NEWS
December 27, 2012 | By Lisa Rosen
It could be a dark and stormy Oscar night. Among the historical epics, political thrillers and romantic dramas on the awards scene, several films that feature nature's fury are clouding the horizon. "Life of Pi," "Beasts of the Southern Wild" and "The Impossible" are wildly different films, but all share the mighty power of the environment and their protagonists' helplessness against it. Ang Lee's "Life of Pi" features a boy shipwrecked by a massive storm who winds up sharing a lifeboat with a deadly tiger.
NEWS
December 27, 2012 | By Glenn Whipp, Los Angeles Times
Wes Anderson won't formally begin his next movie, "The Grand Budapest Hotel," until the new year, but he's on the phone after a busy day spent filming "little shots" in Saxony with a very good German driver named Peet who's quite adept, Anderson says, at weaving through traffic behind the wheel of an old car that Anderson's production team has meticulously converted into a taxi. Anderson admits he's still puzzling over the success of his last film, the coming-of-age comedy "Moonrise Kingdom," which has received best picture nominations for the Spirit Awards and Golden Globes and grossed more than twice the box office of each of his previous three films.
ENTERTAINMENT
December 14, 2012 | By Betsy Sharkey, Los Angeles Times Film Critic
It's as if this year filmmakers remembered why God made movies. In a world of nonstop data where most of the static is gossip in 140 soul-destroying words or less, cinema has had a transcendent 12 months - a visual renaissance that has burned past convention. The creative surge has not led to a perfect world. At times the performances stumbled, the stories struggled. But what we saw on screen was mind-blowingly inventive - the stuff of imaginations unbound. Though visually evocative films are always a part of the landscape, the artistic leap of 2012 is particularly significant.
NEWS
December 13, 2012
For most directors, there is usually one moment in their film that brings it all together while they are shooting - or sometimes before production has even started - one scene that unlocks key relationships among the characters or clicks so well the director knows the film as a whole is going to work. Or sometimes it depicts in just a minute or two the whole point of the film. The Envelope talked with five directors with films out this year who experienced just such a moment. David O. Russell / 'Silver Linings Playbook' "The obvious candidate is the 'parley' scene, when Jennifer [Lawrence]
ENTERTAINMENT
November 27, 2012 | By Glenn Whipp
David O. Russell's screwball comedy "Silver Linings Playbook" and Wes Anderson's coming-of-age romance "Moonrise Kingdom" led the 2013 Film Independent Spirit Awards with five nominations apiece, including feature, director and screenplay. The bounty for Anderson's acclaimed "Moonrise" comes half a day after the film won best feature honors at Monday's Gotham Awards, boosting the movie's end-of-the-year profile and maybe providing an impetus for...
ENTERTAINMENT
November 27, 2012 | By Susan King
Two offbeat comedies dominated the 28th annual Film Independent Spirit Award nominations Tuesday morning. David O. Russell's quirky "Silver Linings Playbook," starring Bradley Cooper and Jennifer Lawrence, and Wes Anderson's charming coming-of-age comedy "Moonrise Kingdom," each earned five Spirit Award nominations, including best feature, director and screenplay. It was the second nod of support this week for "Moonrise Kingdom," which was named best film Monday evening at the Gotham Independent Film Awards in New York.