ENTERTAINMENT
April 19, 2013 | By Jean Lenihan
Alvin Ailey American Dance Theater has long bedecked its ensemble in suits (the jazz crowd in "For Bird - With Love") and took a recent turn with androgynous menswear (Camille A. Brown's "The Evolution of a Secured Feminine"). Yet in previous incarnations, these fitted jackets and rakish hats have been of a jazzy, romantic stripe, spurring angled moves and scurrying feet. One imagines a crafty urban vernacular born from fast pedestrians, tight corridors and dizzying heights. Those speedy, showy creatures of past Ailey seasons bore no resemblance to the crumpled, besuited unisex ensemble that came to life Wednesday night at the Music Center premiere of "Minus 16" (1999)
ENTERTAINMENT
April 19, 2013 | By Deborah Vankin
The Museum of the History of Polish Jews opens Friday in Warsaw, partly funded by the Polish government. It's located in the area that was once the Warsaw ghetto during World War II, in what was Nazi-occupied Europe. The museum aims not just to provide education about the history of Polish Jews, but to dispel any lingering anti-Semitism seven decades after the Holocaust. It also celebrates the rich traditions and culture of Jews from Warsaw, the capital of Poland, once one of the largest Jewish communities in Europe.
ENTERTAINMENT
April 17, 2013 | By Chris Erskine, Los Angeles Times
The game of baseball seemed grandly American in the 1930s. Players had cherubic names - Birdie and Schoolboy, sounding like characters from a Broadway musical. Beneath the good times, though, breathed an awful hatred. In his new book, "Hank Greenberg: The Hero of Heroes," John Rosengren describes how the New York Yankees used to call up minor leaguers just to harass the Jewish baseball star from the bench. In the South, things were worse. "No one would ever let you forget it. You'd hear it from the stands all the time," Greenberg says of his early playing days, citing a torrent of anti-Semitic invective.
ENTERTAINMENT
April 12, 2013 | By Susan King, Los Angeles Times
Twenty years ago, veteran caver Chris Nicola received an offer from a Ukrainian friend to explore the well-known gypsum giant caves in the western part of the European country. Nicola quickly accepted the invitation. "My family on my mother's side had Cossack roots and they were known to come from the Ukraine," the New Yorker said over the phone this week. "I thought in the back of my mind I could do some family research. " But his main reason was to visit the 77-mile long Priest's Grotto cave, which is part of an extensive gypsum cave system.
CALIFORNIA | LOCAL
April 11, 2013 | By James Rainey and Laura J. Nelson, Los Angeles Times
Eric Garcetti and Wendy Greuel struck a mostly positive tone in the first debate of their runoff campaign for mayor of Los Angeles on Thursday, with Garcetti citing his work on redevelopment and budget balancing as former president of the City Council and Greuel pointing to a diverse resume that includes work in a family business, at the DreamWorks studio and as city controller. Both Greuel and Garcetti rejected the pundits and political analysts who have said there is little to differentiate them.
ENTERTAINMENT
April 1, 2013 | By David Ng
A painting by Pablo Picasso is at the center of a recent lawsuit filed by descendants of a prominent German Jewish banker who claim the artwork was lost during the Nazi regime. The plaintiffs are suing the German state of Bavaria for refusing to return the painting. The descendants of Paul von Mendelssohn-Bartholdy claim that "Madame Soler," a painting created by Picasso around 1903, belongs to them. They maintain that Mendelssohn-Bartholdy was compelled to sell the painting during the Nazi regime as a result of the financial hardship he endured as a Jew. Mendelssohn-Bartholdy was a relative of composer Felix Mendelssohn.