September 3, 1990 |
The martial atmosphere of "Othello," underscored by the post-Napoleonic setting of David Herman's new production, reminds us very well that Shakespeare's tragedy is a forceful tale of bruising, masculine strength fed by the demonic vigor of that "green-eyed monster, jealousy." The stage fills with a garrison of soldiers turned out in full regalia: powder-blue jackets trimmed with gold braid and epaulets, black boots and flashing swords, white form-fitting pants. The percussive music swells.
June 10, 2005 |
It is a round, unvarnish'd tale delivered by "Othello," which opens the summer repertory season at the Will Geer Theatricum Botanicum. Director Ellen Geer and company propel William Shakespeare's masterpiece of toxic jealousy past some tonal bumps with plain-spoken precision. Audiences have responded to the interracial psychology and thwarted ambition of "Othello" since 1604, and the title role has tested tragedians from Edmund Kean to Laurence Fishburne.
October 2, 1997 |
The temperature hit 103 Tuesday for the visit of the Royal National Theatre of Great Britain and Princess Anne, who valiantly wore black gloves to the Herberger Theater, despite the heat. Air conditioning made the theater comfortable enough for the dressy crowd gathered to launch the local UK/AZ Festival. But the action onstage was sizzling almost as much as the weather outside. Director Sam Mendes, making his U.S. debut, staged an "Othello" with a semi-tropical quality.
September 30, 2002 |
Shakespeare's genius in "Othello" is partly to keep us from asking when there's been time or opportunity for Desdemona to have slept with Cassio. (There hasn't been any.) But questions about what's going on in Lar Lubovitch's "Othello," danced by San Francisco Ballet in its Southern California premiere over the weekend at the Orange County Performing Arts Center, start at the very beginning.
July 24, 2006 |
In approaching the drama entry in this year's annual two-play outdoor Kingsmen Shakespeare Festival, artistic director Michael J. Arndt resists the resetting bug and keeps his "Othello" grounded in the 1600 Cyprus and Venice of Shakespeare's text.
October 15, 2006 |
Starting any creative venture is difficult--a movie, a painting, a Sunday magazine feature. In 1996, we were starting a CBS sitcom called "Everybody Loves Raymond," and it was not what anyone would call a smash out of the gate. I knew that all shows needed a little time to grow, to try things on and see if they fit. But networks and studios don't really have that time. There was a particular studio executive who knew this and took advantage. Let's call him Iago.
October 7, 1988 |
Ted Lange knows there are people who will never see him beyond "The Love Boat." "There's a lot of skepticism, because I'm not known for (stage work)," said the actor. "I remember going to the New York Shakespeare Festival and they really didn't want to see me--you know, I'm sitcom. I read a scene from 'Romeo and Juliet' for Jack O'Brien at the Old Globe, and he said (with surprise), 'You're good . Why do you do television?' I said, 'Um, it's kind of a way to make a living.'
September 1, 1997 |
Watching a great Shakespeare play outside under the stars can be a remarkably civil and civilizing pleasure. When a servant brushes her mistress' hair just before bedtime, the two women fall into a discussion of men, ethics and relativity. Desdemona (Christina Haag), a devoted wife, offers that she would not deceive her husband for all the world. Brushing and thinking, the servant Emilia (Katherine McGrath) weighs her mistress' heartfelt opinion and decides it is not thought through.
July 28, 2000 |
You might have thought Shakespeare did an adequate job wrapping up his story lines, but here in Los Angeles, a property with the enduring box office of "Othello" is always fair game for a sequel. Taking up his quill to continue the Moor's tragic saga in "The Trial of Othello" at Theatre West is veteran producer-writer Sherwood Schwartz, creator of "Gilligan's Island" and "The Brady Bunch."