May 25, 2010 |
Focus Features remains one of the rare specialty film companies tied to a major studio. And at the moment, it has more to brag about than its parent Universal Pictures. Focus celebrated Mother's Day with the better-than-expected debut of its feel-good documentary "Babies," which chronicles the lives of four infants around the world from birth to first steps. The movie company, known for such unconventional hits as "Brokeback Mountain" and "Lost in Translation," also has one of the most anticipated independent movies of the summer coming July 7, the family comedy-drama "The Kids Are All Right" starring Annette Bening and Julianne Moore as a lesbian couple whose two teenage kids seek out their sperm donor.
October 3, 2009 |
Walt Disney Co., looking to rein in costs at its Hollywood studio as it focuses on mainstream movies, is slashing staff by 70% at its Miramax Films specialty label and is substantially reducing the number of pictures it releases. The retrenchment, which has been foreshadowed in Disney Chief Executive Robert Iger's strategy to emphasize family and "branded" films, comes quickly on the heels of the recent ouster of former Disney Studios Chairman Dick Cook. The former movie chief left abruptly last month under pressure from Iger, who had been unhappy with the studio's direction and performance.
November 30, 2013 |
Some jobs - catching fastballs, singing pop songs, dancing en pointe - are a lot easier when you're young. Add to that list directing independent movies, where it's not the physical demands that wear out many filmmakers but the financial stresses. At some point, most indie directors tire of the never-ending hustle for the money to make and release their movies and repair to the more lucrative worlds of television and studio fare. That's what makes the career of John Sayles so remarkable.
May 12, 2009 |
For years, filmmakers flocked to the Cannes Film Festival to sell their independently financed movies, confident they'd soon see their work exhibited in movie theaters. Like so many show business dreams, those visions have been vanishing quickly as numerous distributors of film-festival fare closed their doors after losing money or corporate support. But there's a potential savior on the horizon called video on demand -- and it may be hiding somewhere inside your cable television box.
January 31, 2007 |
JOHN SLOSS has been called independent filmmaking's consigliere. He's part lawyer, part salesman, part problem-solver who became an avid film buff watching a movie a day as a projectionist and usher while attending the University of Michigan. Honored films he's been involved with include "Boys Don't Cry," which won Hilary Swank her first acting Academy Award, best documentary Oscar winner "The Fog of War" and current best picture nominee "Little Miss Sunshine."
June 20, 2011 |
"The Art of Getting By," about a high school slacker more interested in a girl than in his homework, barely lived up to its name this weekend at the box office. The film, which stars young actors Freddie Highmore and Emma Roberts, had what even distributor Fox Searchlight acknowledged was a "disappointing" opening. According to a studio estimate, the movie collected only $700,000 from 610 theaters for a dismal per-theater average of $1,148. "The Art of Getting By" — previously titled "Homework" when it premiered at the Sundance Film Festival in January — did worse than two other independent movies that opened this weekend and also played at the Utah event.