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Jonathon Sanger

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January 6, 1991 | JOHN M. WILSON
The production of "Moab"--with its professional cast and crew, 35-millimeter Panavision cameras and busy set--looks pretty much like any other Hollywood film shoot. Until an actress, rehearsing as a beautician, mists a coiffed head with a prop can of hair spray. "Do we have to use that spray?" complains a real-life makeup artist from behind the cameras. "It's awfully expensive." "We'll get you some more," says a producer soothingly. "We'll work out a product placement."
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ENTERTAINMENT
January 6, 1991 | JOHN M. WILSON
The production of "Moab"--with its professional cast and crew, 35-millimeter Panavision cameras and busy set--looks pretty much like any other Hollywood film shoot. Until an actress, rehearsing as a beautician, mists a coiffed head with a prop can of hair spray. "Do we have to use that spray?" complains a real-life makeup artist from behind the cameras. "It's awfully expensive." "We'll get you some more," says a producer soothingly. "We'll work out a product placement."
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