November 30, 2006 |
In an attempt to adapt to changes in the entertainment industry resulting from digital technologies, United Talent Agency has hired veteran television executive Adam Ware as head of business development to help the agency seek out new media opportunities for its clients. Ware said he would help showcase the work of the agency's artists by identifying emerging distribution outlets beyond the established online players such as AOL, Apple Computer Inc.'s iTunes and YouTube.
February 5, 2013 |
Jaclyn Shanfeld moves from garment to garment with the unbridled joy of a little girl rummaging in her mother's closet. From the "wall of Chanel" Shanfeld retrieves a light pink and lavender jacket that once fetched $3,200 but was priced for resale at $750. She shows off the unmarked soles of a pair Nicholas Kirkwood boots, originally purchased for $1,500 that are now offered for $700. She unveils a sheer black, sleeveless Alaia gown bought for a special occasion - but never worn.
June 15, 1985 |
The long wait for Eddie Murphy's next movie at Paramount Pictures is apparently over. The movie will be "Golden Child," an action-comedy set in India and Los Angeles. A spokesman for the studio confirmed that a deal closed Thursday evening will have Murphy in front of the cameras this fall for a summer, 1986 release. "Everybody is very excited over here," said a high-ranking production executive. "We've got our Eddie movie." The choice is a surprise.
May 21, 2013 |
The numbers on United Talent Agency's new 130,000-square-foot Beverly Hills digs are notable. The Civic Center Drive property includes a 158-piece art collection, 11 conference rooms and a private plaza that can accommodate as many as 500 people. But the standout figure is 275. That's the number of screenings UTA has held at its new screening room since the company's new headquarters opened last September. The new theater was christened with a showing of longtime client Judd Apatow's "This Is 40," which was screened for the filmmaker's friends and family, along with UTA agents.
March 29, 2011 |
Jeff Robinov is the anti-mogul. In an industry full of oversized personalities, he is a soft-spoken, austere and mercurial figure who works in an undecorated office and rarely smiles. Though his job depends on relationships, the president of the Warner Bros. motion picture group is uncomfortable with schmoozing, public speaking and filmmakers pitching ideas in person. And while many studio executives thrive on self-promotion, Robinov describes himself as "misunderstood. " Yet by the end of this week, the 52-year-old will wield one of the most powerful tools in show business: final authority to say what movies get made and to manage the $2 billion to $3 billion allocated each year to make and market movies at Time Warner Inc.-owned Warner Bros.
July 23, 1995 |
It was one of those interchangeable industry seminars at which a half-dozen agents, studio execs or producers, pontificate before a roomful of people who are desperate to break into the business, who care less about the knowledge these wise ones have to impart than about cornering them later and maybe walking away with a business card. A name! A phone number! A contact! This particular seminar was organized for an audience of would-be filmmakers, few of whom could boast of agency representation.