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October 14, 1997 | LAURIE WINER, TIMES THEATER CRITIC
"Essays with legs" is how critic John Lahr described the plays of David Hare. Anyone who saw Hare's "Racing Demon," a commentary on corruption in the Anglican Church (which played the Doolittle in 1994), would probably agree. "Skylight," enjoying a superb production at the Mark Taper Forum, could also be described as an essay with legs, but only if you add that it moves around on them awfully well.
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ENTERTAINMENT
October 14, 1997 | LAURIE WINER, TIMES THEATER CRITIC
"Essays with legs" is how critic John Lahr described the plays of David Hare. Anyone who saw Hare's "Racing Demon," a commentary on corruption in the Anglican Church (which played the Doolittle in 1994), would probably agree. "Skylight," enjoying a superb production at the Mark Taper Forum, could also be described as an essay with legs, but only if you add that it moves around on them awfully well.
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