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John Lasseter

December 10, 2013 | By Susan King
On Oct. 16, 1923, Walt Disney and his brother Roy began the Walt Disney Co. inauspiciously in the rear of a small office at the Holly-Vermont Realty in Los Angeles. It was there that the young brothers, who paid $10 a month for the modest space, began producing their live action/animated series of shorts known as the "Alice Comedies. " Ninety years later, Walt Disney Animation Studios is a slightly larger and more lucrative operation. Its 53rd animated feature, "Frozen," just knocked "The Hunger Games: Catching Fire" off its box office pedestal and has brought in more than $134 million domestically since its opening on Nov. 22. And the new animated short that plays in theaters with "Frozen," called "Get a Horse!
March 19, 2014 | By Oliver Gettell
A decade after the titular superhero family of "The Incredibles" donned their spandex suits to save the day, Disney announced that its animation studio Pixar is working on a sequel to the Oscar-winning movie. The sequel was announced by Disney Chairman and Chief Executive Robert Iger during the company's annual shareholder meeting in Portland, Ore. Iger also revealed that Pixar is planning a third movie in the popular "Cars" franchise. Written and directed by Brad Bird, "The Incredibles" tells of a superpowered-family living in a world where superheroes have been banned from fighting crime.
June 27, 2011 | By Patrick Kevin Day and Rebecca Keegan, Los Angeles Times
Pixar, arguably Hollywood's most admired movie studio, has made its first lemon as far as the critics are concerned. "Cars 2," director John Lasseter's sequel to his 2006 ode to gearheads, has collected the worst reviews of any of the 12 films in the animation studio's 25-year-history. "It actually hurts to knock one of [Pixar's] movies — something I've never done before," wrote Indiewire critic Leonard Maltin. "But then, I've never gotten a headache watching any of their previous films.
June 24, 2011 | By Kenneth Turan, Los Angeles Times Film Critic
It's Pixar Animation's 25th anniversary, and the studio has kicked back and given a present to itself and its ever-expanding audience with the genially entertaining "Cars 2. " A movie that loves autos and doesn't care who knows it, "Cars 2" is so close to the heart of John Lasseter that he carved out time from being the creative czar of both Pixar and Disney animation to direct it himself, the first time Lasseter's done that since, well, the original...
December 9, 2009
With its critically acclaimed new release "The Princess and the Frog," Disney returns to its hand-drawn animation heyday. The man making that push? The same guy who helped usher in the computer animation takeover with the 1995 blockbuster "Toy Story." John Lasseter, the guiding force at Pixar Animation Studios, admits he was dismayed when Disney and DreamWorks and other studios decided to close up their 2-D hand-drawn divisions earlier this decade after several such films performed poorly.
August 9, 2013 | By Amy Kaufman
“Finding Dory” may be undergoing a sea change as Pixar is taking a page from a little-seen whale documentary. The Walt Disney-owned animation studio is hard at work on "Finding Dory," a follow-up to the 2003 oceanic blockbuster "Finding Nemo. " But this spring, after Pixar executives viewed "Blackfish," which raises sharp questions about the health of whales in captivity, the studio decided to make substantial changes to the "Dory" script. According to Louie Psihoyos, who directed the Oscar-winning dolphin slaughter documentary “The Cove,” Pixar chief creative officer John Lasseter and “Dory” director Andrew Stanton sat down with “Blackfish” director Gabriela Cowperthwaite in April after seeing her movie.
November 22, 2009 | By Susan King
The Disney animation team of Ron Clements and John Musker wrote and directed the 1989 blockbuster musical fairy tale "The Little Mermaid," and followed that up with 1992's "Aladdin" and 1997's "Hercules." Seven years after their last Disney film, 2002's "Treasure Planet," the two are back with the new musical fairy tale, "The Princess and the Frog," set in New Orleans in the 1920s and featuring the studio's first animated African American heroine. Randy Newman supplies the lovely ballads and swinging ragtime jazz score.
June 9, 2006 | Kenneth Turan, Times Staff Writer
GIVEN that Americans love automobiles and animated films, it's no shock that a feature-length cartoon called "Cars" turned out so well. The source of this supremely engaging film's curb appeal, however, is a most pleasant surprise. For in the years since Pixar guru John Lasseter last directed a film ("Toy Story 2" in 1999), the trend in the field has been to go the wiseguy route.
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