July 10, 2013 |
"Stanley Kubrick," the gigantic exhibition devoted to the perfectionist filmmaker that ran at the Los Angeles County Museum of Art, proved to be a popular draw with the public, attracting 243,792 visitors during its eight-month stay, according to the museum. The exhibition, which opened in November and closed June 30, ran for 242 days and had a daily average of a little more than 1,000 visitors. LACMA estimates that about 28% of the attendees were first-time visitors to the museum, based on a survey it conducted.
June 17, 2013 |
In the decade since its founding, the International Contemporary Ensemble has become essential. The flexible collective of 33 musicians is likely the most accomplished new music group in New York, and it makes a significant contribution toward keeping the city musically cosmopolitan, regularly providing compelling performances of meaningful and dauntingly difficult new music from afar. One of the most memorable concerts of recent work I've heard in the last half-year, for instance, was ICE's program devoted to the feisty, remarkable Austrian composer Olga Neuwirth at Columbia University in December.
May 13, 2013 |
With the Los Angeles County Museum of Art 's expansive "Stanley Kubrick" exhibition set to close on June 30, the museum's film department is revisiting several key movies in the maverick filmmaker's oeuvre. Each of the director's films in the series "Kubrick and Co. " will be paired with an important work by another filmmaker, including Michaelangelo Antonioni ("Red Desert"), Ingmar Bergman ("Hour of the Wolf"), Sam Fuller ("China Gate") and Max Ophuls ("Lola Montes"). The series opens May 31 with Kubrick's 1957 anti-war film, "Paths of Glory," starring Kirk Douglas, followed by Joseph Losey's 1957 drama "Time Without Pity," revolving around a man's (Michael Redgrave)
April 3, 2013 |
Since its release in 1980, Stanley Kubrick's film adaptation of Stephen King's "The Shining" has firmly embedded itself into the pop consciousness with its shudder-inducing cry of "Here's Johnny!" and its blood-soaked hallways. "Room 237," which opens Friday in Los Angeles, digs into five of the myriad theories of interpretation that have sprung up around what is now a modern horror classic. The proponents of these theories, heard only in voice-over, function as narrators as they rather plausibly lay out "The Shining" as a metaphor for the genocide of Native Americans, for the Holocaust, as an exploration of the mythology of the Minotaur and/or as Kubrick's secret confession that he was involved in faking the Apollo 11 moon landing.
March 18, 2013
'Beyond the Infinite: Science Fiction After Kubrick' Where: Los Angeles County Museum of Art, Leo S. Bing Theater When: Friday through April 6; Friday: "Phase IV" at 7:30 p.m.; "Silent Running" at 9:10 p.m. Tickets: $5-$10 Information: lacma.org/programs/film/series-and-special-screenings
March 17, 2013 |
Stanley Kubrick's 1968 sci-fi epic "2001: A Space Odyssey" had an immediate impact on filmmakers. The Los Angeles County Museum of Art's new series "Beyond the Infinite: Science Fiction After Kubrick," which begins Friday and concludes April 6, features several cerebral, thought-provoking genre films that were inspired by Kubrick's masterpiece. "Beyond the Infinite" is one of many recent LACMA film programs that have enhanced the museum's popular "Stanley Kubrick" exhibition. Bernardo Rondeau, assistant curator of LACMA's film programs, noted that science-fiction films have been popular since the beginning of cinema, with such classics as Georges Melies' 1902 "A Trip to the Moon.