March 22, 2009 |
Japanese director Kiyoshi Kurosawa has made an international reputation over the last decade for his J-horror films, including the 1997 serial-killer thriller "Cure" and the 2001 ghosts-invading-the-Internet chiller "Pulse." But with his latest film, "Tokyo Sonata," Kurosawa moves outside the horror genre and into the realm of family drama. Still, "there hasn't been a big internal change on how I think about things.
CALIFORNIA | LOCAL
April 8, 2003 |
Anne Gwynne, leading lady in scores of sci-fi and horror films including the 1940 serial ''Flash Gordon Conquers the Universe'' and ''Black Friday'' with Boris Karloff, has died. She was 84. Gwynne died March 31 of a stroke following surgery at the Motion Picture County Hospital in Woodland Hills, her family said. Born Marguerite Gwynne Trice in Waco, Texas, she studied drama at Stephens College in Missouri and moved to Los Angeles with her family.
October 31, 1988 |
Horror Films That Scared a Lot Of Us: 12 Popular Genre Films Since 1970 "Alien" (1979; $40.3 million in box-office rentals) "A Nightmare on Elm Street 3" (1987; $21.4 million) "The Amityville Horror" (1979; $35 million) "The Exorcist" (1973; $89 million) "The Fly" (1986; $17.5 million) "Halloween" (1978; $18.5 million) "King Kong" (1976; $36.9 million) "The Lost Boys" (1987; $14.5 million) "The Omen" (1976; $28.5 million) "Poltergeist" (1982; $38.2 million) "Poltergeist II" (1986; $20.
February 6, 2005
Chris LEE'S perceptive article ("Horror Returns to Make a Killing," Jan. 30) should have made mention of Danny Boyle's "28 Days Later." A smart, stylish and disturbingly real take on the "zombie" genre, the film was a huge success in the U.K. and went on to gross $45 million in the U.S. -- a considerable sum for such a modestly budgeted British movie. -- Alan Ireland Los Angeles Chris LEE repeats a fallacy that constantly occurs in articles on horror film revivals, that women are latecomers to their audience.
March 23, 1986
Who cares if Clarke and his fanzine are boycotted by LucasBerg? Who cares if Clarke is yet another "sci-fi" expert who detests the term sci-fi? I mean, where was Calendar when Famous Monsters, the magazine that started it all back in '58, was the lone voice in the media, giving millions of fans and scholars alike virtually their only glimpse of fantasy and horror films? Why has Forrest J. Ackerman, FM's esteemed creator and editor for a quarter of a century, never merited a Calendar cover story?
September 19, 2006 |
Call it fright on demand. Lions Gate Entertainment, Sony Pictures Television and Comcast Corp. plan to launch a video channel on Halloween devoted entirely to horror programs. The new channel, called Fearnet, is to be available on cable as video on demand. It also is to be available on the Internet and through wireless systems. The channel's target audience is men and boys from 14 to 29 years old.
October 15, 2013 |
"Girls" creator Lena Dunham, horror producer Jason Blum and YouTube sensation Casey Niestat will deliver keynote addresses at the 2014 South by Southwest Film Conference and Festival, SXSW announced Tuesday. Next year will be the first that the Austin, Texas, film festival is programming keynote addresses, modeled on those at its sister festival, SXSW Interactive. Each of the keynote speakers fits into one of the distinctive niches at SXSW, which is known for its horror films, comedies and low-budget offerings.
June 4, 2006 |
THE post-World War II British cinema produced brilliant comedies from quirky Ealing Studios, titles such as "Kind Hearts and Coronets" and "The Lavender Hill Mob" as well as gritty "kitchen sink" dramas helmed by angry young filmmakers such as Tony Richardson, John Schlesinger, Lindsay Anderson, Clive Donner and Karel Reisz. Every so often a horror film such as "Dead of Night" or "The Queen of Spades" would pop up on the landscape.
November 26, 2006
Dan Neil's 800 Words piece on the current wave of "slasher" flicks was so graphic itself that it too was quite scary ("Be Afraid," Nov. 5). I've been a fan of horror movies since I was a young boy, and the last movie that gave me reason to hide in my popcorn was "Alien," which some would think almost milquetoast by today's standards. But isn't that the whole point? With little left to the imagination, with each scene more graphic than the last, we become more and more numb, until real life has little or no effect on us. Yes, we can choose the movies that we see, just like television.