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January 16, 1998 | CHRIS PASLES, TIMES STAFF WRITER
For all its gravity, classical music has always managed to laugh at itself. In Britain, Gerard Hoffnung and Anna Russell separately built careers skewering the pretensions and absurdities in the world of concert music and opera. In this country, Victor Borge continues to play to sold-out houses because of his distinctive approach to the piano literature.
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January 16, 1998 | CHRIS PASLES, TIMES STAFF WRITER
For all its gravity, classical music has always managed to laugh at itself. In Britain, Gerard Hoffnung and Anna Russell separately built careers skewering the pretensions and absurdities in the world of concert music and opera. In this country, Victor Borge continues to play to sold-out houses because of his distinctive approach to the piano literature.
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