers through back alleys, recovering hundreds of weapons from their hangouts and memorizing, then forgetting, more than 5,000 tags. What many in law enforcement once viewed as petty vandalism, mostly the work of teens with spray cans, early on became something more to Waldo.
CALIFORNIA | LOCAL
September 20, 2011 | By Rick Rojas and Richard Winton, Los Angeles Times
Taggers have left their mark all over Los Angeles. On buildings and bridges. Trees and cars. And even tombstones. But on Monday, Angelenos saw graffiti in a place they've probably never seen it before: the sky. Saber, a Los Angeles native and professional graffiti artist, hired five skywriters for an unlikely art installation and protest in the crisp, cloudless sky above downtown around noon Monday. The skywriting didn't have the artistic flourishes of high-style street art, but the white lettering hammered home a point.
CALIFORNIA | LOCAL
September 19, 2011 | Steve Chawkins
If life imitated art, it would be a simple matter to follow the dotted line and snip a 200-foot dam near Ojai off the face of the earth. For years, an alliance of environmentalists, fishermen, surfers and officials from every level of government has called for demolishing the obsolete structure. Now, an anonymous band of artists has weighed in, apparently rappelling down the dam's face to paint a huge pair of scissors and a long dotted line. The carefully planned work popped up last week and is, no doubt, Ventura County's most environmentally correct graffiti by a dam site.
OPINION
September 4, 2011
When the Aaron Brothers chain of art supply stores created an "Artrageous" promotion for retail locations in Los Angeles and elsewhere, it planned to offer demonstrations by well-known graffiti artists and to hand out free "Graffiti Starter Kits. " That prompted Los Angeles City Councilman Dennis Zine to fire off a letter denouncing the company's celebration of graffiti as an encouragement of vandalism. Company officials responded swiftly, canceling the artist appearances in the Los Angeles area, scotching the art kits — which only contained markers and paper — and assuring Zine in a letter that "Aaron Brothers does not support illegal artwork on any public or private property.
WORLD
August 1, 2011 | By Mark Magnier, Los Angeles Times
Dy, a.k.a. "Dysprosium," a name taken from a rare chemical element and meant to suggest his elusive nature, glides across the underbelly of the edgy city. It's after midnight in Kabul, approaching a favored hour for would-be suicide bombers to enter the city while security forces sleep, so they can strike during the morning rush. Dy, however, is armed only with cans of spray paint, and his intentions are peaceful: to alter the drab contours of this embattled city. Identifying a wall, Dy pulls the paint cans out of his bag and works quickly, writing slogans and crafting images that rail against corruption, repression and the malign influence of drug money.
ENTERTAINMENT
May 29, 2011 | By Christopher Knight, Los Angeles Times Art Critic
Is graffiti the most influential art movement since Pop burst on the scene in 1962? That's the head-turning claim made by "Art in the Streets," a controversial exhibition at the Museum of Contemporary Art. The show has been drawing the ire of social critics, alarmed by what they perceive as an institutional celebration of vandalism, all while drawing curious crowds (often young) to the museum's Little Tokyo warehouse space. Graffiti is identified as a global artistic phenomenon that is thriving 40 years after it first emerged as a cultural marker around 1971.