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Irma Neumann

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November 9, 2003 | Constance Meyer, Special to The Times
Even if you sit through the end credits of a movie, watching the crawl that lists all the little people who belong to unions requiring that their contributions be acknowledged, you're still not seeing the names of a host of anonymous laborers in the filmmaking process. If a picture has a big symphonic score, the credits may be missing as many as a hundred musicians. Violinist Irma Neumann, a white-haired, jolly-looking woman who will be 88 on her next birthday, is one such player.
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ENTERTAINMENT
November 9, 2003 | Constance Meyer, Special to The Times
Even if you sit through the end credits of a movie, watching the crawl that lists all the little people who belong to unions requiring that their contributions be acknowledged, you're still not seeing the names of a host of anonymous laborers in the filmmaking process. If a picture has a big symphonic score, the credits may be missing as many as a hundred musicians. Violinist Irma Neumann, a white-haired, jolly-looking woman who will be 88 on her next birthday, is one such player.
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