CALIFORNIA | LOCAL
April 4, 2013 |
Milo O'Shea, a versatile Dublin-born stage and screen actor known for his famously bristling, agile eyebrows and roles in such disparate films as "Ulysses," "Barbarella" and Franco Zeffirelli's "Romeo and Juliet," has died. He was 86. O'Shea, who also appeared in many popular television series, including "Cheers," "Frasier," "The West Wing" and "The Golden Girls," died Tuesday in New York after a short illness, according to Irish news accounts. Familiar both in starring and supporting roles, he appeared in numerous stage productions before coming to wider attention with his first leading screen role as Leopold Bloom in the 1967 adaptation of James Joyce's "Ulysses.
April 3, 2013 |
Milo O'Shea, an Irish stage and screen actor known for his roles in films as varied as “Ulysses,” “Barbarella” and Franco Zeffirelli's “Romeo and Juliet,” has died. He was 86. O'Shea, who also had guest roles on many popular television series, including “Cheers,” “Frasier” and “The West Wing,” died Tuesday in New York City, according to Irish news reports. PHOTOS: Notable deaths of 2013 Familiar as both a starring and character actor, with bristling eyebrows and an impish smile, O'Shea appeared in numerous stage productions before he came to wider attention with his first starring screen role, when he played protagonist Leopold Bloom in the 1967 film adaptation of James Joyce's “Ulysses.” O'Shea's many other memorable roles included playing mad scientist Dr. Durand Durand in the 1968 cult classic “Barbarella” with Jane Fonda, the well-intentioned Friar Laurence in Zeffirelli's adaptation of “Romeo and Juliet,” also in 1968, and as the trial judge in the 1982 film “The Verdict,” starring Paul Newman.
March 28, 2013 |
As edgy Irish comedy-thrillers go, Robert Massey's “Rank” largely ranks as “Martin McDonagh Lite,” but like its more extreme noirish forebears, Massey's 2008 caper tale revels in skillfully expressive language, even in the most trivial exchanges - loopy digressions and non sequiturs are the main attractions in its U.S. premiere at Odyssey Theatre. Adhering to its genre formula, the play's Irish-inflected love of gab goes hand in hand with its mounting sense of menace, as down-and-out cab driver Carl (Kevin Kearns)
March 17, 2013 |
DUBLIN, Ireland - As the shopkeepers in this capital city readied for St. Patrick's Day under typically intermittent rainy skies, Father Sean McDonagh's attention was on the new pope's agenda. The Columban priest, whose order has a long tradition of missionary work, has been an outspoken critic of Vatican policies. With Pope Francis' honeymoon period underway he, like many, is waiting to see what issues will be at the center of the new papal agenda. McDonagh, 69, believes Francis needs to go green, making environmentalism the No. 1 priority for the Catholic Church.
March 16, 2013 |
In a city that could be considered the melting pot of the world, it's only fitting that our pick for a St. Patrick's Day cocktail is Mexican. Created by mixologist Gilbert Marquez for Santa Monica's nouveau Mexican restaurant Mercado, the drink is called the Irish Poet. The spicy libation is fueled by the smoky flavor of mezcal, the heat of seeded poblano peppers, the zing of fresh lime juice and a lick of chipotle pepper-infused salt. Inspiration for the drink struck Marquez after a riotous tequila-drinking session with a loquacious Irishman in Mexico.
March 16, 2013 |
It's a Catholic thing. It's an immigrant-underdog thing. It's an acoustic-punk thing. There are many reasons why, for the last 10 or 11 years - the precise number is lost in the fog of memory - the L.A. Chicano band Ollin has celebrated St. Patrick's Day by paying tribute to the Pogues, the Anglo Irish ensemble that slammed the lilting grace of traditional Celtic music together with punk's raw energy during the Reagan-Thatcher era. Ollin's annual...