October 31, 1998 |
It seemed like an intriguing idea to book Cuba's Jesus "Chucho" Valdes on the same bill with Brazil's Ivan Lins. Different in style, substance and language, they nonetheless represent aspects of the enormous, far-reaching variety of Latin music. And both, in their own way, have reciprocated the influence of jazz by producing music that in turn has impacted American artists. But the duo's concert at UCLA's Royce Hall Thursday night didn't quite deliver as expected.
December 12, 1987 |
You've got to give singer Mark Murphy credit for hanging in there. After toiling for three decades or so in the jazz vineyards with moderate but never really spectacular success, he continues to give his heart to the sounds and rhythms he calls the music of life. Thursday night at the Vine St. Bar & Grill, Murphy belted, scatted, grooved and catted his way through a set of tried-and-true jazz standards, adding a sprinkling of Brazilian songs for seasoning.
September 10, 2002 |
When a concert of Brazilian music can't trigger much more than some mildly enthusiastic applause and a minimal amount of dancing in the aisles, something hasn't gone quite right. With Ivan Lins as a headliner, and veteran jazz and bossa nova singer Leny Andrade on the bill at the Hollywood Bowl on Sunday, one might have hoped for a more vigorous response.
September 21, 1987 |
Thursday evening at Catalina's, Toots Thielemans was only one chorus into his opening number when a burst of applause made it clear that he had the audience as well as the harmonica in the palm of his hand. This small stepchild of the instrumental family was only his secondary instrument when the Belgian virtuoso burst into national prominence in the 1950s, mainly playing guitar, with the George Shearing Quintet.
December 1, 2006 |
You have to give Bill Cantos credit for aiming high. The pianist-singer-songwriter's new album bears the challenging title "Love Wins: New Standards for the New Millennium." But in the opening set of his one-nighter Tuesday at the Jazz Bakery, Cantos was quick to note that choice of the title was based on inspiration rather than any boastful sense that he rates with the likes of Cole Porter, George Gershwin, Jerome Kern and the other architects of the Great American Songbook.
May 16, 1997 |
Jazz began as a collective music--a communal act of creation in which ensemble improvisation was the core of the performance. All that changed when Louis Armstrong, Sidney Bechet and others brought the soloist to the foreground, sometimes at the expense of the ensemble sound.
October 28, 2002 |
There was a striking difference between the Jane Monheit who showed up on stage at Pepperdine's Smothers Theatre on Friday night and the Jane Monheit who is represented on her new CD, "In the Sun." Anyone hearing her in concert for the first time would have had little difficulty identifying her as a jazz singer -- and a good one, at that. In contrast, anyone experiencing Monheit for the first time on the CD could easily be reluctant to use the label at all.
September 17, 2000 |
It's the first fall season of the new millennium, and, appropriately, it is overflowing with promising developments for both jazz and world music. Start with jazz. The arrival of Knitting Factory Hollywood (grand opening, tomorrow night) provides the Southland with a third venue--with the Jazz Bakery and Catalina Bar & Grill--presenting world-class jazz artists. (see story, Page 8.
October 17, 1988 |
With its Hebrew name and Lebanese cuisine, it may seem odd that La Ve Lee, the restaurant at 12514 Ventura Boulevard in Studio City, recently launched an entertainment policy with Brazilian music. (Not strange to the owner, however; as he pointed out, they've got an awful lot of Lebanese in Brazil.