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John Adams

April 13, 2008 | Paul Lieberman, Times Staff Writer
Shortly before he had to transform himself into John Adams, Paul Giamatti was portraying Santa in "Fred Claus." And as TV viewers were getting set to see him in powdered wigs while becoming our second president, he was already on to his latest role, in a comedy about a guy whose soul is extracted and stolen by the Russian mob. That one's called "Cold Souls," though Giamatti refers to it as "the soul-sucker picture."
We can always count on the Ojai Festival, Ventura County's contribution to the international music scene, to deliver provocations and controversies. We can count on Ojai, one of the biggest little festivals in the world, to wrestle the music season to a close and grease the glide into summer. But not all festivals are created equal. Synchronicity doesn't get any better than this year's program: The stars align, the numbers speak, and the prospects quiver.
March 13, 2005 | John Rhodehamel, John Rhodehamel is the Norris Foundation curator at the Huntington Library and editor of "George Washington: Writings" and "The American Revolution: Writings From the War of Independence," both from the Library of America.
Americans are eager to read about the original "greatest generation," Benjamin Franklin, Thomas Jefferson, Alexander Hamilton, George Washington and John Adams, as well as some of the lesser lights in the constellation who won the Revolution, drafted the Constitution and inaugurated a government that has endured for more than 200 years. Popular interest in the founding era is certainly greater today than at the time of the noisy observances of the 1776 bicentennial nearly three decades ago.
February 22, 2008 | David C. Nichols, Special to The Times
When in the course of theatrical events it becomes necessary to address topical concerns, consider "1776" at the Crossley Theatre. If present-day parallels are what you seek, the Actors Co-op chamber revival of the 1969 Tony winner about the birth of our nation fits the bill, superbly. Director Richard Israel, on loan from West Coast Ensemble, treats this unconventional musical as a living diorama (courtesy of Stephen Gifford's elegant set).
March 16, 2008 | Martin Miller, Times Staff Writer
Before taking the lead role in a new HBO miniseries, Paul Giamatti knew what a lot of Americans do about the nation's first vice president and second president -- the one, unlike his revolutionary contemporaries George Washington and Thomas Jefferson, who is absent from monuments on the Capitol Mall and from common U.S. coins and currency. "I really knew next to nothing about him," said Giamatti, who remedied the situation by reading much of Adams' voluminous letters and journals.
October 9, 2008 | Mark Swed, Times Staff Writer
JOHN ADAMS is the voice of America. His instrumental music, and particularly that for the orchestra, conveys the American experience broadly. He is generous in his interests, which include the maverick Yankee-isms of Charles Ives, the populist strains of Bernstein and Copland and the classical jazz of Ellington and Benny Goodman, as well as the more progressive styles of Miles Davis and John Coltrane. Pop music -- be it the Beach Boys, Frank Zappa, electronica or grunge -- is on his radar.
May 30, 1993 | JOHN HENKEN, John Henken writes about classical music for Calendar
The room: a second-story aerie in the Oakland Hills with a panoramic view of the East Bay. The furnishings: five keyboards, Yamaha's newest and best; a Macintosh with a big monitor; a rack of samplers and other dedicated musical electronica, and a large mixing board. The inhabitant: John Adams, composer, conductor, intellectual populist, reluctant controversialist and family man--not necessarily in that order.
January 28, 2001 | MARK SWED, Mark Swed is The Times' music critic
In 1997, the year John Adams turned 50, it was already tempting to call him America's leading composer. The country, of course, is too big and diverse for any such label.
February 27, 2013 | By Mark Swed, Los Angeles Times Music Critic
The Walt Disney Concert Hall stage didn't look so hot for Tuesday night's Green Umbrella concert. Rather than the trademark umbrellas being gracefully suspended from the ceiling, they were placed in clumps, like lean-tos, on either side of a stage and so saturated with green light that they appeared covered with AstroTurf. Then again, the Los Angeles Philharmonic may simply be packing early for its upcoming tour and wanted to have those umbrellas handy. This was a showcase concert of the orchestra's New Music Group, and it will be repeated in London the week after next.
Next week at Symphony Hall in Boston, the Boston Symphony Orchestra will perform a program that begins with Aaron Copland's Symphony No. 1, instead of John Adams' "Klinghoffer" Choruses. Therein lies a controversy. Last month, the Boston orchestra managers e-mailed the composer that, for all their admiration of his music, they felt it would not be sensitive to the mood of the times to program the choruses, which are excerpts from the 1991 opera "The Death of Klinghoffer."
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