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February 9, 1992 | BARBARA ISENBERG, Barbara Isenberg is a Times staff writer
Is this any way to start a marriage? The groom refuses to leave Barcelona, the bride is wedded to New York, and Valentine's Day nuptials this week in Las Vegas are awash in excess. Then again, the Statue of Liberty and Barcelona's Christopher Columbus monument have been courting too long to turn back now. The couple's engagement was officially announced back in 1986 by then-New York Mayor Edward Koch--who admitted he "didn't even know they were dating"--and the partying hasn't stopped since.
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ENTERTAINMENT
February 9, 1992 | BARBARA ISENBERG, Barbara Isenberg is a Times staff writer
Is this any way to start a marriage? The groom refuses to leave Barcelona, the bride is wedded to New York, and Valentine's Day nuptials this week in Las Vegas are awash in excess. Then again, the Statue of Liberty and Barcelona's Christopher Columbus monument have been courting too long to turn back now. The couple's engagement was officially announced back in 1986 by then-New York Mayor Edward Koch--who admitted he "didn't even know they were dating"--and the partying hasn't stopped since.
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ENTERTAINMENT
February 12, 1992 | ALEENE MacMINN, Arts and entertainment reports from The Times, national and international news services and the nation's press
'Wedding' Update: The long-awaited symbolic "marriage" Friday of New York's Statue of Liberty and Barcelona's Christopher Columbus monument has changed venues. The wedding festivities, which climax six years of international processions, art shows and other events, have been moved from Caesars Palace in Las Vegas about 17 miles west to the Sandstone Quarry at Red Rock Canyon National Conservation Area.
ENTERTAINMENT
December 27, 1992 | JAN BRESLAUER, Jan Breslauer is a frequent contributor to Calendar. and
The year 1992 may be remembered as the one in which performance art took on Christopher Columbus and won, but it was also a time when the medium broke through to a new level of professional cachet. With a variety of local and national works, performance artists took their place at the forefront of an unexpectedly successful counter-Quincentenary arts movement. At the same time, major New York venues finally began to court, commission and produce Los Angeles artists.
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