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Jose Saramago

Judas is the New Testament's dark angel. The Gospel of John puts him in the shadows, an appropriate place for a figure who's a smudge of dirt on the luminous story of the New Testament. He's also a bundle of contradictions: Fierce and menacing, he sent his savior off to execution with a kiss, so willing was he to trade reward in the hereafter for cash in the here and now.
May 28, 2004 | Walter Reich
Genocidal mass murder continues to foul the world. So do large-scale massacres of civilians and brutal executions. Yet the foulest epithet in any language -- "Nazi" -- is hurled not against any of the perpetrators of those crimes but, uniquely and systematically, against Israel. It's not as if the real horrors are hard to find.
January 27, 2008 | Reed Johnson, Times Staff Writer
Mark Ruffalo and Julianne Moore are traipsing through a trash-strewn urban wasteland, scavenging for salvation. All around them, dozens of pitiful human beings dressed in filthy, mismatched clothes grope their way past wrecked cars and graffiti-splattered highway ramps, like dancers in some grotesque ballet of the damned. It's not a pretty sight, but it's impossible to avert your eyes -- which is exactly the point.
March 30, 2005 | Tracy Wilkinson, Times Staff Writer
This was supposed to be a glorious season for La Scala, the world's most celebrated opera house, which triumphantly emerged from a three-year, multimillion-dollar renovation to resume its place as the jewel in Europe's musical crown. Instead, three months after its gala re-inauguration, the fabled theater in Milan is awash in labor strife, canceled performances and bitter artistic recriminations. Its immediate future is in jeopardy.
February 12, 2003 | Merle Rubin, Special to The Times
The great 19th century historian Theodor Mommsen (who in 1902 became the first German to win the Nobel Prize for Literature) had ample opportunity to take the measure of the persistent phenomenon of anti-Semitism. For, by the latter half of the 19th century, European anti-Semitism was not merely a simple prejudice but a self-styled political "philosophy" compounded of racist, nationalist and Social Darwinist mythologies.
May 15, 2008 | Kenneth Turan, Times Film Critic
When Brazilian director Fernando Meirelles was told that the Festival de Cannes wanted his new film, "Blindness," to open this year's event Wednesday night, he was "surprised, to be honest." Not because of a lack of faith in what he'd done but because of the nature of his accomplishment.
September 2, 2005 | Christopher Hawthorne, Times Staff Writer
THE staggering images of Hurricane Katrina's destruction, whether shot from helicopters or with cellphone cameras, suggest a relationship between humans and architecture stripped bare, much as the landscape along the Gulf Coast has been. When hurricanes strike and floodwaters rise, as when an earthquake or a tornado hits, what's crucial in the immediate aftermath is simply shelter in the most basic sense. That effect is common to nearly every significant natural disaster.
September 28, 2008 | Lewis Beale, Special to The Times
"Blindness," Nobel Prize-winner Jose Saramago's 1997 allegorical novel about an epidemic of sightlessness that threatens to destroy society, is told in a stream-of-consciousness style that reads like a fever dream. Not exactly "Harry Potter," straight-to-the-big-screen material. Yet, Don McKellar saw in it a screenplay and Fernando Meirelles ("City of God") saw in that screenplay a film he could direct.
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